Abstract and Keywords
Christopher Marlow's Doctor Faustus is a play in which much appears to exist in doubles: a Good Angel and a Bad; master and servant; two clowns; two deeds of damnation; and, on the level of textual history, two texts, two sets of possible collaborators, two possible locales (Wittenberg and Württemberg) and two dominant modes, high drama and low farce. Most of these can best be approached by unpacking the nature of the play's two printed texts, A and B. Neither was printed in Marlowe's lifetime. Both are important records of the play's unfolding performance history, each can be used to make small corrections to the other, and neither is authoritative in establishing the play Marlowe originally wrote.
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