Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 10 April 2020

Abstract and Keywords

This chapter examines the phenomenal book in the medieval period to discover ways in which the medieval manuscript was conceived and understood by its producers and multiple users. Of prime significance in this study is the aspect of “distant reading”—how audiences participated in making meaning when the book to which they had access was intended to be “enjoyed” from afar, perhaps read or displayed at some distance. Even as this mode of participation must have been most common, the paper then discusses the haptic and kinaesthetic nature of the book, clearly perceived to be a major component of the manuscript judging by the dominance of images from the long medieval period in which the book is held, touched, and interacted with.

Keywords: Medieval manuscript, audience, hapticity, reading, access, representation, image, phenomenology

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.