Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 15 July 2019

Abstract and Keywords

This chapter suggests ways in which accounts of particular, situated voices might work in a dialectic with general theories of “the voice.” It begins from five geographically proximate but ontologically far-flung voice-s, each revealed as real in its own way by five different situated practices: a political demonstration in Mumbai, a samā in which poems are sung for members of the Chisti Sufi brotherhood, a staged “Sufi” event, the editing of a playback singer’s vocal track, and a diagnosis in a voice clinic. It goes on to reflect in general on the practices and infrastructures that allow particular voices to show up as real, demonstrating that voices not only are different, but are differently. Finally, it turns to cases in which voices show up indeterminately: as muddled and unresolvable, or binaurally, as two things as once—thus offering a way into the ambiguities and contestations that animate a vocal “politics of what.”

Keywords: ethnomusicology, ontology, vocal practice, politics, Mumbai, Islam, South Asia, Sufism

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.