Abstract and Keywords
The psychological study of the body in musical performance is a rich area with a wide range of applications for performers and teachers alike. In this chapter, some of the ways in which the body operates in the processes of generating, communicating, and understanding music performance are explored. Topics covered include the motor control aspects of playing and the bodily movements used for expressive musical effects as well as cooperative performance. Individual differences in bodily postures and gestures as well as the identification of types of bodily movement used for interpersonal communication are investigated to show how this information works to develop efficient collaborations. A theoretical basis for the work is that our sounds and bodily behaviors emerge from a single idea source, and in interpersonal communication our gestures and postures express and vivify our thoughts and utterances—spoken or musical, depending on the “language” we are manipulating.
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