- The Oxford Handbook of Applied Ethnomusicology
- List of Figures and Tables
- List of Contributors
- About the Companion Website
- An Introduction to Applied Ethnomusicology
- Transcending Researcher Vulnerability Through Applied Ethnomusicology
- Evaluating Values in Applied Ethnomusicology
- Cultural Engagement and Ownership Through Participatory Approaches in Applied Ethnomusicology
- Applied Ethnomusicology and Intangible Cultural Heritage: Understanding “Ecosystems of Music” as a Tool for Sustainability
- Sustainability, Resilience, and Adaptive Management for Applied Ethnomusicology
- Advocacy and the Ethnomusicologist: Assessing Capacity, Developing Initiatives, Setting Limits, and Making Sustainable Contributions
- Applied Ethnomusicology as an Intercultural Tool: Some Experiences from the Last 25 years of Minority Research in Austria
- Being Applied in the Ethnomusicology of Autism
- Motivations and Methods for Encouraging Artists in Longer Traditions
- Activist Ethnomusicology and Marginalized Music of South Asia
- Decolonization and Applied Ethnomusicology: “Story-ing” the Personal-Political-Possible in Our Work
- Andes to Amazon on the River Q’eros: Indigenous Voice in Grassroots Tourism, Safeguarding, and Ownership Projects of the Q’eros and Wachiperi Peoples
- The Role of Applied Ethnomusicology in Post-Conflict and Post-Catastrophe Communities
- The Study of Survivors’ Music
- Music and Conflict Resolution: The Public Display of Migrants in National(ist) Conflict Situations in Europe: An Analytical Reflection on University-Based Ethnomusicological Activism
- Strategies and Opportunities in the Education Sector for Applied Ethnomusicology
- Sounds Humane: Music and Humanism in the Aga Khan Humanities Project
- Intersections Between Ethnomusicology, Music Education, and Community Music
- Archives and Applied Ethnomusicology
- The Applied Ethnomusicologist as Public Folklorist: Ethnomusicological Practice in the Context of a Government Agency in the United States
- Applied Ethnomusicology in China: An Analytical Review of Practice
- The Problem and Potential of Commerce
Abstract and Keywords
Resilience refers to a system’s capacity to recover and maintain its integrity, identity, and continuity when subjected to forces of disturbance and change. Insofar as music cultures are systems, they too exhibit resilience to a greater or lesser degree. Adaptive management identifies what makes a music culture vulnerable, what makes it resilient, and ameliorates the former while strengthening the latter. Resilience coupled with adaptive management therefore becomes a practical strategy for applied ethnomusicologists working on behalf of musical and cultural sustainability. This chapter also discusses preservation, safeguarding, and conservation as precursors to sustainability, resilience, and adaptive management, employing a historicist’s approach to these ideas in the spheres of economics, ecology, anthropology, ethnomusicology, and folklore.
Jeff Todd Titon is professor emeritus of music at Brown University. In 2015-16 he will hold the Basler Chair of Excellence for the Integration of the Arts, Rhetoric, and Sciences at East Tennessee State University.
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