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date: 19 October 2019

Abstract and Keywords

This article mentions the complicated relationship between elegy and the longing for aesthetic redemption; however, such longing is rarely distant from anger and rage, and therefore never far from the effort to make of the AIDS elegy a social genre that could offer the prospect of interaction ‘with the oblivious or indifferent’. The elegy adopts the testimonial precisely because it refuses to turn its back on the ‘urgent concern with the responsibilities of the living’. It then notes the poems by a few of the very well-known gay male poets as evidence of the way in which elegy was being adapted in this writing to the purpose of AIDS witness, somewhat in the manner of a coming out. The intertextual relation of the poems by Ingrid de Kok and Thomas Gunn signifies that here/there and now/then differences are not as self-evident as they may seem.

Keywords: AIDS elegy, testimonial, aesthetic redemption, Ingrid de Kok, Thomas Gunn

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