Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 17 October 2019

Abstract and Keywords

This essay discusses three key developments in the progression of dance from the court to the stage, to uncover how innovations in theatrical dance during the long eighteenth century made possible the dance in the Romantic era: first, the theatrical disciplines had a shared investment in aesthetic movement that could also be found replicated in the social world; second, with the invention of the ballet d’action, theatrical dancing could and should tell a unified story using only dance steps and gesture to express a narrative; and finally, the traditional value placed on the noble style of movement was replaced with the demi-caractère style and ultimately with a blending of the best from each of the categories of movement. This discussion reveals that the long eighteenth century was a fertile period in dance history that laid the foundation for dancing in our own time.

Keywords: theatrical dance, aesthetic movement, ballet d’action, gesture, David Garrick, Jean-Georges Noverre, demi-caractère

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.