Abstract and Keywords
This article examines the history of modernist theatre. It explains that the theatre underwent a series of astonishing revolutions in the span of a few decades which challenged the role of the actor, the audience, the director, and the designer, and almost everything people thought they knew about the theatre as an art form. One of the paradigmatic shifts in modern drama was the rise of the director, which encouraged more collaborative and cross-cultural enterprises. The article discusses the works of key early modernist theatre directors, including Elizabeth Robins, Edith Craig, and Harley Granville-Barker, who collectively reconceptualized drama and theatre through performance strategies that experimented with how to utilize and deploy the possibilities inherent in an empty space.
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