- The Oxford Handbook of the Literature of the U.S. South
- Literary and Textual Histories of the Native South
- Before Hypodescent: Whitening Equations in South America and the American South
- The Dying Confession of Joseph Hare: Transatlantic Highwaymen and Southern Outlaws in the Antebellum South
- Jackson’s Villes, Squares, and Frontiers of Democracy
- Locality and the Serial South
- The Long Shadow of Torture in the American South
- Masculine Sentiment, Racial Fetishism, and Same-Sex Desire in Antebellum Southern Literature
- Southern Affects: Field and Feeling in a Skeptical Age
- Not-So-Still Waters: Travelers to Florida and the Tropical Sublime
- Indian Knives and Color Lines: Mark Twain from Hannibal to the Jim Crow Raj
- Narrative and Counternarrative in <i>The Leopard’s Spots</i> and <i>The Marrow of Tradition</i>
- The Bright Side: African American Women and the Affective Archive of Southern Racial Uplift
- “Proffered for Your Perusal in Ring by Concentric Ring”: The South and the World in William Faulkner’s Fiction
- Richard Weaver, Lillian Smith, the South, and the World
- Arts of Abjection in James Agee, Walker Evans, and Luis Buñuel
- Tennessee Williams and the Burden of Southern Sexuality Studies
- Reimagining the South of Richard Wright: The Anti-Protest Writing of Albert Murray, Raymond Andrews, and Ernest Gaines
- Letter-Writing, Authorship, and Southern Women Modernists
- Nature and Spirituality in Contemporary Appalachian Poetry
- Southern Religion’s Sexual Charge and the National Imagination
- Their Confederate Kinfolk: African Americans’ Interracial Family Histories
- Mourning, Mockery, and the Post-South in Lars von Trier’s <i>Manderlay</i> and Geraldine Brooks’s <i>March</i>
- Made Things: Structuring Modernity in Southern Poetry
- Four Contemporary Latina/o Writers Ghost the U.S. South
- You Don’t Have to Be Born There: Immigration and Contemporary Fiction of the U.S. South
- Asian Americans, Racial Latency, Southern Traces
- The Woundedness of Southern Literature, Looking Away
Abstract and Keywords
The relationship between the New Southern Studies and its predecessor is often contentious, and that friction is generational. This chapter proposes that a significant element of the contentiousness, generational differences aside, is that the subject of the discourse—that is, the South—can no longer be defined by its former, and stable, linkage to history and place. The South may now be invoked as “the South,” and may be represented by authors who possess no firsthand lived experience of it. Examples to be interrogated are Danish filmmaker Lars von Trier’s film Manderlay and the Australian-born novelist Geraldine Brooks’s reimagining of Alcott’s Little Women in March.
Michael Kreyling is Gertrude Conaway Vanderbilt Professor of English at Vanderbilt. His most recent book is A Late Encounter With the Civil War (The Lamar Lectures at Mercer University, 2012), published by University of Georgia Press.
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