Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 01 December 2020

Abstract and Keywords

This chapter analyzes three reenactments by the Slovenian director Janez Janša, two reconstructions of experimental performances made under communism in Ljubljana during the late 1960s and early 1970s by poets and performers associated with the Pupilija group, and one which subversively reappropriates canonical contemporary dance works from the United States, Germany, and Japan. The two earlier works, it argues, interrogate the utopian ideals espoused by the communist partisans who freed Yugoslavia from German occupation during World War II. It develops a framework for this analysis by drawing on Walter Benjamin’s discussion of the philosophy of history and on Michel de Certeau’s work on memory and the everyday. It places the three reconstructions in their social, historical, and political context and evaluates their meanings in relation to misperceptions about art in post-communist countries.

Keywords: Pupilija, Janez Janša, Walter Benjamin, Michel de Certeau, post-communist, Maska, Utopias, dance and politics, history and memory

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.