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date: 07 July 2020

Abstract and Keywords

This chapter frames world Christianities as a continuous dialogue within, across, and between worlds: the human world of the everyday and the divine (utopian) world of God. To mediate this contradiction inherent to Christianity—and perhaps to the human experience more generally—Christian soteriological and eschatological doctrines takes the shape of continuous journeys aimed at transcending the boundaries of both the sacred and the secular, producing an (altered) return that re-creates the everyday world, where difference is ever-present. Christian musics come into being at specific sites of origin—in early church history, at colonial encounter in the Americas, along the boundaries crossed by 21st-century immigrants in Chicago—forming sacred journeys articulated through worship and song. Connecting these sites is the path of return, realized musically through the centrality of revival. The intertextuality of music maps the trajectories of these journeys, embodying the multiple encounters generating the continuous re-creation.

Keywords: Christianity, music, North America, Chicago, Europe, boundaries, sacred, secular, intertexuality, utopia

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