- The Oxford Handbook of Computer Music
- Introduction: The Many Futures of Computer Music
- A Historical View of Computer Music Technology
- Early Hardware and Early Ideas in Computer Music: Their Development and Their Current Forms
- Sound Synthesis Using Computers
- Computational Approaches to Composition of Notated Instrumental Music: Xenakis and the Other Pioneers
- Envisaging Improvisation in Future Computer Music
- Computer Music: Some Reflections
- Some Notes on My Electronic Improvisation Practice
- Combining the Acoustic and the Digital: Music for Instruments and Computers or Prerecorded Sound
- Dancing the Music: Interactive Dance and Music
- Gesture and Morphology in Laptop Music Performance
- Sensor-Based Musical Instruments and Interactive Music
- Spatialization and Computer Music
- The Voice in Computer Music and Its Relationship to Place, Identity, and Community
- Algorithmic Synesthesia
- An Introduction to Data Sonification
- Generative Algorithms for Making Music: Emergence, Evolution, and Ecosystems
- Computational Modeling of Music Cognition and Musical Creativity
- Soundspotting: A New Kind of Process?
- Interactivity and Improvisation
- From Outside the Window: Electronic Sound Performance
- Empirical Studies of Computer Sound
- Toward the Gender Ideal
- Sound-Based Music 4 All
- Framing Learning Perspectives in Computer Music Education
- Appendix: A Chronology of Computer Music and Related Events
Chadabe, J. 1997. Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice Hall.Find this resource:
Collins, N., and J. dʼEscriván. 2007. The Cambridge Companion to Electronic Music. Cambridge: Cambridge University Press, pp. xiv–xxi.Find this resource:
Manning, P. 2004. Electronic and Computer Music. Oxford: Oxford University Press.Find this resource:
De Montfort University. ElectroAcoustic Resource Site. http://www.ears.dmu.ac.uk/spip.php, accessed May 15–18, 2008.
The EMF Institute. The EMF Institute Big Timeline. http://emfinstitute.emf.org/bigtimelines/bigtimeline.html, accessed May 15–18, 2008.
Much information is also available in the following journals: Computer Music Journal, Leonardo, Leonardo Music Journal, and Organised Sound. In addition, there are snippets of information in online forums, Web sites, and community mailing lists, such as the International Computer Music Association, CEC-Conference (Canadian Electroacoustic Community), Electronic Music Foundation, and so on.