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date: 15 October 2019

Abstract and Keywords

This article discusses how Amoretti and Epithalamion singly and together clear a space in late Elizabethan poetry. The Amoretti and the Epithalamion establish themselves in relation to an actual event, Spenser's marriage to Elizabeth Boyle of 11 June 1594, more than any other sequence of the period. The Amoretti is unique in representing a courtship that demonstrably leads to a marriage, while the wedding takes place not out of the reader's sight but immediately after the sequence, within the same volume of 1595. The Epithalamion is one of the most successful wedding songs in any European vernacular. The process of the Epithalamion is to narrate the wedding day not only as an event in itself but as an intersection of social and mythological significance, as though Edmund Spenser's marriage to Elizabeth Boyle mattered equally to the townspeople, distant merchants, and classical figures such as Hymen and Hesperus.

Keywords: Elizabethan poetry, marriage, Elizabeth Boyle, courtship, Epithalamion

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