- The Oxford Handbook of Music and World Christianities
- Acknowledgments
- Contributors
- Introduction
- Music, Convert, and Subject in the North Sumatran Mission Field
- Mission Music as a Mode of Intercultural Transmission, Charisma, and Memory in Northern Australia
- Coexistence of Causal and Cultural Expressions of Musical Values among the Sabaot of Kenya
- Indigenous Innovations on Music and Christianity at Ratana Pa
- Music as Shared Space in Mennonite Development Work in Chad
- Are Western Christian <i>Bhajans</i> “Reverse” Mission Music?
- Drums in the Experience of Black Catholicism in Minas Gerais, Brazil
- Chant as the Articulation of Christian Aramean Spirithood
- The Politics of Pronunciation among German-Speaking Mennonites in Northern Mexico
- Hidden Histories of Religious Music in a South African Coloured Community
- Music and Religiosity among African American Fundamentalist Christians
- Songs of <i>Oru Olai</i> and the Praxis of Alternative Dalit Christian Modernities in India
- The Renaissance of the Corsican Confraternities and Their Musical Negotiations
- Local Music Making and the Liturgical Renovation in Minas Gerais
- The Survival Story of Syriac Chants among the St. Thomas Christians in South India
- Russian Church Music, Conundrums of Style, and the Politics of Preservation in the Emigre Diaspora of New York
- Parading Protestantisms and the Flute Bands of Postconflict Northern Ireland
- Everyday Musical Ethnicity and Roma (Gypsies) in Hungarian Pentecostalism
- Transnational Connections, Musical Meaning, and the 1990s “British Invasion” of North American Evangelical Worship Music
- Negotiations of Faith and Space in Memphis Music
- Tropes of Continuity and Disjuncture in the Globalization of Gospel Music
- Mainline Protestantism and Contemporary versus Traditional Worship Music
- Negotiating the Tensions of U.S. Worship Music in the Marketplace
- Contingency and the Symbolic Experience of Christian Extreme Metal
- Palestinian Christmas Songs for Peace and Justice in Sacred Place and Politicized Space
- The Diffusion of Gregorian Chant in Southern Italy and the Masses for St. Michael: To Barbara Haggh and to the Memory of Michel Huglo
- Performing Pannkotis Identity in Haiti
- Christianity and Korean Traditional Music
- Congregational Singing, Orthodox Christianity, and the Making of Ecumenicity
- Afterward: Sound, Soteriology, Return, and Revival in the Global History of Christian Musics
- Index
Abstract and Keywords
This chapter tracks the global circulation of gospel music, a movement enabled in part by the transnational record industry, noting in particular the ways some audiences in the African Diaspora receive and participate in the music in continuity with African American religious practice in the United States. A key interest is the way gospel music reflects religiosity and cultural experience and the transformations that can disrupt the link between these elements in global performances. The chapter traces performances and historical moments that show an encounter with the global in the careers of pioneering gospel performers, including Mahalia Jackson and Rosetta Tharpe. It then describes and analyzes the author’s experience as “performer and culture bearer” of gospel music in two transnational sites: collaborative performances in Malawi and Cuba. The author concludes that the comprehensive integrity of gospel music is presented most coherently when the music is mediated through the lens of both cultural and religious identity.
Keywords: Christianity, African diaspora, Cuba, Japan, Malawi, globalization, gospel music, transnationalism, religiosity, media
Indiana University
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- The Oxford Handbook of Music and World Christianities
- Acknowledgments
- Contributors
- Introduction
- Music, Convert, and Subject in the North Sumatran Mission Field
- Mission Music as a Mode of Intercultural Transmission, Charisma, and Memory in Northern Australia
- Coexistence of Causal and Cultural Expressions of Musical Values among the Sabaot of Kenya
- Indigenous Innovations on Music and Christianity at Ratana Pa
- Music as Shared Space in Mennonite Development Work in Chad
- Are Western Christian <i>Bhajans</i> “Reverse” Mission Music?
- Drums in the Experience of Black Catholicism in Minas Gerais, Brazil
- Chant as the Articulation of Christian Aramean Spirithood
- The Politics of Pronunciation among German-Speaking Mennonites in Northern Mexico
- Hidden Histories of Religious Music in a South African Coloured Community
- Music and Religiosity among African American Fundamentalist Christians
- Songs of <i>Oru Olai</i> and the Praxis of Alternative Dalit Christian Modernities in India
- The Renaissance of the Corsican Confraternities and Their Musical Negotiations
- Local Music Making and the Liturgical Renovation in Minas Gerais
- The Survival Story of Syriac Chants among the St. Thomas Christians in South India
- Russian Church Music, Conundrums of Style, and the Politics of Preservation in the Emigre Diaspora of New York
- Parading Protestantisms and the Flute Bands of Postconflict Northern Ireland
- Everyday Musical Ethnicity and Roma (Gypsies) in Hungarian Pentecostalism
- Transnational Connections, Musical Meaning, and the 1990s “British Invasion” of North American Evangelical Worship Music
- Negotiations of Faith and Space in Memphis Music
- Tropes of Continuity and Disjuncture in the Globalization of Gospel Music
- Mainline Protestantism and Contemporary versus Traditional Worship Music
- Negotiating the Tensions of U.S. Worship Music in the Marketplace
- Contingency and the Symbolic Experience of Christian Extreme Metal
- Palestinian Christmas Songs for Peace and Justice in Sacred Place and Politicized Space
- The Diffusion of Gregorian Chant in Southern Italy and the Masses for St. Michael: To Barbara Haggh and to the Memory of Michel Huglo
- Performing Pannkotis Identity in Haiti
- Christianity and Korean Traditional Music
- Congregational Singing, Orthodox Christianity, and the Making of Ecumenicity
- Afterward: Sound, Soteriology, Return, and Revival in the Global History of Christian Musics
- Index
