Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 05 July 2020

Abstract and Keywords

This article discusses computer-generated sound as the object of empirical study, particularly in perceptual, cognitive, and computational research. The purpose of this article begins with the musicological, taken broadly as understanding the structure of music and its impact on listeners, as well as the creative and performative roles of those who realize the music. It continues with the use of computer-generated sound as material for studies on sonic cognition and temporal perception more broadly. This article focuses on computer sound that is fundamentally musical or intended as such but makes soccasional references to the literature on other computationally generated sounds. Some such sounds are used to bridge the gap between natural phenomena such as object looming and musical phenomena such as crescendi and diminuendi. When an object that generates sound approaches, the sound can be an important influence on one's biological responses and the response of avoidance when necessary.

Keywords: empirical study, computer-generated sound, performative roles, crescendi, diminuendi

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.