- Copyright Page
- List of Contributors
- Words or Things in American History?
- Artifacts and Their Functions
- Mastery, Artifice, and the Natural Order: A Jewel from the Early Modern Pearl Industry
- Food and Cognition: <i>Henry Norwood’s</i> A Voyage to Virginia
- On Pins and Needles: Straight Pins, Safety Pins, and Spectacularity
- Mind, Time, and Material Engagement
- Material Time
- Remaking the Kitchen, 1800–1850
- Boston Electric: Science by “Mail Order” and Bricolage at Colonial Harvard
- Making Knowledge Claims in the Eighteenth-Century British Museum
- The Ever-Changing Technology and Significance of Silk on the Silk Road
- Science, Play, and the Material Culture of Twentieth-Century American Boyhood
- The Sensory Web of Vision: Enchantment and Agency in Religious Material Culture
- Sensiotics, or the Study of the Senses in Material Culture and History in Africa and Beyond
- The Numinous Body and the Symbolism of Human Remains
- Symbolic Things and Social Performance: Christmas Nativity Scenes in Late Nineteenth-Century Santiago de Chile
- Heritage Religion and the Mormons
- From Confiscation to Collection: The Objects of China’s Cultural Revolution
- Persons and Things in Marseille and Lucca, 1300–1450
- Cloth and the Rituals of Encounter in La Florida: Weaving and Unraveling the Code
- Street “Luxuries”: Food Hawking in Early Modern Rome
- Ebony and Ivory: Pianos, People, Property, and Freedom on the Plantation, 1861–1870
- The Material Culture of Furniture Production in the British Colonies
- Material Culture, Museums, and the Creation of Multiple Meanings
- Chronology and Time: Northern European Coastal Settlements and Societies, c. 500–1050
- Materialities in the Making of World Histories: South Asia and the South Pacific
- Mapping History in Clay and Skin: Strategies for Remembrance among Ga’ anda of Northeastern Nigeria
- Remember Me: Sensibility and the Sacred in Early Mormonism
- Housing History: The Colonial Revival as Consumer Culture
- Collecting as Historical Practice and the Conundrum of the Unmoored Object
Abstract and Keywords
This chapter examines the American Civil War history of the piano to shed light on the enormous socioeconomic changes that occurred on the plantation during this tumultuous period. The war sent people and objects in motion. Union soldiers were sent into battle as far away as New Orleans, Louisiana, and Tampa, Florida, and they occupied the South for more than fifteen years after the war began in 1861. Confederate soldiers also went on the move, fighting across the South and the Mid-Atlantic states, while plantation owners abandoned their human and material property and sought refuge away from the front lines. Former slaves wrested freedom from their absentee owners and then, having secured that freedom, joined the cash economy and sought to become citizens. The tensions in the interactions between these groups were manifested materially, and the resulting artifacts survive as extant objects or textual references within the archive. Bound together in an investigation of place, the piano presents a powerful narrative of American history through the making and unmaking of the plantation space.
Dana E. Byrd is Assistant Professor of Art History at Bowdoin College.
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