Abstract and Keywords
This chapter describes religious terrorism as “performance violence,” illustrating that performance violence is planned in order to obtain tangible goals, and also to theatrically enact and communicate an imagined reality. The scenario that underlies the performance of religious terrorism is often one of cosmic war. Some religious terrorism could also be motivated by scenarios other than cosmic war. The idea of warfare involves more than an attitude; it is ultimately a world view and an assertion of power. An act of violence sends two messages at the same time: a broad message aimed at the general public and a specific communication targeted at a narrower audience. Silent terrors are those in which the audience is not directly evident. It is noted that terrorism has been conducted for a television audience around the world.
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