Abstract and Keywords
From the historically resonant Abbey Theatre, theatre spaces have had an influence on the ways in which Irish theatre has developed over the course of the twentieth century, from the limited proscenium arch stage of the early Abbey to the increasing exploration of found spaces and site-specific work in the 1990s and early twenty-first century. A geography of Irish theatre must take account of the significance of the place of performance in the creation of theatrical meaning. The space of the Abbey, as the national theatre, has been haunted by its past, whereas the aim of the Gate was to create a neutral space for its modernist creations, while utopian plans for an open-air amphitheatre in Achill or radical designs for the Lyric, Belfast, were never realized. The many new theatres of recent times have created untethered spaces without past associations.
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