- The Oxford Handbook of Qualitative Research in American Music Education
- Acknowledgments
- List of Contributors
- Introduction
- Qualitative Research in Music Education: Concepts, Goals and Characteristics
- History of Qualitative Research in American Music Education
- Epistemology and Qualitative Research in Music Education
- Paradigms and Theories: Framing Qualitative Research in Music Education
- Changing the Conversation: Considering Quality in Music Education Qualitative Research
- Case Study in Music Education
- Doing Ethnography in Music Education
- Phenomenological Research in Music Education
- Narrative Inquiry and the Uses of Narrative in Music Education Research
- Practitioner Inquiry
- Mixed Methods Research in Music Education
- Collecting and Analyzing Observation of Music Teaching and Learning Data
- Conducting and Analyzing Individual Interviews
- Collecting and Analyzing Focus Group Data
- Collecting, Generating, and Analyzing Multimodal and Multimedia Data
- Music-Making As Data: Collection and Analysis
- Software to Interrogate Qualitative Data in Music Education
- Qualitative Research in Early Childhood Music Education
- Qualitative Research in General Music Education
- Instrumental Music (Winds, Brass, Percussion)
- Instrumental Music (Strings)
- Qualitative Choral Music Research
- A Critical Analysis of Qualitative Research on Learning to Teach Music in Preservice Music Teacher Education
- Inservice Music Teacher Professional Development
- Community Music Education
- Qualitative Research Examining Students with Exceptionalities in Music Education
- Intersectionalities: Exploring Qualitative Research, Music Education, and Diversity
- World Musics and Cultural Diversity in the Music Classroom and the Community
- Ethics and Qualitative Research in Music Education
- The Politics of PublicationVoices, Venues, and Ethics
- Teaching Qualitative Research Experientially and Aesthetically
- Future Possibilities for Qualitative Research in Music Education
- Index
Abstract and Keywords
This chapter investigates the evolution of three prevailing epistemological fields of thought in the twentieth and early twenty-first-century: positivism, structuralism, and post-structuralism. Educational psychologist Jerome Bruner’s career-long interest in the mind and his changing attitudes and interests in knowledge and knowledge-making serve as an explicative for the changes that have taken place. A point is emphasized throughout: beliefs about knowledge and the mind shape and inform the questions researchers ask and the methods of investigation researchers choose to employ. Exemplifying this point, the chapter embraces a vision of research that is congruent with the diversity and fragmentation of contemporary society and alternative ways of knowing and being.
Keywords: Jerome Bruner, behaviorism, culture, epistemology, knowledge, mind, narrative research, positivism, postmodernism, post-structuralism, structuralism
Randall Everett Allsup holds degrees in music and music education from Northwestern University and Columbia University. He is assistant professor of music and music education at Teachers College Columbia University in New York City. His research focuses on the intersections of democracy, pluralism, the arts, and popular education. His scholarship has been influenced by thinkers such as John Dewey, Paulo Freire, and Maxine Greene. His forthcoming research looks at the domain of music and moral education. He is the recipient of a Fulbright research award, Outstanding Teacher award at Columbia University, and Outstanding Dissertation for Crossing Over: Mutual Learning and Democratic Action in Instrumental Learning. He is also past chair of the International Society for the Philosophy of Music Education.
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- The Oxford Handbook of Qualitative Research in American Music Education
- Acknowledgments
- List of Contributors
- Introduction
- Qualitative Research in Music Education: Concepts, Goals and Characteristics
- History of Qualitative Research in American Music Education
- Epistemology and Qualitative Research in Music Education
- Paradigms and Theories: Framing Qualitative Research in Music Education
- Changing the Conversation: Considering Quality in Music Education Qualitative Research
- Case Study in Music Education
- Doing Ethnography in Music Education
- Phenomenological Research in Music Education
- Narrative Inquiry and the Uses of Narrative in Music Education Research
- Practitioner Inquiry
- Mixed Methods Research in Music Education
- Collecting and Analyzing Observation of Music Teaching and Learning Data
- Conducting and Analyzing Individual Interviews
- Collecting and Analyzing Focus Group Data
- Collecting, Generating, and Analyzing Multimodal and Multimedia Data
- Music-Making As Data: Collection and Analysis
- Software to Interrogate Qualitative Data in Music Education
- Qualitative Research in Early Childhood Music Education
- Qualitative Research in General Music Education
- Instrumental Music (Winds, Brass, Percussion)
- Instrumental Music (Strings)
- Qualitative Choral Music Research
- A Critical Analysis of Qualitative Research on Learning to Teach Music in Preservice Music Teacher Education
- Inservice Music Teacher Professional Development
- Community Music Education
- Qualitative Research Examining Students with Exceptionalities in Music Education
- Intersectionalities: Exploring Qualitative Research, Music Education, and Diversity
- World Musics and Cultural Diversity in the Music Classroom and the Community
- Ethics and Qualitative Research in Music Education
- The Politics of PublicationVoices, Venues, and Ethics
- Teaching Qualitative Research Experientially and Aesthetically
- Future Possibilities for Qualitative Research in Music Education
- Index