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date: 07 July 2020

(p. 1037) Bibliography

(p. 1037) Bibliography

Abel, Elizabeth, Virginia Woolf and the Fictions of Psychoanalysis (Chicago: University of Chicago Press, 1989).Find this resource:

Abrams, M. H., The Mirror and the Lamp (Oxford: Oxford University Press, 1953).Find this resource:

Achebe, Chinua, The African Trilogy: No Longer at Ease (1960; London: Picador, 1988).Find this resource:

—— Hopes and Impediments: Selected Essays 1965–1987 (London: Heinemann, 1988).Find this resource:

—— Home and Exile (Oxford: Oxford University Press, 2000).Find this resource:

Ackroyd, Peter, T. S. Eliot (Harmondsworth: Penguin, 1993).Find this resource:

Acocella, Joan (ed.), The Diaries of Vaslav Nijinsky: Unexpurgated Edition (New York: Farrar, Straus, Giroux, 1999).Find this resource:

Adachi Mariko, ‘Shashi to Shihon to Modan Gâru: Shiseidō to Kōiri Sekken’, Jendâ Kenkyū, 9 (2006), 19–38.Find this resource:

Ades, Dawn, Art in Latin America: The Modern Era, 1820–1980 (New Haven: Yale University Press, 1993).Find this resource:

Adorno, Theodor W., ‘The Actuality of Philosophy’, Telos, 31 (1977), 120–33.Find this resource:

—— Introduction to the Sociology of Music, trans. E. B. Ashton (New York: Continuum, 1989).Find this resource:

—— ‘Why Still Philosophy?’, in Adorno, Critical Models: Interventions and Catchwords, trans. Henry W. Pickford (New York: Columbia University Press, 1989), 5–17.Find this resource:

—— Aesthetic Theory, trans. Robert Hullot‐Kentor (Minneapolis: University of Minnesota Press, 1997).Find this resource:

—— ‘Fetish Character in Music and Regression of Listening’, in Andrew Arato and Eike Gebhardt (eds), The Essential Frankfurt School Reader (New York: Continuum, 1997), 270–99.Find this resource:

—— The Culture Industry: Selected Essays on Mass Culture, ed. and trans. J. M. Bernstein (New York: Routledge, 2001).Find this resource:

—— Minima Moralia (London: Verso, 2005).Find this resource:

—— and Benjamin, Walter, The Complete Correspondence, 1928–1940 (Cambridge, Mass.: Harvard University Press, 1999).Find this resource:

Agamben, Giorgio, Means Without Ends: Notes on Politics (Theory Out of Bounds) (Minneapolis: University of Minnesota Press, 2000).Find this resource:

Ahmed, Aijaz, In Theory: Classes, Nations, Literatures (London: Verso, 1992).Find this resource:

Aitchison, John, and Carter, Harold, A Geography of the Welsh Language, 1961–1991 (Cardiff: University of Wales Press, 1994).Find this resource:

A.J.O. [A. R. Orage], ‘The Mystic Valuation of Literature’, Theosophical Review, 31 (1903), 428–34.Find this resource:

Aldington, Richard, Life for Life's Sake (1941; London: Cassell, 1969).Find this resource:

—— An Imagist at War: The Complete War Poems of Richard Aldington (Madison, NJ: Fairleigh Dickinson University Press, 2002).Find this resource:

Alexandrescu, Sorin, Romanian Art from Modernism to Postmodernism in Figurative Art, exh. cat. (Amstelveen: Cobra Museum for Modern Art, 1998).Find this resource:

Algulin, Ingemar, A History of Swedish Literature (Stockholm: Swedish Institute, 1989).Find this resource:

(p. 1038) Allan, Dot, Makeshift (1928; London: Melrose, 1928).Find this resource:

—— Hunger March (1934; London: Hutchinson, 1934).Find this resource:

Allen, Brooke, ‘Vile Bodies: A Futurist Fantasy’, Twentieth‐Century Literature, 40/3 (Autumn 2004), 318–28.Find this resource:

Allen, Walter, Tradition and Dream: The English and American Novel from the Twenties to Our Time (London: Phoenix House, 1964).Find this resource:

Allfrey, Phyllis Shand, It Falls Into Place, ed. Lizbeth Paravisini‐Gebert (London: Papillote Press, 2004).Find this resource:

Alliez, Éric, Capital Times: Tales From the Conquest of Time, trans. Georges Van Den Abbeele (Minneapolis: University of Minnesota Press, 1996).Find this resource:

Allnutt, Gillian, D'Aguiar, Fred, Edwards, Ken, and Mottram, Eric (eds), The New British Poetry (London: Paladin, 1988).Find this resource:

Alms, Barbara, and Steinmetz, Wiebke (eds), Der Sturm: Chagall, Feininger, Jawlensky, Kandinsky, Klee, Kokoschka, Macke, Marc, Schwitters und viele andere im Berlin der zehner Jahre, exh. cat. (Bremen: Hauschild; Städtische Galerie Delmenhorst, Haus Coburg Sammlung Stuckenberg, 2000).Find this resource:

Alonso, Carlos, The Burden of Modernity (Oxford: Oxford University Press, 1998).Find this resource:

Alter, Robert, Partial Magic: The Novel as a Self‐Conscious Genre (London, England: University of California Press, 1975).Find this resource:

Anderson, Andrew A., El veintisiete en tela de juicio (Madrid: Gredos, 2005).Find this resource:

Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 1983).Find this resource:

Anderson, Mark, Kafka's Clothes: Ornament and Aestheticism in the Hapsburg Fin de Siècle (Oxford: Clarendon Press, 1992).Find this resource:

Anderson, Patrick, ‘The Graphic Arts’, in Drawings, Prints, Sculpture/Dessins, Estampe, Sculpture, Contemporary Arts Society Catalogue, Fifth Floor Gallery, Montreal, 1–31 Dec. 1941, 4.Find this resource:

Anderson, Perry, ‘Modernity and Revolution’, New Left Review, 144 (Mar.–Apr. 1984), 96–113; repr. in Cary Nelson and Lawrence Grossberg (eds), Marxism and the Interpretation of Culture (Urbana: University of Illinois Press, 1988), 317−33.Find this resource:

—— A Zone of Engagement (London: Verso, 1992).Find this resource:

Andrade, Jorge Carrera, Reflexiones sobre la poesía hispanoamericana (Quito: Casa de la Cultura Ecuatoriana, 1987).Find this resource:

Andrews, Bruce, and Bernstein, Charles (eds), The L=A=N=G=U=A=G=E Book (Carbondale: Southern Illinois University Press, 1984).Find this resource:

Anna, Susanne (ed.), Das Bauhaus im Osten: Slowakische und Tschechische Avantgarde 1928–1939 (Stuttgart: Hatje, 1997).Find this resource:

Anon., ‘Discussion Groups’, Listener (23 Jan. 1929), 60.Find this resource:

Anon., ‘The Fusion of Music and Dancing: Le Sacre du printemps’, The Times, 26 July 1913.Find this resource:

Anon., ‘Justice for the Jew’, Jewish Chronicle, suppl., 193 (Mar. 1939), 10.Find this resource:

Anon., ‘Khronika’, Dom iskusstv, 1(1921), 67–80.Find this resource:

Anon., Literaturnaia entsiklopediia, vii (Moscow: OGIZ, 1934).Find this resource:

Anon., ‘Neglect of Science’, The Times, 2 Feb. 1916, 10.Find this resource:

Anon., ‘Russian Ballet: Le Sacre du printemps’, Daily Telegraph, 12 July 1913.Find this resource:

Antonowa, Irina, and Merkert, Jörn (eds), Berlin Moskva, 1900–1950, exh. cat. (Munich: Prestel, 1995).Find this resource:

Anz, Thomas, Die Literatur der Existenz: Literarische Psychopathographie und ihre soziale Bedeutung im Frühexpressionismus (Stuttgart: Metzler, 1977).Find this resource:

(p. 1039) —— ‘Berlin, Hauptstadt der Moderne’, in Klaus Siebenhaar (ed.), Das poetische Berlin: Metropolenkultur zwischen Gründerzeit und Nazionalsozialismus (Wiesbaden: DUV, 1992), 85–104.Find this resource:

—— Literatur des Expressionismus (Stuttgart: Metzler, 2002).Find this resource:

—— and Stark, Michael (eds), Expressionismus: Manifeste und Dokumente zur deutschen Literatur, 1910–1920 (Stuttgart: Metzler, 1981).Find this resource:

Apollinaire, Guillaume, The Cubist Painters: Aesthetic Meditations, 1913, trans. Lionel Abel (New York: Wittenborn, 1962).Find this resource:

—— Alcools (Paris: Gallimard, 1987).Find this resource:

—— The Cubist Painters, trans. Peter Read (London: Artists Bookworks, 2002).Find this resource:

Apollonio, Umbro (ed.), Futurist Manifestos (London: Thames & Hudson, 1973).Find this resource:

Appadurai, Arjun, Modernity at Large: Cultural Dimensions of Globalization (Minneapolis: University of Minnesota Press, 1996).Find this resource:

Appiah, Kwame Anthony, ‘Is the Post‐ in Postmodernism the Post‐ in Postcolonial?’, Critical Inquiry, 17 (Winter 1991), 336–57.Find this resource:

Aragon, Louis, Paris Peasant (1926; London: Pan, 1980).Find this resource:

Archer, W. G., India and Modern Art (London: Macmillan, 1959).Find this resource:

Ardis, Ann L., New Women, New Novels: Feminism and Early Modernism (Piscataway, NJ: Rutgers University Press, 1991).Find this resource:

—— Modernism and Cultural Conflict 1880–1922 (Cambridge: Cambridge University Press, 2002).Find this resource:

—— and Collier, Patrick (eds), Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms (London: Palgrave, 2008).Find this resource:

Arenas, Reinaldo, Before Night Falls, trans. Dolores M. Koch (New York: Viking Press, 1993).Find this resource:

Armah, Ayi Kwei, ‘Larsony, or, Fiction as Criticism of Fiction’, New Classic, 4 (1977), 33−45.Find this resource:

Armstrong, Tim, Modernism, Technology and the Body: A Cultural Study (Cambridge: Cambridge University Press, 1998).Find this resource:

—— Modernism: A Cultural History (Cambridge: Polity Press, 2005).Find this resource:

Arnheim, Rudolf, ‘Disciplining the Gramophone, Radio, Telephone, and Television’, Sapere (15 Dec. 1937), trans. Christy Wampole; repr. in Modernism/Modernity, 16/2 (2009), 422–6.Find this resource:

Ashcroft, Bill, Griffiths, Gareth, and Tiffin, Helen, The Empire Writes Back (London: Routledge, 1989).Find this resource:

Atkins, Jonathan, A War of Individuals: Bloomsbury Attitudes to the Great War (Manchester: Manchester University Press, 2002).Find this resource:

Attridge, Derek, Peculiar Language: Literature as Difference from the Renaissance to James Joyce (London: Routledge, 1988).Find this resource:

—— Joyce Effects: On Language, Theory, and History (Cambridge: Cambridge University Press, 2000).Find this resource:

—— and Howes, Marjorie (eds), Semicolonial Joyce (Cambridge: Cambridge University Press, 2000).Find this resource:

Auden, W. H., Collected Poems (London: Faber, 1976).Find this resource:

—— Selected Poems, ed. Edward Mendelson (London: Faber, 1979).Find this resource:

—— ‘Psychology and Art To‐day’, in The Complete Works of W. H. Auden: Prose and Travel Books in Prose and Verse, i: 1926–1938, ed. Edward Mendelson (London: Faber and Faber, 1996), 93–105.Find this resource:

—— and Isherwood, Christopher, Journey to a War (New York: Random House, 1939).Find this resource:

—— and MacNeice, Louis, Letters from Iceland (London: Faber and Faber, 1937).Find this resource:

Augustine, Confessions, trans. R. F. Pine‐Coffin (Harmondsworth: Penguin, 1961).Find this resource:

Avery, Todd, Radio Modernism: Literature, Ethics, and the BBC, 1922–1938 (Aldershot: Ashgate, 2006).Find this resource:

(p. 1040) Ayers, David, Modernism: A Short Introduction (Oxford: Blackwell, 2004).Find this resource:

Baetz, Joel, ‘Battle Lines: English‐Canadian Poetry of the First World War’, Ph.D. diss., York University, 2005.Find this resource:

Bahun, Sanja, ‘Virginia Woolf and Psychoanalytic Theory’, in Jane Goldman and Bryony Randall (eds), Virginia Woolf in Context (Cambridge: Cambridge University Press, forthcoming).Find this resource:

Baker, Houston A., Jr, Afro‐American Poetics: Revisions of Harlem and the Black Aesthetic (Madison: University of Wisconsin Press, 1988).Find this resource:

—— Modernism and the Harlem Renaissance (Chicago: University of Chicago Press, 1989).Find this resource:

Baker, Josephine, and Bouillon, Jo, Josephine, trans. Marianna Fitzpatrick (New York: Paragon, 1988).Find this resource:

Bakhtin, Mikhail, and Medvedev, P. N., The Formal Method in Literary Scholarship: A Critical Introduction to Sociological Poetics (Cambridge, Mass.: Harvard University Press, 1985).Find this resource:

Balakian, Anna, Surrealism: The Road to the Absolute (Chicago: University of Chicago Press, 1986).Find this resource:

Baldwin, Davarian L., Chicago's New Negroes: Modernity, the Great Migration, and Black Urban Life (Chapel Hill: University of North Carolina Press, 2007).Find this resource:

Balibar, Étienne, ‘Citizen Subject’, in Eduardo Cadava, Peter Connor, and Jean‐Luc Nancy (eds), Who Comes After the Subject? (New York: Routledge, 1991), 33–57.Find this resource:

—— Cassin, Barbara, and Libera, Alain de, ‘Subject’, trans. David Macey, Radical Philosophy, 138 (July–Aug. 2006), 15–42.Find this resource:

Ballantyne, Tony, and Burton, Antoinette (eds), Bodies in Contact: Rethinking Colonial Encounters in World History (Durham, NC: Duke University Press, 2005).Find this resource:

Bann, Stephen, Romanticism and the Rise of History (New York: Twayne, 1995).Find this resource:

—— (ed.), The Tradition of Constructivism (New York: Viking Press, 1974).Find this resource:

Barlow, Tani E., The Question of Women in Chinese Feminism (Durham, NC: Duke University Press, 2004).Find this resource:

—— (ed.), Formations of Colonial Modernity in East Asia (Durham, NC: Duke University Press, 1997).Find this resource:

Barman, Jean, Constance Lindsay Skinner: Writing on the Frontier (Toronto: University of Toronto Press, 2002).Find this resource:

Barnes, Djuna, ‘Vagaries Malicieux’, Double Dealer, 3/17 (May 1922), 249−60.Find this resource:

—— Ladies Almanack (1928; Elmwood, Ill.: Dalkey Archive Press, 1992).Find this resource:

Barooshian, Vahan D., Russian Cubo‐Futurism, 1910–1930: A Study in Avant‐Gardism (The Hague: Mouton, 1974).Find this resource:

Barrenechea, Ana María, ‘La crisis del contrato mimético en los textos contemporáneos’, Revista Iberoamericana, 48/118–19 (1982), 377–81.Find this resource:

Barringer, Tim, Quilley, Geoff, and Fordham, Douglas (eds), Art and the British Empire (Manchester: Manchester University Press, 2007).Find this resource:

Barry, Peter, Contemporary British Poetry and the City (Manchester: Manchester University Press, 2000).Find this resource:

Bartelik, Marek, Early Polish Modern Art: Unity in Multiplicity (Manchester: Manchester University Press, 2005).Find this resource:

Batchelor, John, The Life of Joseph Conrad (Oxford: Blackwell, 1994).Find this resource:

Batchen, Geoffrey, Burning with Desire: The Conception of Photography (Cambridge: Mass.: MIT Press, 1997).Find this resource:

Baudelaire, Charles, Œuvres Complètes, ed. Y. G. Le Dantec (Paris: Gallimard, 1961).Find this resource:

—— Art in Paris 1845–1862: Salons and Other Exhibitions Reviewed by Charles Baudelaire, ed. and trans. Jonathan Mayne (London: Phaidon Press, 1965), 116–20.Find this resource:

(p. 1041) —— Baudelaire: Selected Writings on Art and Literature, trans. P. E. Charvet (New York: Viking Press, 1972).Find this resource:

—— ‘The Modern Public and Photography’, in Alan Trachtenberg (ed.), Classic Essays on Photography (New Haven: Leete's Island Books, 1980), 83−9.Find this resource:

—— The Painter of Modern Life and Other Essays, ed. and trans. Jonathan Mayne (London: Phaidon Press, 1995).Find this resource:

Bayer, Herbert, Gropius, Walter, and Gropius, Ise (eds), Bauhaus, 1919–1928 (Boston: Branford, 1952).Find this resource:

Beck, Alan, Listening to Radio Plays: Fictional Soundscapes (1997), World Forum for Acoustic Ecology, 〈http://interact.uoregon.edu/mediaLit/wfae/library/articles/beck_list_radioplays.pdf〉.

Beck, Ulrich, World Risk Society (Cambridge: Polity Press, 1999).Find this resource:

Beckett, Samuel, Endgame (1952; London: Faber, 1964).Find this resource:

—— Disjecta (1929−67; London: John Calder, 1983).Find this resource:

Beckson, Karl, London in the 1890s: A Cultural History (New York: Norton, 1992).Find this resource:

Beer, Gillian, ‘Science and Literature’, in R. C. Olby, G. N. Cantor, J. R. R. Christie, and M. J. S. Hodge (eds), Companion to the History of Modern Science (London: Routledge, 1990), 783–98.Find this resource:

Beevers, John L., ‘Some Modern Verse’, New English Weekly, 2 (19 Jan. 1933), 322–4.Find this resource:

Begam, Richard, and Valdez Moses, Michael (eds), Modernism and Colonialism: British and Irish Literature, 1899–1939 (Durham, NC: Duke University Press, 2007).Find this resource:

Belasco, Susan, and Johnson, Linck, ‘Introduction’, in Belasco and Johnson (eds), The Bedford Anthology of American Literature, ii (Boston: Bedford and St Martin's Press, 2008), 2–39.Find this resource:

Bell, Ian, Critic as Scientist: The Modernist Poetics of Ezra Pound (London: Methuen, 1981).Find this resource:

Bell, Michael, Primitivism (London: Methuen, 1972).Find this resource:

—— D. H. Lawrence: Language and Being (Cambridge: Cambridge University Press, 1992).Find this resource:

Beller, Steven, ‘Big‐City Jews: Jewish Big City—The Dialectics of Assimilation in Vienna c.1900’, in Malcolm Gee, Tim Kirk, and Jill Steward (eds), The City in Central Europe: Culture and Society from 1800 to the Present (Aldershot: Ashgate, 2003), 145–58.Find this resource:

Benítez‐Rojo, Antonio, The Repeating Island: The Caribbean and the Postmodern Perspective, trans. James E. Maraniss, 2nd edn (Durham, NC: Duke University Press, 1996).Find this resource:

Benjamin, Andrew, and Osborne, Peter (eds), Walter Benjamin's Philosophy: Destruction and Experience (London: Routledge, 1994).Find this resource:

Benjamin, Walter, The Origin of German Tragic Drama (1928), trans. John Osborne (London: New Left Books, 1977).Find this resource:

—— Understanding Brecht, trans. Anna Bostock (1966; London: New Left Books, 1977).Find this resource:

—— One Way Street and Other Writings (1928; London: New Left Books, 1979).Find this resource:

—— ‘Central Park’, New German Critique, 34 (Winter 1985), 32–58.Find this resource:

—— Das Passagen‐Werk, in Benjamin, Gesammelte Schriften, v (Frankfurt am Main: Suhrkamp, 1991).Find this resource:

—— The Correspondence of Walter Benjamin, 1910–1940, ed. and trans. Manfred R. Jacobson and Evelyn M. Jacobson (Chicago: University of Chicago Press, 1994).Find this resource:

—— Selected Writings, i: 1913–1926, ed. Marcus Bullock and Michael W. Jennings (Cambridge, Mass.: Harvard University Press, 1996).Find this resource:

—— Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Harry Zohn (New York: Verso, 1997).Find this resource:

—— The Arcades Project (1928), trans. Howard Eiland and Kevin McLaughlin (Cambridge, Mass.: Harvard University Press, 1999).Find this resource:

(p. 1042) Benjamin, Walter, Illuminations, ed. Hannah Arendt, trans. Harry Zorn (1968; London: Pimlico, 1999).Find this resource:

—— Selected Writings, ii: 1927–1934, trans. Rodney Livingstone, ed. Michael W. Jennings, Howard Eiland, and Gary Smith (Cambridge, Mass.: Belknap Press, 1999).Find this resource:

—— Selected Writings, iii: 1935–1938, iv: 1938–1940, ed. Howard Eiland and Michael W. Jennings (Cambridge, Mass.: Belknap Press, 2002–3).Find this resource:

—— The Work of Art in the Age of its Technological Reproducibility and Other Writings on Media, ed. Michael W. Jennings, Brigid Doherty, and Thomas Y. Leven (1936; Cambridge, Mass.: Belknap Press, 2008).Find this resource:

Bennington, Geoff, and Derrida, Jacques, Jacques Derrida (Chicago: University of Chicago Press, 1993).Find this resource:

Benois, Alexandre, Reminiscences of the Russian Ballet (London: Putnam, 1941).Find this resource:

Benson, Timothy O., ‘The Text and the Coming of Age of the Avant‐Garde in Germany’, Visible Language, special exh. cat. issue, 21/3–4 (1988), 365–411.Find this resource:

—— ‘Dada Geographies’, in David Hopkins and Michael White (eds), Dada: Virgin Microbe (Evanston, Ill.: Northwestern University Press, forthcoming).Find this resource:

—— (ed.), Expressionist Utopias: Paradise, Metropolis, Architectural Fantasy, exh. cat. (Seattle: University of Washington Press; Los Angeles: Los Angeles County Museum of Art, 1993).Find this resource:

—— (ed.), Central European Avant‐Gardes: Exchange and Transformation, 1910–1930, exh. cat. (Cambridge, Mass.: MIT Press; Los Angeles: County Museum of Art, 2002).Find this resource:

—— and Forgács, Éva (eds), Between Worlds: A Sourcebook of Central European Avant‐Gardes, 1910–1930 (Cambridge, Mass.: MIT Press; Los Angeles: County Museum of Art, 2002).Find this resource:

Benstock, Shari, Women of the Left Bank: Paris, 1900–1940 (London: Virago, 1987).Find this resource:

—— ‘Expatriate Sapphic Modernism: Entering Literary History’, in Karla Jay and Joanne Glasgow (eds), Lesbian Texts and Contexts: Radical Revisions (London: Onlywomen Press, 1990), 183–203.Find this resource:

Bentivoglio, Mirella, ‘Innovative Artists' Books of Italian Futurism’, in Günter Berghaus (ed.), International Futurism in Arts and Literature (Berlin: de Gruyter, 2000), 473–86.Find this resource:

Bentley, D. M. R., ‘As for Me and Significant Form’, Canadian Notes and Queries, 48 (1994), 18–20.Find this resource:

—— ‘“The Thing Is Found to Be Symbolic”: Symboliste Elements in the Early Short Stories of Gilbert Parker, Charles G. D. Roberts, and Duncan Campbell Scott’, in Gerald Lynch and Angela Arnold Robbeson (eds), Dominant Impressions: Essays on the Canadian Short Story (Ottawa: University of Ottawa Press, 1999), 27−51.Find this resource:

Benton, Charlotte, Benton, Tim, and Wood, Ghislaine (eds), Art Deco, 1910–1939 (London: V & A, 2003).Find this resource:

Benton, Megan, Beauty and the Book: Fine Editions and Cultural Distinction in America (New Haven: Yale University Press, 2000).Find this resource:

Berend, Ivan T., Decades of Crisis: Central and Eastern Europe Before World War II (Berkeley: University of California Press, 2001).Find this resource:

Berenson, Bernhard, Aesthetics and History (London: Constable, 1950).Find this resource:

Berg, Christian, Durieux, Frank, and Lernout, Geert (eds), The Turn of the Century: Modernism and Modernity in Literature and the Arts (Berlin: de Gruyter, 1995).Find this resource:

Berger, John, About Looking (New York: Vintage, 1980).Find this resource:

Berghaus, Günter, Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, 1909–1944 (Providence, RI: Berghahn, 1996).Find this resource:

—— Italian Futurist Theatre, 1909–1944 (Oxford: Clarendon Press, 1998).Find this resource:

—— (ed.), International Futurism in Arts and Literature (Berlin: de Gruyter, 2000).Find this resource:

(p. 1043) Bergius, Hanne, ‘The Ambiguous Aesthetic of Dada: Towards a Definition of its Categories’, Journal of European Studies, 9 (1979), 26–38.Find this resource:

—— and Riha, Karl (eds), Dada Berlin: Texte, Manifeste, Actionen (Stuttgart: Reclam, 1977).Find this resource:

Bergson, Henri, Mind‐Energy: Lectures and Essays (London: Macmillan, 1920).Find this resource:

—— Matter and Memory (1911), trans. N. M. Paul and W. S. Palmer (New York: Zone Books, 1991).Find this resource:

—— Creative Evolution (1910), trans. Arthur Mitchell (Mineola, NY: Dover, 1998).Find this resource:

—— Duration and Simultaneity: Bergson and the Einsteinian Universe (1922), ed. Robin Durie, trans. Leon Jacobson (Manchester: Clinamen Press, 1999).Find this resource:

—— Time and Free Will: An Essay on the Immediate Data of Consciousness (1910), trans. F. L. Pogson (Mineola, NY: Dover, 2001).Find this resource:

Berman, Marshall, All That Is Solid Melts Into Air: The Experience of Modernity (London: Verso, 1982).Find this resource:

—— ‘The Signs in the Street: A Response to Perry Anderson’, New Left Review, 144 (Mar.–Apr. 1984), 114–23.Find this resource:

Bernard, Suzanne, Le Poème en prose de Baudelaire à nos jours (Paris: Nizet, 1959).Find this resource:

Bernstein, Charles, ‘The Academy in Peril’, in Bernstein, Content's Dream (Los Angeles: Sun & Moon Press, 1986), 247–9.Find this resource:

Bernstein, J. M., ‘Modernism as Aesthetics and Art History’, in James Elkins (ed.), Art History Versus Aesthetics (New York: Routledge, 2006), 241–68.Find this resource:

—— ‘Modernism as Philosophy: Stanley Cavell, Antonio Caro, and Chantal Akerman’, in Bernstein, Against Voluptuous Bodies: Late Modernism and the Meaning of Painting (Stanford, Calif.: Stanford University Press, 2006), 78¬–116.Find this resource:

Betts, Gregory, ‘“The Destroyer”: Modernism and Mystical Revolution in Bertram Brooker’, Ph.D. diss., York University, 2005.Find this resource:

Bhabha, Homi, The Location of Culture (London: Routledge, 1994).Find this resource:

Biely, Andrey, St Petersburg, trans. John Cournos (New York: Grove Press, 1989).Find this resource:

Binyon, Laurence, ‘The Art of India’, Saturday Review (8 Jan. 1909), 38–9.Find this resource:

Bion, W. R., A Memoir of the Future (London: Karnac, 1991).Find this resource:

Birgus, Vladimír (ed.), Tschechische Avantgarde‐Fotografie, 1918–1948, exh. cat. (Stuttgart: Arnoldsche, 1999).Find this resource:

Birkenmaier, Anke, ‘From Surrealism to Popular Art: Paul Deharme's Radio Theory’, Modernism/Modernity, 16/2 (2009), 357–74.Find this resource:

Birkett, Jennifer, The Sins of the Fathers: Decadence in France and Europe, 1870–1914 (London: Quartet Books, 1986).Find this resource:

—— ‘Disinterested Narcissus: The Play of Politics in Decadent Form’, in Patrick McGuinness (ed.), Symbolism, Decadence and the Fin de Siècle (Exeter: Exeter University Press, 2000), 29–45.Find this resource:

Bishop, Edward, ‘Re‐covering Modernism’, in Ian Willison, Warwick Gould, and Warren Chernaik (eds), Modernist Writers and the Market Place (London: Macmillan, 1996), 287–319.Find this resource:

—— Review of Lawrence Rainey, Institutions of Modernism: Literary Elites and Public Culture, Modern Philology, 99/3 (Feb. 2002), 485–9.Find this resource:

Bishop, Paul (ed.), Jung in Contexts: A Reader (London: Routledge, 1999).Find this resource:

Biswas, Moinak (ed.), Apu and After: Revisiting Ray's Cinema (Oxford: Berg, 2006).Find this resource:

Björling, Gunnar, Kiri‐ra! (Helsinki: Författarens Förlag, 1930).Find this resource:

Blackburn, Robin, The Overthrow of Colonial Slavery, 1776–1848 (London: Verso, 1988).Find this resource:

(p. 1044) Blackmer, Corinne E., ‘Lesbian Modernism in the Shorter Fiction of Virginia Woolf and Gertrude Stein’, in Eileen Barrett and Patricia Cramer (eds), Virginia Woolf: Lesbian Readings (New York: New York University Press, 1997), 78–94.Find this resource:

Blair, Sara, ‘Local Modernity, Global Modernism: Bloomsbury and the Place of the Literary’, ELH 71 (2004), 813–38.Find this resource:

Blake, Caesar, Dorothy Richardson (Ann Arbor: University of Michigan Press, 1960).Find this resource:

Blanchot, Maurice, ‘The Athenaeum’, in Blanchot, The Infinite Conversation, trans. Susan Hanson (Minneapolis: University of Minnesota Press, 1993), 351–9.Find this resource:

Blau, Eva, and Platzer, Monika (eds), Shaping the Great City: Modern Architecture in Central Europe, 1890–1937 (Munich: Prestel, 1999).Find this resource:

Bloom, Clive, Bestsellers: Popular Fiction Since 1900 (New York: Palgrave, 2002).Find this resource:

Blum, Cinzia Sartini, ‘The Superman and the Abject: Mafarka le Futuriste’, in Blum, The Other Modernism: F. T. Marinetti's Futurist Fiction of Power (Berkeley and Los Angeles: California University Press, 1996), 55–78.Find this resource:

Bodkin, Maud, Archetypal Patterns in Poetry (Oxford: Oxford University Press, 1934).Find this resource:

Boehmer, Elleke, Colonial and Postcolonial Literature, 2nd edn (Oxford: Oxford University Press, 1995).Find this resource:

—— Empire, the National, and the Postcolonial, 1890–1920: Resistance in Interaction (Oxford: Oxford University Press, 2002).Find this resource:

Bohn, Willard, The Aesthetics of Visual Poetry, 1914–1928 (Chicago: University of Chicago Press, 1986).Find this resource:

—— The Rise of Surrealism: Cubism, Dada, and the Pursuit of the Marvelous (New York: Albany, 2002).Find this resource:

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Bold, Alan, MacDiarmid: Christopher Murray Grieve: A Critical Biography (London: John Murray, 1988).Find this resource:

—— (ed.), The Letters of Hugh MacDiarmid (Athens: Georgia University Press, 1984).Find this resource:

Booth, Allyson, Postcards from the Trenches: Negotiating the Space Between Modernism and the First World War (Oxford: Oxford University Press, 1996).Find this resource:

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—— (ed.), Representing Modernist Texts: Editing as Interpretation (Ann Arbor: University of Michigan Press, 1991).Find this resource:

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Bourdieu, Pierre, The Field of Cultural Production: Essays on Art and Literature, ed. Randal Johnson, trans. Richard Nice (Cambridge: Polity Press, 1993).Find this resource:

—— The Rules of Art: Genesis and Structure of the Literary Field, trans. Susan Emanuel (Stanford, Calif.: Stanford University Press, 1995).Find this resource:

Bourke, Joanna, Dismembering the Male: Men's Bodies, Britain, and the Great War (London: Reaktion, 1996).Find this resource:

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(p. 1045) Bowen‐Struyk, Heather, ‘Rethinking Proletarian Literature’, Ph.D. diss., University of Michigan, 2001.Find this resource:

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—— (ed.), The Cambridge Companion to E. M. Forster (Cambridge: Cambridge University Press, 2007).Find this resource:

Braithwaite, William Stanley, ‘The Negro in American Literature’, in Alain Locke (ed.), The New Negro: An Interpretation (New York: Albert and Charles Boni, 1925), 29−44.Find this resource:

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Brantlinger, Patrick, Rule of Darkness: British Literature and Imperialism 1830–1914 (Ithaca, NY: Cornell University Press, 1988).Find this resource:

Brathwaite, Edward Kamau, The Arrivants: A New World Trilogy (Oxford: Oxford University Press, 1973).Find this resource:

—— Contradictory Omens: Cultural Diversity and Integration in the Caribbean (Mona: Savacou, 1974).Find this resource:

—— History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry (London: New Beacon, 1984).Find this resource:

—— Roots (Ann Arbor: University of Michigan Press, 1993).Find this resource:

Braun, Edward, ‘Futurism in the Russian Theatre, 1913–1923’, in Günter Berghaus (ed.), International Futurism in Arts and Literature (Berlin: de Gruyter, 2000), 75–99.Find this resource:

Braun, Martha, Picturing Time: The Work of Etienne‐Jules Marey (1830–1904) (Chicago: University of Chicago Press, 1992).Find this resource:

Brecht, Bertolt, ‘The Radio as an Apparatus of Communication’, in Brecht on Theatre: The Development of an Aesthetic, ed. and trans. John Willett (London: Methuen, 1964), 51–3.Find this resource:

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Breslin, Paul, ‘The Cultural Address of Derek Walcott’, Modernism/Modernity, 9/2 (May 2002), 319–25.Find this resource:

Breton, André, Premier Manifeste du Surréalisme (1924; Paris: Jean‐Jacques Pauvert, 1962).Find this resource:

—— ‘Interview du Professeur Freud’, in Breton, Les Pas perdus (1924; Paris: Gallimard, 1969), 94−5.Find this resource:

—— Manifestoes of Surrealism, ed. Richard Seaver and Helen R. Lane (Ann Arbor: University of Michigan Press, 1972).Find this resource:

—— What Is Surrealism? Selected Writings, ed. Franklin Rosemont (London: Pluto Press, 1978).Find this resource:

(p. 1046) Breton, André, Œuvres complètes, i, ed. Marguerite Bonnet (Paris: Gallimard/Pléiade, 1988).Find this resource:

—— Conversations: The Autobiography of Surrealism, trans. Mark Polizzotti (New York: Marlowe, 1993).Find this resource:

—— Communicating Vessels (1932), trans. Mary Ann Caws and Geoffrey T. Harris (Lincoln: University of Nebraska Press, 1997).Find this resource:

Bretz, Mary Lee, Encounters Across Borders: The Changing Visions of Spanish Modernism, 1890–1930 (Lewisburg, Pa.: Bucknell University Press, 2001).Find this resource:

Briggs, Julia, ‘Hope Mirrlees and Continental Modernism’, in Bonnie Kime Scott (ed.), The Gender of Modernism: A Critical Anthology (Bloomington: Indiana University Press, 1990), 261–9.Find this resource:

—— Virginia Woolf: An Inner Life (London: Allen Lane, 2005).Find this resource:

Brik, O., ‘T. n. formal′nyi metod’, LEF 1 (1923), 213–15.Find this resource:

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Broby‐Johansen, Rudolf, BLOD: EKSPRESSIONÆRE DIGTE (Copenhagen: Gyldendals Spættebøger, 1968).Find this resource:

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Brockington, Grace, ‘“A World Fellowship”: The Founding of the International Lyceum Club’, Transnational Associations, 1 (Mar. 2005), 15–22.Find this resource:

—— (ed.), Internationalism and the Arts in Britain and Europe at the Fin de Siècle (Oxford: Peter Lang, 2009).Find this resource:

Brodskii, N. L., and Sidorov, N. P. (eds), Literaturnye manifesty: Ot simvolizma do ‘Oktiabria’ (Moscow: Agraf, 2001).Find this resource:

Bronfen, Elisabeth, ‘Seductive Departures of Marlene Dietrich: Exile and Stardom in The Blue Angel ’, in Gerd Gemünden and Mary R. Desjardins (eds), Dietrich Icon (Durham, NC: Duke University Press, 2007), 119–40.Find this resource:

Brooker, Jewel Spears, Mastery and Escape: T. S. Eliot and the Dialectic of Modernism (Boston: University of Massachusetts Press, 1994).Find this resource:

Brooker, Joseph, Flann O'Brien (London: Northcote, 2005).Find this resource:

Brooker, Peter, Modernity and Metropolis (London: Palgrave, 2002).Find this resource:

—— Bohemia in London: The Social Scene of Early Modernism (Basingstoke: Palgrave Macmillan, 2007).Find this resource:

—— and Thacker, Andrew (eds), Geographies of Modernism: Literatures, Cultures, Spaces (London: Routledge, 2005).Find this resource:

—— —— (eds), The Oxford Critical and Cultural History of Modernist Magazines, i: Britain and Ireland 1880–1955 (Oxford: Oxford University Press, 2009).Find this resource:

Brough, John, ‘The Emergence of an Absolute Consciousness in Husserl's Early Writings on Time‐Consciousness’, in Frederick Elliston and Peter McCormick (eds), Husserl: Expositions and Appraisals (Notre Dame, Ind.: University of Notre Dame Press, 1977), 83−100.Find this resource:

Brown, Edward J., The Proletarian Episode in Russian Literature 1928–1932 (New York: Columbia University Press, 1953).Find this resource:

—— ‘Mayakovsky's Futurist Period’, in George Gibian and H. W. Tjalsma (eds), Russian Modernism: Culture and the Avant‐Garde, 1900–1930 (Ithaca, NY: Cornell University Press, 1967), 107–31.Find this resource:

Brown, J. Dillon, ‘Exile and Cunning: The Tactical Difficulties of George Lamming’, Contemporary Literature, 47/4 (Winter 2006), 669–94.Find this resource:

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(p. 1047) Brown, Terence, Ireland: A Social and Cultural History, 1922–2002, rev. edn (London: HarperCollins, 2004).Find this resource:

Brown, Tony, ‘“Stories from Foreign Countries”: The Short Stories of Kate Roberts and Margiad Evans’, in Alyce Von Rothkirch and Daniel Williams (eds), Beyond the Difference: Welsh Literature in Comparative Contexts (Cardiff: University of Wales Press, 2004), 21–37.Find this resource:

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Bruce, Dickson D., Jr, Black American Writing from the Nadir (Baton Rouge: Louisiana State University Press, 1989).Find this resource:

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Buck‐Morss, Susan, ‘Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered’, October, 62 (Autumn 1992), 3–41.Find this resource:

Bullock, Alan, ‘The Double Image’, in Malcolm Bradbury and James McFarlane (eds), Modernism: A Guide to European Literature, 1890–1930 (Harmondsworth: Penguin, 1976), 58–70.Find this resource:

Bürger, Peter, Theory of the Avant‐Garde, trans. Michael Shaw (Minneapolis: University of Minnesota Press, 1984).Find this resource:

Burke, Carolyn, Becoming Modern: The Life of Mina Loy (New York: Farrar, Straus, Giroux, 1996).Find this resource:

Burliuk, David, Kruchenykh, Alexander, Mayakovsky, Vladimir, and Khlebnikov, Victor, ‘A Slap in the Face of Public Taste’ (1912), 〈http://www.unknown.nu/futurism/slap.html〉.

Burt, Ramsay, Alien Bodies: Representations of Modernity, ‘Race’ and Nation in Early Modern Dance (London: Routledge, 1998).Find this resource:

—— ‘Modernism, Masculinity, and Sexuality in Nijinsky's L'Après‐midi d'un faune’, in Valerie Briginshaw and Ramsay Burt (eds), Writing Dancing Together (Basingstoke: Palgrave, 2009), 25−44.Find this resource:

Burton, Antoinette, At the Heart of Empire: Indians and the Colonial Encounter in Late‐Victorian Britain (Berkeley: University of California Press, 1998).Find this resource:

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Bush, Barbara, ‘History, Memory, Myth? Reconstructing the History (or Histories) of Black Women in the African Diaspora’, in Stephanie Newell (ed.), Images of African and Caribbean Women: Migration, Displacement, Diaspora, Occasional Paper No. 4 (Stirling: University of Stirling, Centre of Commonwealth Studies, 1996), 3–28.Find this resource:

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Buthlay, Kenneth (ed.), Hugh MacDiarmid: A Drunk Man Looks at the Thistle (Edinburgh: Scottish Academic Press for ASLS, 1987).Find this resource:

Butler, Christopher, Early Modernism: Literature, Music, and Painting in Europe, 1900–1916 (Oxford: Oxford University Press, 1994).Find this resource:

Butterick, George F., A Guide to the Maximus Poems of Charles Olson (Berkeley: University of California Press, 1978).Find this resource:

Bydžovská, Lenka, and Srp, Karel (eds), Český Surrealismus, 1929–1953, exh. cat. (Prague: Galerie hlavního města Prahy, 1996).Find this resource:

—— Lahoda, Vojtěch, and Srp, Karel (eds), Czech Art 1900–1990 from the Collections at the Prague City Gallery, House of the Golden Ring, exh. cat. (Prague: Prague City Gallery, 1998).Find this resource:

Cain, Stephen, ‘Mapping Raymond Souster's Toronto’, in Dean Irvine (ed.), The Canadian Modernists Meet (Ottawa: University of Ottawa Press, 2005), 71−86.Find this resource:

(p. 1048) Calder, Alison, ‘Reassessing Prairie Realism’, Textual Studies in Canada, 12 (1998), 51−60.Find this resource:

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Calvino, Italo, If on a Winter's Night a Traveler, trans. William Weaver (London: Picador, 1982).Find this resource:

—— ‘A Cinema‐Goer's Autobiography’, in Calvino, The Road to San Giovanni, trans. Tim Parks (London: Vintage, 1994), 35–73.Find this resource:

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Cangiullo, Francesco, Piedigrotta: Parole in libertà (Milan: Edizioni futuriste di ‘Poesia’, 1916).Find this resource:

—— Caffèconcerto: Alfabeto a sorpresa (Milan: Edizioni futuriste di ‘Poesia’, 1918).Find this resource:

—— Poesie pentagrammata (Naples: Casella, 1923).Find this resource:

Capell, Richard, ‘Cannibal Music: Amazing Production of the Russian Ballet’, Daily Mail, 12 July 1913, 5.Find this resource:

Cardinal, Roger, and Short, Robert Stuart, Surrealism: Permanent Revelation (London: Studio Vista, 1970).Find this resource:

Carey, John, The Intellectuals and the Masses: Pride and Prejudice Among the Literary Intelligentsia, 1880–1939 (London: Faber and Faber, 1992).Find this resource:

Carlston, Erin G., Thinking Fascism: Sapphic Modernism and Fascist Modernity (Stanford, Calif.: Stanford University Press, 1998).Find this resource:

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Carpenter, Humphrey, A Serious Character: The Life of Ezra Pound (London: Faber, 1988).Find this resource:

Carr, Helen, ‘Modernism and Travel (1880–1940)’, in Peter Hulme and Tim Youngs (eds), The Cambridge Companion to Travel Writing (Cambridge: Cambridge University Press, 2002), 70–86.Find this resource:

—— The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists (London: Jonathan Cape, 2009).Find this resource:

Carrà, Carlo, Guerrapittura: Futurismo politico, dinamismo plastico, disegni guerreschi, parole in libertà (Milan: Edizioni futuriste di ‘Poesia’, 1915).Find this resource:

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Carswell, Catherine, Open the Door! (London: Melrose, 1920).Find this resource:

—— The Camomile (London: Chatto & Windus, 1922).Find this resource:

—— Lying Awake: An Unfinished Autobiography and Other Posthumous Papers, ed. John Carswell (Edinburgh: Canongate Classics, 1997).Find this resource:

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Casarino, Cesare, Modernity at Sea: Melville, Marx, Conrad in Crisis (Minneapolis: University of Minnesota Press, 2002).Find this resource:

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(p. 1049) Cavanaugh, Jan, Out Looking In: Early Modern Polish Art, 1890–1918 (Berkeley: University of California Press, 2000).Find this resource:

Caws, Mary Ann, The Poetry of Dada and Surrealism: Aragon, Breton, Tzara, Éluard, and Desnos (Princeton: Princeton University Press, 1970).Find this resource:

—— (ed.), Manifesto: A Century of Isms (Lincoln Nebr.: University of Nebraska Press, 2001).Find this resource:

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Céline, Louis‐Ferdinand, Journey to the End of the Night (1932), trans. Ralph Manheim (New York: New Directions, 2006).Find this resource:

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Charguina, Ludmilla, ‘The Typology of Symbolism in Central and Eastern Europe’, in Béla Köpeczi and György M. Vajda (eds), Actes du VIIIe Congrès de l'Association Internationale de Littérature Comparée, Proceedings of the 8th Congress of the International Comparative Literature Association (Stuttgart: Kunst und Wissen, Erich Bieber, 1980), 545–50.Find this resource:

Chen Xiaoming, Anxiety of Expression: Historical Disillusionment and Contemporary Literary Reform (Beijing: Central Translation Press, 2002).Find this resource:

Cherniavsky, Eva, Incorporations: Race, Nation and the Body Politics of Capital (Minneapolis: University of Minnesota Press, 2006).Find this resource:

Chesterton, Gilbert K., Orthodoxy (London: John Lane, 1909).Find this resource:

Chevalier, Louis, Labouring Classes and Dangerous Classes, trans. Frank Jellinek (London: Routledge & Kegan Paul, 1973).Find this resource:

Chinweizu, Onwuchekwa Jemie, and Madubuike, Ihechukwu, Toward the Decolonization of African Literature: African Fiction and Poetry and Their Critics (Washington, DC: Howard University Press, 1983).Find this resource:

Chow Tse‐tung, The May Fourth Movement: Intellectual Revolution in Modern China (Cambridge, Mass.: Harvard University Press, 1960).Find this resource:

Christiansen, Rupert, Tales of the New Babylon: Paris 1869–1875 (London: Sinclair‐Stevenson, 1994).Find this resource:

Cristie, Ian, ‘French Avant-Garde Film in the Twenties: from “Specificity” to Surrealism’, in Film as Film: Formal Experiment in Film, 1910–1975 (London: Hayward Gallery/Arts Council of Great Britain, 1979), 37.Find this resource:

Chronos, William, Nature's Metropolis: Chicago and the Great West (New York: Norton, 1992).Find this resource:

Chu, Patricia E., Race, Nationalism and the State in British and American Modernism (Cambridge: Cambridge University Press, 2006).Find this resource:

Chukovsky, K., Sobranie sochinenie v shesti tomakh (Moscow, 1965).Find this resource:

—— ‘Futuristy’, in Sobranie sochinenie v shesti tomakh, vi (Moscow: Izdatel′stvo khudozhestvennaia literatura, 1969), 234.Find this resource:

Cianci, Giovanni, and Harding, Jason (eds), T. S. Eliot and the Concept of Tradition (Cambridge: Cambridge University Press, 2007).Find this resource:

Cifuentes, Luis Fernández, Teoría y mercado de la novela en España: Del 98 a la República (Madrid: Gredos, 1982).Find this resource:

Clark, John (ed.), Modernity in Asian Art (Sydney: Wild Peony, 1993).Find this resource:

Clark, T. J., The Absolute Bourgeois: Artists and Politics in France, 1848–1851 (London: Thames & Hudson, 1973).Find this resource:

—— Image of the People: Gustave Courbet and the 1848 Revolution (London: Thames & Hudson, 1973).Find this resource:

(p. 1050) Clark, T. J., The Painting of Modern Life: Paris in the Art of Manet and His Followers (New York: Knopf, 1985).Find this resource:

—— Farewell to an Idea: Episodes from a History of Modernism (New Haven: Yale University Press, 1999).Find this resource:

Clarke, Bruce, Dora Marsden and Early Modernism (Ann Arbor: University of Michigan Press, 1996).Find this resource:

Clarkson, Thomas, ‘The True State of the Case, respecting the Insurrection at St. Domingo’, in Laurent Dubois and John Garrigus (eds), Slave Revolution in the Caribbean, 1789–1804: A Brief History with Documents (New York: St Martin's Press, 2006), 113–15.Find this resource:

Claussen, Sophus, Antonius i Paris & Valfart (Copenhagen: Danske Klassikere, Det danske Sprog‐ og Litteraturselskab, Borgen, 1990).Find this resource:

Cleary, Joe, Outrageous Fortune: Capital and Culture in Modern Ireland (Dublin: Field Day, 2007).Find this resource:

—— and Connolly, Claire (eds), The Cambridge Companion to Modern Irish Culture (Cambridge: Cambridge University Press, 2005).Find this resource:

Clegg, Elizabeth, Art, Design, and Architecture in Central Europe, 1890–1920 (New Haven: Yale University Press, 2006).Find this resource:

Clifford, James, ‘On Ethnographic Self‐Fashioning: Conrad and Malinowski', in Thomas C. Heller, Morton Sosna, and David Wellberg (eds), Reconstructing Individualism (Stanford, Calif.: Stanford University Press, 1986), 140–63.Find this resource:

—— The Predicament of Culture (Cambridge, Mass.: Harvard University Press, 1988).Find this resource:

—— ‘Travelling Cultures’, in Lawrence Grossberg, Cary Nelson, and Paula A. Treichler (eds), Cultural Studies (London: Routledge, 1992), 96–112.Find this resource:

Clinton‐Baddeley, V. C., ‘The Case for Wireless Drama’, The Listener (11 June 1930), 1033–4.Find this resource:

Coben, Stanley, ‘The Scientific Establishment and the Transmission of Quantum Mechanics to the United States, 1919–32’, American Historical Review, 76/2 (Apr. 1971), 442–66.Find this resource:

Coe, Brian, and Gates, Paul, The Snapshot Photograph: The Rise of Popular Photography, 1888–1939 (London: Ash & Grant, 1977).Find this resource:

Cohen, Milton A., Movement, Manifesto, Melee: The Modernist Group, 1910–1914 (Lanham, Md: Lexington, 2004).Find this resource:

Cohn, Dorrit, Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction (Princeton: Princeton University Press, 1983).Find this resource:

Cole, Sarah, Modernism, Male Friendship, and the First World War (Cambridge: Cambridge University Press, 2003).Find this resource:

Collecott, Diana, H.D. and Sapphic Modernism, 1910–1950 (Cambridge: Cambridge University Press, 1999).Find this resource:

Collier, Patrick, Modernism on Fleet Street (Aldershot: Ashgate, 2006).Find this resource:

Collini, Stefan, Common Reading: Critics, Historians, Publics (Oxford: Oxford University Press, 2008).Find this resource:

Comentale, Edward P., Modernism, Cultural Production, and the British Avant‐Garde (Cambridge: Cambridge University Press, 2004).Find this resource:

—— and Ga˛siorek, Andrzej (eds) T. E. Hulme and the Question of Modernism (Aldershot: Ashgate, 2006).Find this resource:

Compton, Susan, The World Backwards: Russian Futurist Books, 1912–1916 (London: British Library, 1978).Find this resource:

—— Russian Avant‐Garde Books, 1917–1934 (London: British Library, 1992).Find this resource:

Congdon, Lee, Exile and Social Thought: Hungarian Intellectuals in Germany and Austria, 1919–1933 (Princeton: Princeton University Press, 1991).Find this resource:

Conrad, Joseph, Tales of Unrest (New York: Doubleday, Page, 1924).Find this resource:

—— Conrad's Prefaces to His Works, ed. Edward Garnett (New York: Haskell House, 1971).Find this resource:

(p. 1051) —— The Secret Agent: A Simple Tale (1907; Harmondsworth: Penguin, 1975).Find this resource:

—— A Personal Record (Marlboro, Vt.: Marlboro Press, 1982).Find this resource:

—— The Collected Letters of Joseph Conrad, ed. Frederick R. Karl and Laurence Davies, v (Cambridge: Cambridge University Press, 1996).Find this resource:

—— Heart of Darkness and Other Tales, ed. Cedric Watts (Oxford: Oxford University Press, 2002).Find this resource:

—— ‘Some Reflections on the Loss of the Titanic’, in The Portable Conrad, ed. Michael Gorra (New York: Penguin, 2007), 635–46.Find this resource:

Conran, Anthony, The Cost of Strangeness (Llandysul: Gomer Press, 1982).Find this resource:

Contarini, Silvia, ‘Avant‐Garde: Chacun son lecteur’, Revue des Études Italiennes, 43/1–2 (1997), 95–107.Find this resource:

Cook, Matt, London and the Culture of Homosexuality, 1880–1914 (Cambridge: Cambridge University Press, 2003).Find this resource:

Cooke, Raymond, Velimir Khlebnikov: A Critical Study (Cambridge: Cambridge University Press, 1987).Find this resource:

Coonrod Martínez, Elizabeth, ‘The Latin American Innovative Novel of the 1920s’, in Sophia McClellan and Earle E. Fitz (eds), Comparative Cultural Studies and Latin America (West Lafayette, Ind.: Purdue University Press, 2004), 34–55.Find this resource:

Cooper, David E. (ed.), Aesthetics: The Classic Readings (London: Blackwell, 1997).Find this resource:

Cooper, Douglas, The Cubist Epoch (London: Phaidon Press, 1971).Find this resource:

Cooper, John Xiros, Modernism and the Culture of Market Society (Cambridge: Cambridge University Press, 2004).Find this resource:

Corbett, David Peters, The Modernity of English Art, 1914–30 (Manchester: Manchester University Press, 1997).Find this resource:

—— The World in Paint: Modern Art and Visuality in England, 1848–1914 (Manchester: Manchester University Press, 2004).Find this resource:

—— Holt, Ysanne, and Russell, Fiona (eds), The Geographies of Englishness: Landscape and the National Past in English Art, 1880–1940 (New Haven: Yale University Press, 2002).Find this resource:

Cork, Richard, Vorticism and Abstract Art in the First Machine Age (Berkeley: University of California Press, 1976).Find this resource:

—— A Bitter Truth: Avant‐Garde Art and the Great War (New Haven: Yale University Press, 1994).Find this resource:

—— Jacob Epstein (London: Tate Gallery, 1999).Find this resource:

Corkery, Daniel, Synge and Anglo‐Irish Literature (Cork: Cork University Press, 1931).Find this resource:

Corn, Wanda, The Great American Thing: Modern Art and National Identity, 1915–1935 (Berkeley: University of California Press, 2000).Find this resource:

Cornis‐Pope, Marcel, and Neubauer, John, Towards a History of the Literary Cultures in East‐Central Europe: Theoretical Reflections (New York: American Council of Learned Societies, 2002).Find this resource:

Cory, Mark, ‘Soundplay: The Polyphonous Tradition of German Radio Art’, in Douglas Kahn and Gregory Whitehead (eds), Wireless Imagination: Sound, Radio, and the Avant‐Garde (Cambridge: MIT Press, 1992), 331–72.Find this resource:

Cott, Nancy, The Grounding of Modern Feminism (New Haven: Yale University Press, 1987).Find this resource:

Cottington, David, Cubism in the Shadow of War: The Avant‐Garde and Politics in Paris, 1905–1914 (New Haven: Yale University Press, 1998).Find this resource:

—— Cubism and its Histories (Manchester: Manchester University Press, 2004).Find this resource:

Coughlan, Patricia, and Davis, Alex (eds), Modernism and Ireland: The Poetry of the 1930s (Cork: Cork University Press, 1995).Find this resource:

Cournos, John, Babel (New York: Boni and Liveright, 1922).Find this resource:

Coward, Noel, Play Parade (Garden City, NY: Garden City Publishing, 1933).Find this resource:

(p. 1052) Cowley, Malcolm, The Faulkner–Cowley File: Letters and Memories, 1944–1962 (Harmondsworth: Penguin, 1978).Find this resource:

—— Exile's Return: A Literary Odyssey of the 1920s, ed. Donald W. Faulkner (London: Penguin, 1994).Find this resource:

Craft, Robert, ‘Nijinsky and Le Sacre’, New York Review of Books, 23/6 (15 Apr. 1976), 37.Find this resource:

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Crary, Jonathan, Suspensions of Perception: Attention, Spectacle, and Modern Culture (Cambridge, Mass.: MIT Press, 1999).Find this resource:

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—— Heritage Now: Irish Literature in the English Language (Dingle: Brandon, 1982), 155–60.Find this resource:

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(p. 1053) Dash, J. Michael, The Other America: Caribbean Literature in a New World Context (Charlottesville: University of Virginia Press, 1998).Find this resource:

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—— and Jenkins, Lee M. (eds), Locations of Literary Modernism: Region and Nation in British and American Modernist Poetry (Cambridge: Cambridge University Press, 2000).Find this resource:

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(p. 1054) Deleuze, Gilles, and Guattari, Félix, Anti‐Oedipus: Capitalism and Schizophrenia, trans. Robert Hurley et al. (Minneapolis: University of Minnesota Press, 1983).Find this resource:

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—— Berlin Alexanderplatz, trans. Eugene Jolas (London: Continuum, 2004).Find this resource:

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(p. 1055) Dodd, Philip, ‘The Views of Travellers: Travel Writing in the 1930s’, Prose Studies, 5/1 (1982), 127–38.Find this resource:

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(p. 1058) Espagne, Michael, and Werner, Michael (eds), Transferts: Les relations interculturelles dans l'espace franco‐allemand (XVIIIe–XIXe siècles) (Paris: Éditions Recherche sur les Civilisations, 1988).Find this resource:

Esty, Jed, A Shrinking Island: Modernism and National Culture in England (Princeton: Princeton University Press, 2004).Find this resource:

Evans, Caradoc, ‘Un Père à Sion’ (‘A Father in Sion’), trans. Georges Limbour, in Nino Frank (ed.), Bifur, 2 (Paris: Éditions du Carrefour, 1929), 48–59.Find this resource:

—— My People (Bridgend: Seren, 1987).Find this resource:

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Eysteinsson, Astradur, The Concept of Modernism (Ithaca, NY: Cornell University Press, 1990).Find this resource:

—— English and Nordic Modernisms (Norwich: Norvik Press, 2002).Find this resource:

—— European and Nordic Modernisms (Norwich: Norvik Press, 2004).Find this resource:

—— and Liska, Vivian (eds), Modernism, 2 vols (Amsterdam: John Benjamins, 2007).Find this resource:

Fabre, Michel, From Harlem to Paris: Black American Writers in France, 1840–1980 (Urbana: University of Illinois Press, 1991).Find this resource:

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—— A Modernist Reader: Modernism in England, 1910–30 (London: Batsford, 1986).Find this resource:

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Feldman, Matthew, Samuel Beckett: The Inter‐War Notebooks (London: Continuum, 2006).Find this resource:

Felski, Rita, The Gender of Modernity (Cambridge, Mass.: Harvard University Press, 1995).Find this resource:

—— Doing Time: Feminist Theory and Postmodern Culture (New York: New York University Press, 2000).Find this resource:

—— ‘Modernist Studies and Cultural Studies: Reflections on Method’, Modernism/Modernity, 10/3 (Sept. 2003), 501–17.Find this resource:

Fer, Briony, ‘The Language of Construction’, in Briony Fer, David Batchelor, and Paul Wood (eds), Realism, Rationalism, Surrealism: Art Between the Wars (New Haven: Yale University Press in association with the Open University Press, 1994), 87–169.Find this resource:

Ferguson, Priscilla Parkhurst, Paris as Revolution: Writing the Nineteenth‐Century City (Berkeley: University of California Press, 1994).Find this resource:

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(p. 1059) Ferry, Luc, The New Ecological Order, trans. Carol Volk (Chicago: University of Chicago Press, 1995).Find this resource:

Feuerbach, Ludwig, ‘Principles of the Philosophy of the Future’, in The Fiery Brook: Selected Writings of Ludwig Feuerbach, ed. and trans. Zawar Hanfi (New York: Anchor Books, 1972), 175–245.Find this resource:

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—— Sword, Helen, and Yao, Steven (eds), Pacific Rim Modernisms (Toronto: University of Toronto Press, 2010).Find this resource:

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—— and Wigginton, Chris, ‘“Shut, too, in a tower of words”: Dylan Thomas' Modernism’, in Alex Davis and Lee M. Jenkins (eds), Locations of Literary Modernism (Cambridge: Cambridge University Press, 2000), 89–112.Find this resource:

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Green, Christopher, Cubism and its Enemies: Modern Movements and Reaction in French Art, 1916–1928 (Ithaca, NY: Yale University Press, 1987).Find this resource:

—— Art Made Modern: Roger Fry's Vision of Art (London: Merrell Holberton in association with the Courtauld Institute of Art, 1999).Find this resource:

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Gryglewicz, Tomasz, Malarstwo Europy Srodkowej, 1900–1914: Tendencje modernistyczne i wczesnoawangardowe (Kraków: Nakladem Uniwersytetu Jagiellonskiego, 1992).Find this resource:

Guha‐Thakurta, Tapati, The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal c.1850–1920 (Cambridge: Cambridge University Press, 1992).Find this resource:

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Gunning, Tom, ‘Never Seen This Picture Before: Muybridge in Multiplicity’, in Phillip Prodger, Time Stands Still: Muybridge and the Instantaneous Photography Movement (New York: Oxford University Press in association with the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University, 2003), 222–72.Find this resource:

Gwynn, Stephen, Irish Literature and Drama in the English Language: A Short History (London: T. Nelson, 1936).Find this resource:

Haas, Robert Bartlett, Muybridge: Man in Motion (Berkeley and Los Angeles: University of California Press, 1976).Find this resource:

Habermas, Jürgen, The Philosophical Discourse of Modernity: Twelve Lectures, trans. Frederick Lawrence (Cambridge, Mass.: MIT Press, 1987).Find this resource:

—— ‘Taking Aim at the Heart of the Present: On Foucault's Lecture on Kant's What Is Enlightenment?’, in Habermas, The New Conservatism, trans. Shierry Weber Nicholsen (Cambridge, Mass.: MIT Press, 1989), 173–9.Find this resource:

Hackett, Robyn, Sapphic Primitivism: Productions of Race, Class, and Sexuality in Key Works of Modern Fiction (New Brunswick, NJ: Rutgers University Press, 2004).Find this resource:

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Haese, Richard, Rebels and Precursors: The Revolutionary Years of Australian Art (Sydney: Allen Lane, 1981).Find this resource:

Hagen, Lyman B., ‘The New Yorker’, in Edward Chielens (ed.), American Literary Magazines: The Twentieth Century (Westport, Conn.: Greenwood Press, 1992), 214–20.Find this resource:

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Halliwell, Martin, ‘Tourists or Exiles? American Modernists in Paris in the 1920s and 1950s’, Nottingham French Studies, 44/3 (Autumn 2005), 54–68.Find this resource:

—— Transatlantic Modernism: Moral Dilemmas in Modernist Fiction (Edinburgh: Edinburgh University Press, 2006).Find this resource:

Halperin, Joan Ungersma, Félix Fénéon, Aesthete and Anarchist in Fin‐de‐Siècle Paris (New Haven: Yale University Press, 1988).Find this resource:

Hammill, Faye, ‘Between the Covers: Modernism, Celebrity and Sophistication in Vanity Fair, 1914–1936’, in Jonathan Goldman and Aaron Jaffe (eds), Modernist Star Maps (Aldershot: Ashgate, forthcoming).Find this resource:

—— and Leick, Karen, ‘Modernism and the Quality Magazines: Vanity Fair (1914–36); American Mercury (1924–81); New Yorker (1925– ); Esquire (1933– )’, in Peter Brooker and Andrew Thacker (eds), A Critical and Cultural History of Modernist Magazines, ii (Oxford: Oxford University Press, forthcoming).Find this resource:

Hampson, Robert, and Montgomery, Will (eds), Frank O'Hara Now: New Essays on the New York Poet (Liverpool: Liverpool University Press, forthcoming).Find this resource:

—— and Saunders, Max (eds), Ford Madox Ford's Modernity (Amsterdam: Rodopi, 2003).Find this resource:

Handesten, Lars, Johannes V. Jensen: Liv og værk (Copenhagen: Gyldendal, 2000).Find this resource:

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Hansen, Miriam Bratu, ‘America, Paris, the Alps: Kracauer (and Benjamin) on Cinema and Modernity’, in Leo Charney and Vanessa Schwartz (eds), Cinema and the Invention of Modern Life (Berkeley: University of California Press, 1995), 36–56.Find this resource:

—— ‘Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film as Vernacular Modernism’, Film Quarterly, 54/1 (Fall 2000), 10–22.Find this resource:

Haralovich, Mary Beth, ‘Marlene Dietrich in Blonde Venus: Advertising Dietrich in Seven Markets’, in Gerd Gemünden and Mary R. Desjardins (eds), Dietrich Icon (Durham, NC: Duke University Press), 162–84.Find this resource:

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—— The Life and Work of Thomas Hardy, ed. Michael Millgate (London: Macmillan, 1984).Find this resource:

—— Tess of the D'Urbervilles (1891), ed. Juliet Grindle and Simon Gatrell (Oxford: Oxford University Press, 2005).Find this resource:

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—— ‘Kate Roberts in Translation’, Planet: The Welsh Internationalist, 29 (June–July 1991), 21–9.Find this resource:

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—— Selected Essays of Wilson Harris: The Unfinished Genesis of the Imagination (London: Routledge, 1999).Find this resource:

—— ‘Tradition and the West Indian Novel’, in Selected Essays of Wilson Harris: The Unfinished Genesis of the Imagination, ed. A. J. M. Bundy (London: Routledge, 1999), 140–51.Find this resource:

Harrison, Charles, English Art and Modernism, 1900–1939 (London: Allen Lane; Bloomington: Indiana University Press, 1981).Find this resource:

—— ‘A Kind of Context’, in Harrison, Essays on Art and Language (Cambridge, Mass.: MIT Press, 2001), 1–28.Find this resource:

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