- The Oxford Handbook of Ecocriticism
- List of Contributors
- Being Green in Late Medieval English Literature
- Shadows of the Renaissance
- Romanticism and Ecocriticism
- Cholera, Kipling, and Tropical India
- Ecocriticism and Modernism
- W. E. B. Du Bois at the Grand Canyon: Nature, History, and Race in Darkwater
- Pataphysics and Postmodern Ecocriticism: A Prospectus
- Ecocriticism and the Politics of Representation
- Cosmovisions: Environmental Justice, Transnational American Studies, and Indigenous Literature
- Feminist Science Studies and Ecocriticism: Aesthetics and Entanglement in the Deep Sea
- Mediating Climate Change: Ecocriticism, Science Studies, and The Hungry Tide
- Ecocriticism, Posthumanism, and the Biological Idea of Culture
- Ferality Tales
- Biosemiotic Criticism
- Deconstruction and/as Ecology
- Queer Life? Ecocriticism After the Fire
- Extinctions: Chronicles of Vanishing Fauna in the Colonial and Postcolonial Caribbean
- Ecocritical Approaches to Literary Form and Genre: Urgency, Depth, Provisionality, Temporality
- Are You Serious? A Modest Proposal for Environmental Humor
- Is American Nature Writing Dead?
- Environmental Writing for Children: A Selected Reconnaissance of Heritages, Emphases, Horizons
- The Contemporary English Novel and its Challenges to Ecocriticism
- “A Music Numerous as Space”: Cognitive Environment and the House that Lyric Builds
- Rethinking Eco-Film Studies
- Green Banjo: The Ecoformalism of Old-Time Music
- Media Moralia: Reflections on Damaged Environments and Digital Life
- Talking About Climate Change: The Ecological Crisis and Narrative Form
- Ecocriticism in Japan
- Engaging with Prakriti: A Survey of Ecocritical Praxis in India
- Chinese Ecocriticism in the Last Ten Years
- German Ecocriticism: An Overview
- Barrier Beach
Abstract and Keywords
This article investigates why W. E. B. Du Bois combined existential, racial, and environmental themes in his essay Darkwater: Voices from Within the Veil. It analyzes how natural beauty gave rise to the combination of anti-racist protest and imported German romanticism in this work and highlights its potential contribution to a better understanding of the intersection of race, romanticism and modernism in the ecocritical tradition. It suggests that Du Bois’s explorations of the double environments of (black) Jim Crow and (white) national parks in the essay foreground practices of segregation across both natural and urban spaces.
John Claborn completed his PhD. at the University of Illinois in 2012. His research has been published in English Language Notes, ISLE, Modern Fiction Studies, and Studies in American Jewish Literature. Claborn teaches at the University of Illinois and is working on a book manuscript called Ecology of the Color Line: Race and Nature in American Literature, 1895-1941.
Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.