Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2022. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 26 June 2022

Abstract and Keywords

This article discusses the relationship between cinema and atheism, and draws out some of the analogies used to describe the role of cinema in modernity (particularly similarities between Plato’s cave and the cinema experience and images of cinema as ‘dream-like’). It examines the work of Soviet film-maker Dziga Vertov in particular, and looks at his use of anti-religious and atheist themes. The article suggests that while little attention has been paid to the topic of cinema and atheism, there is a rich seam of thinking to be mined here, and there exist unresolved questions about the ‘religious’ dimensions of cinema itself that go far beyond the force of the odd parodic or documentary atheist film.

Keywords: atheism, cinema, film, anti-religious, religious, Dziga Vertov, Plato’s cave, modernity

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.