Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2022. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 02 July 2022

Abstract and Keywords

This chapter investigates the coconstruction of musical identities among audiences and performers in the virtual world of Second Life. Within this digital environment, musicians, rendered as digitally constructed avatars, perform “live” concerts in front of audience members, each represented by their own avatar. Through an ethnographic account of live music performances in Second Life, including interviews with musicians and audience members, this chapter will explore the layered identities of Second Life participants as they socially construct their digital avatar personas within the virtual world. Musical personas of Second Life participants, like real-world identities, are constantly in flux and incomplete, and are constructed in the process of musical performances. Musical avatars, both of musicians and audiences, are thus complex intersubjective and intrasubjective mediators of the meaningful sociomusical experiences that draw participation into virtual worlds.

Keywords: Virtual worlds, Second Life, musical personas, identity, avatars, ethnography

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.