- Copyright Page
- List of Contributors
- Words or Things in American History?
- Artifacts and Their Functions
- Mastery, Artifice, and the Natural Order: A Jewel from the Early Modern Pearl Industry
- Food and Cognition: <i>Henry Norwood’s</i> A Voyage to Virginia
- On Pins and Needles: Straight Pins, Safety Pins, and Spectacularity
- Mind, Time, and Material Engagement
- Material Time
- Remaking the Kitchen, 1800–1850
- Boston Electric: Science by “Mail Order” and Bricolage at Colonial Harvard
- Making Knowledge Claims in the Eighteenth-Century British Museum
- The Ever-Changing Technology and Significance of Silk on the Silk Road
- Science, Play, and the Material Culture of Twentieth-Century American Boyhood
- The Sensory Web of Vision: Enchantment and Agency in Religious Material Culture
- Sensiotics, or the Study of the Senses in Material Culture and History in Africa and Beyond
- The Numinous Body and the Symbolism of Human Remains
- Symbolic Things and Social Performance: Christmas Nativity Scenes in Late Nineteenth-Century Santiago de Chile
- Heritage Religion and the Mormons
- From Confiscation to Collection: The Objects of China’s Cultural Revolution
- Persons and Things in Marseille and Lucca, 1300–1450
- Cloth and the Rituals of Encounter in La Florida: Weaving and Unraveling the Code
- Street “Luxuries”: Food Hawking in Early Modern Rome
- Ebony and Ivory: Pianos, People, Property, and Freedom on the Plantation, 1861–1870
- The Material Culture of Furniture Production in the British Colonies
- Material Culture, Museums, and the Creation of Multiple Meanings
- Chronology and Time: Northern European Coastal Settlements and Societies, c. 500–1050
- Materialities in the Making of World Histories: South Asia and the South Pacific
- Mapping History in Clay and Skin: Strategies for Remembrance among Ga’ anda of Northeastern Nigeria
- Remember Me: Sensibility and the Sacred in Early Mormonism
- Housing History: The Colonial Revival as Consumer Culture
- Collecting as Historical Practice and the Conundrum of the Unmoored Object
Abstract and Keywords
Through the lens of Henry Norwood’s A Voyage to Virginia, a harrowing account of a royalist exile’s 1649–1650 journey from Oliver Cromwell’s England to British America, this chapter explores the interplay of material culture and cognition. The coevolution of things and people, however, is not just about “how” we know and evolve with and through things but also about aesthetics and affect in everyday life. Norwood punctuates the account of his journey with recitations of the foods he encountered, their preparations, and their consumption, and through that framing device reveals a deeper engagement with civil discourse. Recuperating Norwood’s natural, cultural, and culinary contexts reveals social ecologies that range from how individuals and communities addressed factors as diverse as climate change, ennobled governance, and global sensus communis through objects as plain as a mussel shell spoon, a well-ordered table, or a pot of oyster and turkey stew.
Bernard L. Herman is Chair of American Studies, and George B. Tindall Professor of Southern Studies at the University of North Carolina at Chapel Hill.
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