- List of Contributors
- Introduction: Shifts, Zigzags, Impacts
- Antipodean American Geography: Washington Irving's “Globular” Narratives
- The Art of Chaos: Community and African American Literary Traditions
- Are “American Novels” Novels? Mardi and the Problem of Boring Books
- Reading Race Through Disability: Slavery and Agency in Mark Twain's Pudd'nhead Wilson and “Those Extraordinary Twins”
- The Invention of Mexican America
- Creole Kinship: Privacy and The Novel in the New World
- Looking at State Violence: Lucy Parsons, José Martí, and Haymarket
- Transatlantic vs. Hemispheric: Toni Morrison's Long Nineteenth Century
- Temporality, Race, and Empire in Cooper's The Deerslayer: The Beginning of the End
- The Visible and Invisible City: Antebellum Writers and Urban Space
- Animals and The Formation of Liberal Subjectivity in Nineteenth-Century American Literature
- Archives of Publishing and Gender: Historical Codes in Literary Analysis
- The Novel As Board Game: Homiletic Identification and Forms of Interactive Narrative
- Skepticism in Nineteenth-Century American Literature and Philosophy
- On The Redundancy of “Transnational American Studies”
- How To Read: Regionalism and the Ladies' Home Journal
- Literature and The News
- Reading Minds in the Nineteenth Century
- Making An Example: American Literature As Philosophy
- Abolition and Activism: The Present Uses of Literary Criticism
- Whose Protest Novel? Ramona, The Uncle Tom's Cabin of the Indian
- Nineteenth-Century American Literature Without Nature? Rethinking Environmental Criticism
- “Action, Action, Action”: Nineteenth-Century Literature for Twenty-First-Century Citizenship?
Abstract and Keywords
This article examines the works of Washington Irving within the broad framework of global narratives. It analyzes how geographical variables enter into the writings of Irving and how as an author he played self-consciously with the contours of cultural mapping. The article suggests that the reflexive nature of Irving's work speaks to a meta-geographical dimension which was common to many American writers in the antebellum period, who were concerned in one way or another with how the national domain might be mapped.
Paul Giles is Challis Professor of English Literature at the University of Sydney, Australia. His books include The Global Remapping of American Literature; Transnationalism in Practice: Essays on American Studies, Literature, and Religion; Atlantic Republic: The American Tradition in English Literature; Virtual Americas: Transnational Fictions and the Transatlantic Imaginary; Transatlantic Insurrections: British Culture and the Formation of American Literature, 1730–1860; American Catholic Arts and Fictions: Culture, Ideology, Aesthetics; and Hart Crane: The Contexts of The Bridge. The chapter in this book is part of an Australian Research Council Discovery project entitled “Antipodean America: Australasia, Colonialism, and the Constitution of U.S. Literature.”
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