Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 29 February 2020

Abstract and Keywords

This chapter demonstrates the impact of rhetorical training in shaping the Elizabethan theater at the end of the sixteenth century. English schoolmasters had translated the Latin rhetoric of Cicero and Quintilian into the vernacular, and these verbal forms—schemes, tropes, and figures—became a central feature of Tudor pedagogy; two classroom exercises in rhetoric were prosopopoeia (the impersonation of a character) and argumentum in utramque partem (defending both sides of a debating question). Thomas Kyd and Christopher Marlowe first exploited these rhetorical and poetic forms theatrically in the 1580s, and shortly thereafter William Shakespeare built on their model in the abundant poetic artifice of his early history cycle, a feature especially apparent in Henry VI, Part Three. Crucially, for Shakespeare and his contemporaries, the possibilities of rhetoric as a persuasive art served to complicate the drama and thus to immerse the audience in the process of interpretation.

Keywords: Tudor pedagogy, rhetoric, prosopopoeia, argumentum in utramque partem, Shakespeare, interpretation

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.