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date: 10 July 2020

Abstract and Keywords

Based on the studies of Don Ihde on the “embodiment relations” between the body and technological artifacts, Gretchen Schiller’s concept of “kinesfield,” and revisiting Merleau-Ponty’s (1945) concepts of “body schema” and “flesh of the world,” this chapter examines the forms of relation that are established in the bodily experience of mediadance, promoting new sensorial and perceptive experiences for dancers and for the public/participant/user, such as innovative forms of body re-presentations and new ways for the public to experience dance. Examples include intermedia performances that allow the performer to make changes to sound and light on the stage or in videos that, through cameras and software, translates movements into sound, light, or graphical patterns. Interactive user-computer software, like Wii and the Sony motion controller, allow the capture (by video) of the movement of the user transmitting it to a virtual body and environment. And dance telematics creates virtual encounters between remote dancers.

Keywords: Don Ihde, Gretchen Schiller, Merleau-Ponty, mediadance, intermedia, interactive user-computer software, dance telematics

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