- The Oxford Handbook of Ecocriticism
- List of Contributors
- Being Green in Late Medieval English Literature
- Shadows of the Renaissance
- Romanticism and Ecocriticism
- Cholera, Kipling, and Tropical India
- Ecocriticism and Modernism
- W. E. B. Du Bois at the Grand Canyon: Nature, History, and Race in Darkwater
- Pataphysics and Postmodern Ecocriticism: A Prospectus
- Ecocriticism and the Politics of Representation
- Cosmovisions: Environmental Justice, Transnational American Studies, and Indigenous Literature
- Feminist Science Studies and Ecocriticism: Aesthetics and Entanglement in the Deep Sea
- Mediating Climate Change: Ecocriticism, Science Studies, and The Hungry Tide
- Ecocriticism, Posthumanism, and the Biological Idea of Culture
- Ferality Tales
- Biosemiotic Criticism
- Deconstruction and/as Ecology
- Queer Life? Ecocriticism After the Fire
- Extinctions: Chronicles of Vanishing Fauna in the Colonial and Postcolonial Caribbean
- Ecocritical Approaches to Literary Form and Genre: Urgency, Depth, Provisionality, Temporality
- Are You Serious? A Modest Proposal for Environmental Humor
- Is American Nature Writing Dead?
- Environmental Writing for Children: A Selected Reconnaissance of Heritages, Emphases, Horizons
- The Contemporary English Novel and its Challenges to Ecocriticism
- “A Music Numerous as Space”: Cognitive Environment and the House that Lyric Builds
- Rethinking Eco-Film Studies
- Green Banjo: The Ecoformalism of Old-Time Music
- Media Moralia: Reflections on Damaged Environments and Digital Life
- Talking About Climate Change: The Ecological Crisis and Narrative Form
- Ecocriticism in Japan
- Engaging with Prakriti: A Survey of Ecocritical Praxis in India
- Chinese Ecocriticism in the Last Ten Years
- German Ecocriticism: An Overview
- Barrier Beach
Abstract and Keywords
This article analyzes the theoretical and methodological assumptions which influenced ecocritical writings on film. It evaluates the most pragmatically useful theoretical framework for eco-film criticism and examines the strengths and weaknesses of the different theories and methods that have been employed by ecocritics working in film studies. It considers eco-film criticism and ideological analysis within the psycho-semiotic paradigm and the cognitivist film theory. This article also discusses some potential future developments in eco-film criticism.
David Ingram is a lecturer in Screen Media at Brunel University, London. He is the author of Green Screen: Environmentalism and Hollywood Cinema (2000) and The Jukebox in the Garden: Ecocriticism and American Popular Music Since 1960 (2010), as well as several articles on film and music. He is a member of the Advisory Board of the Association for the Study of Literature and the Environment-UKI.
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