- The Oxford Handbook of Ecocriticism
- List of Contributors
- Being Green in Late Medieval English Literature
- Shadows of the Renaissance
- Romanticism and Ecocriticism
- Cholera, Kipling, and Tropical India
- Ecocriticism and Modernism
- W. E. B. Du Bois at the Grand Canyon: Nature, History, and Race in Darkwater
- Pataphysics and Postmodern Ecocriticism: A Prospectus
- Ecocriticism and the Politics of Representation
- Cosmovisions: Environmental Justice, Transnational American Studies, and Indigenous Literature
- Feminist Science Studies and Ecocriticism: Aesthetics and Entanglement in the Deep Sea
- Mediating Climate Change: Ecocriticism, Science Studies, and The Hungry Tide
- Ecocriticism, Posthumanism, and the Biological Idea of Culture
- Ferality Tales
- Biosemiotic Criticism
- Deconstruction and/as Ecology
- Queer Life? Ecocriticism After the Fire
- Extinctions: Chronicles of Vanishing Fauna in the Colonial and Postcolonial Caribbean
- Ecocritical Approaches to Literary Form and Genre: Urgency, Depth, Provisionality, Temporality
- Are You Serious? A Modest Proposal for Environmental Humor
- Is American Nature Writing Dead?
- Environmental Writing for Children: A Selected Reconnaissance of Heritages, Emphases, Horizons
- The Contemporary English Novel and its Challenges to Ecocriticism
- “A Music Numerous as Space”: Cognitive Environment and the House that Lyric Builds
- Rethinking Eco-Film Studies
- Green Banjo: The Ecoformalism of Old-Time Music
- Media Moralia: Reflections on Damaged Environments and Digital Life
- Talking About Climate Change: The Ecological Crisis and Narrative Form
- Ecocriticism in Japan
- Engaging with Prakriti: A Survey of Ecocritical Praxis in India
- Chinese Ecocriticism in the Last Ten Years
- German Ecocriticism: An Overview
- Barrier Beach
Abstract and Keywords
This article examines Amitav Ghosh’s climate change novel The Hungry Tide, which has become something of a canonical text for environmental critics. It explains that this novel shows the literary processes of mediation and argues that, instead of viewing mediation as a substitution of the sign for the real, we follow Latour suggestion that the mediated circulation of things is what makes them real. It also argues that by tracing mediation in literary texts, ecocriticism can begin to describe their innovations in the world of things.
Adam Trexler is an independent scholar, cyclist and environmental activist based in Oregon, USA. He is the author, with Adeline Johns-Putra, of a survey of climate change literature and criticism in WIREs Climate Change.
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