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date: 21 January 2021

Abstract and Keywords

Stories and images from the Christian Apocrypha have appeared in popular, or ‘non-ecclesiastical’, settings since the Middle Ages when the various collections of lives of saints, books of hours, mystery plays, and incunabula repurposed apocryphal traditions for devotional purposes. Examples of such use have increased exponentially over the last century, in music (Gustav Holst’s ‘Hymn of Jesus’, Tori Amos’s ‘Original Sinsuality’), fiction (Thomas B. Costain’s The Silver Chalice, Dan Brown’s The Da Vinci Code), television (the ‘Hollywood A.D.’ episode of The X-Files, the Banned from the Bible documentaries), and film (Rupert Wainwright’s Stigmata, Abel Ferrara’s Mary). For the most part, these works, though entertaining, misrepresent and sensationalize the content of the texts, but their value lies not in what they say about ancient texts and traditions but in what they say about the interests and anxieties of their creators and audiences.

Keywords: popular culture, film, novels, television, music, theatre, hagiography, Da Vinci Code, Christian Apocrypha

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