Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 25 July 2021

Abstract and Keywords

In the two decades following the American Revolution, the art and architecture of the United States were hounded by questions about the role of art in a republican society. The problem facing aspiring artists and architects during those years was how to establish committed patronage for the arts. Not surprisingly, eighteenth-century art and architecture in Britain's North American colonies largely reflected English aesthetic trends. The consumer revolution not only encouraged the demand for portraiture, but also fueled a market in the British colonies for printed books, periodicals, and engravings. Architectural publications occupied a central place in this surge in the distribution of print. Aside from securing patronage, American designers struggled with provincialism in the early republic. Artists such as Charles Willson Peale and John Trumbull hoped to encourage the republic by educating its citizenry.

Keywords: art, architecture, American Revolution, United States, provincialism, patronage, education, Britain, consumer revolution, print

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.