- The Oxford Handbook of the Literature of the U.S. South
- Literary and Textual Histories of the Native South
- Before Hypodescent: Whitening Equations in South America and the American South
- The Dying Confession of Joseph Hare: Transatlantic Highwaymen and Southern Outlaws in the Antebellum South
- Jackson’s Villes, Squares, and Frontiers of Democracy
- Locality and the Serial South
- The Long Shadow of Torture in the American South
- Masculine Sentiment, Racial Fetishism, and Same-Sex Desire in Antebellum Southern Literature
- Southern Affects: Field and Feeling in a Skeptical Age
- Not-So-Still Waters: Travelers to Florida and the Tropical Sublime
- Indian Knives and Color Lines: Mark Twain from Hannibal to the Jim Crow Raj
- Narrative and Counternarrative in <i>The Leopard’s Spots</i> and <i>The Marrow of Tradition</i>
- The Bright Side: African American Women and the Affective Archive of Southern Racial Uplift
- “Proffered for Your Perusal in Ring by Concentric Ring”: The South and the World in William Faulkner’s Fiction
- Richard Weaver, Lillian Smith, the South, and the World
- Arts of Abjection in James Agee, Walker Evans, and Luis Buñuel
- Tennessee Williams and the Burden of Southern Sexuality Studies
- Reimagining the South of Richard Wright: The Anti-Protest Writing of Albert Murray, Raymond Andrews, and Ernest Gaines
- Letter-Writing, Authorship, and Southern Women Modernists
- Nature and Spirituality in Contemporary Appalachian Poetry
- Southern Religion’s Sexual Charge and the National Imagination
- Their Confederate Kinfolk: African Americans’ Interracial Family Histories
- Mourning, Mockery, and the Post-South in Lars von Trier’s <i>Manderlay</i> and Geraldine Brooks’s <i>March</i>
- Made Things: Structuring Modernity in Southern Poetry
- Four Contemporary Latina/o Writers Ghost the U.S. South
- You Don’t Have to Be Born There: Immigration and Contemporary Fiction of the U.S. South
- Asian Americans, Racial Latency, Southern Traces
- The Woundedness of Southern Literature, Looking Away
Abstract and Keywords
The Dying Confession of Joseph Hare (1818) was a gallows confession composed by an American highwayman in the weeks before his execution in Baltimore. This chapter argues that, in unexpected ways, Hare’s account of his life and crimes in the South in the early years of the nineteenth century was a text that was steeped in the transatlantic literature and lore of the highwayman: it looks back to English models that crystallized in the eighteenth century, and it points forward to the proliferation of crime narratives and southern outlaws in the nineteenth century. An idiosyncratic text penned by an eccentric robber, Hare’s pivotal autobiography both complicates and extends our understanding of the relationship between crime and punishment, violence, masculinity, and popular fiction in the nineteenth-century South and beyond.
Dr Thomas Ruys Smith is Senior Lecturer in American Literature and Culture at the University of East Anglia in the UK. Most recently, he is the author of Southern Queen: New Orleans in the Nineteenth Century (Continuum, 2011), and the co-editor of Must Read: Rediscovering American Bestsellers (Bloomsbury, 2012).
Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.