Abstract and Keywords
This chapter examines the relationship between theater and church in the early modern London parish of St. Anne, Blackfriars. From the 1580s, the parish of St Anne gained notoriety for its Puritan ministers and residents. For a brief period in the 1590s, these godly forces prevented Burbage, Shakespeare, and their fellows from opening a new indoor theater in part of the old Dominican monastery. But eventually the theatre opened and a culture of performing and playgoing became a well-established part of the local life. By looking closely at the individuals involved and at the social and economic forces at play in the Blackfriars, this chapter argues that coexistence, not conflict, characterized relations between the Godly and their neighborhood playhouse in this corner of the City.
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