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date: 18 June 2019

(p. 695) Bibliography

(p. 695) Bibliography

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Anderson, Patrick, and Jisha Menon (eds.), Violence Performed: Local Roots and Global Routes of Conflict (Basingstoke: Palgrave Macmillan, 2011).Find this resource:

Arrington, Lauren, W. B. Yeats, the Abbey Theatre, Censorship, and the Irish State: Adding the Half-Pence to the Pence (Oxford: Oxford University Press, 2010).Find this resource:

Augusteijn, Joost, Patrick Pearse: The Making of a Revolutionary (Basingstoke: Palgrave Macmillan, 2010).Find this resource:

Ayling, Ronald (ed.), Sean O’Casey: Modern Judgements (London: Macmillan, 1969).Find this resource:

Barfoot, C. C., and Rias van den Doel (eds.), Ritual Remembering: History, Myth and Politics in Anglo-Irish Drama (Amsterdam: Rodopi, 1995).Find this resource:

Barnes, Ben, Plays and Controversies: Abbey Theatre Diaries 2000–2005 (Dublin: Carysfort Press, 2008).Find this resource:

Barnett, Gene A., Denis Johnston (Boston, MA: Twayne, 1978).Find this resource:

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Barsacq, André, et al., Architecture et dramaturgie (Paris: Flammarion, 1950).Find this resource:

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(p. 696) Belsey, Catherine, Critical Practice (London: Routledge, 1980).Find this resource:

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Blau, Herbert, The Audience (Baltimore, MD: Johns Hopkins University Press, 1990).Find this resource:

Bolger, Dermot (ed.), Druids, Dudes and Beauty Queens: The Changing Face of Irish Theatre (Dublin: New Island, 2001).Find this resource:

Bolger, Dermot, The Parting Glass (Dublin: New Island, 2011).Find this resource:

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Boucicault, Dion, Selected Plays, ed. Andrew Parkin (Gerrards Cross/Washington, DC: Colin Smythe/Catholic University Press of America, 1987).Find this resource:

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Bourke, Angela, The Burning of Bridget Cleary (London: Pimlico, 1999).Find this resource:

Boylan, Patricia, Gaps of Brightness (Dublin: A. & A. Farmar, 2003).Find this resource:

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Braidotti, Rosi, Patterns of Dissonance (Cambridge: Polity Press, 1991).Find this resource:

Brandes, Georg, Friedrich Nietzsche, trans. A. G. Chater (London: William Heinemann, 1914).Find this resource:

Bratton, J. S., et al., Acts of Supremacy: The British Empire and the Stage, 1790–1930 (Manchester: Manchester University Press, 1991).Find this resource:

Bratton, J. S., Terence Gray and the Cambridge Festival Theatre (Cambridge: Chadwyck-Healey, 1980).Find this resource:

Brennan-Whitmore, W. J., Dublin Burning: The Easter Rising from Behind the Barricades (Dublin: Gill & Macmillan, 2013).Find this resource:

Brewster, Scott, and Michael Parker (eds.), Irish Literature Since 1990: Diverse Voices (Manchester: Manchester University Press, 2009).Find this resource:

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Brooks, Peter, The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (New York: Columbia University Press, 1985).Find this resource:

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Burke, Mary, ‘Tinkers’: Synge and the Cultural History of the Irish Traveller (Oxford: Oxford University Press, 2009).Find this resource:

(p. 697) Burke Brogan, Patricia, Eclipsed (Knockeven: Salmon Publishing, 1994).Find this resource:

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Bushrui, S. B. (ed.), A Centenary Tribute to John Millington Synge, 1871–1909: Sunshine and the Moon’s Delight (New York: Barnes & Noble, 1972).Find this resource:

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Butler, Judith, Excitable Speech: A Politics of the Performative (London: Routledge, 1997).Find this resource:

Byrne, Ophelia, State of Play: The Theatre and Cultural Identity in Twentieth Century Ulster (Belfast: Linen Hall Library, 2002).Find this resource:

Canaris, Volker, Peter Zadek: Der Theatermann und Filmemacher [Peter Zadek: Theatre Practitioner and Film-Maker] (Munich: Hanser, 1979).Find this resource:

Carlson, Marvin, The Haunted Stage: The Theatre as Memory Machine (Ann Arbor, MI: University of Michigan Press, 2001).Find this resource:

Carlson, Marvin, Places of Performance: The Semiotics of Theatre Architecture (New York: Cornell University Press, 1989).Find this resource:

Carr, Marina, Plays One (London: Faber & Faber, 2000).Find this resource:

Carr, Marina, Portia Coughlan (London: Faber & Faber, 1996).Find this resource:

Carr, Marina, Woman and Scarecrow (London: Faber & Faber, 2006).Find this resource:

Carvalho, Paulo Eduardo, Identidades reescribes: figurações da Irlanda no teatro português [Rewritten Identities: Representations of Ireland in Portuguese Theatre] (Porto: Edições Afrontamento/Instituto de Literatura Comparada Margarida Losa, 2009).Find this resource:

Carville, Darargh, Convictions (Belfast: Tinderbox, 2000).Find this resource:

Casanova, Pascale, The World Republic of Letters (Cambridge, MA: Harvard University Press, 2004).Find this resource:

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Cave, Richard Allen, Collaborations: Ninette de Valois and William Butler Yeats (Alton: Dance Books, 2011).Find this resource:

Cave, Richard Allen, Terence Gray and the Cambridge Festival Theatre (Cambridge: Chadwyck-Healey, 1980).Find this resource:

Cave, Richard Allen, and Ben Levitas (eds.), Irish Theatre in England (Dublin: Carysfort Press, 2007).Find this resource:

Chambers, Lilian, Ger FitzGibbon, and Eamonn Jordan (eds.), Theatre Talk: Voices of Irish Theatre Practitioners (Dublin: Carysfort Press, 2001).Find this resource:

Chambers, Lilian, and Eamonn Jordan (eds.), The Theatre of Conor McPherson (Dublin: Carysfort Press, 2012).Find this resource:

Chambers, Lilian, and Eamonn Jordan (eds.), The Theatre of Martin McDonagh: A World of Savage Stories (Dublin: Carysfort Press, 2006).Find this resource:

Chansky, Dorothy, Composing Ourselves: The Little Theatre Movement and the American Audience (Carbondale, IL: Southern Illinois Press, 2004).Find this resource:

Chaudhuri, Una, Staging Place: The Geography of Modern Drama (Ann Arbor, MI: University of Michigan Press, 1997).Find this resource:

Cheney, Sheldon, The New Movement in the Theatre (New York: Michael Kennelley, 1914)Find this resource:

Chesterton, G. K., Christendom in Dublin (London: Sheed & Ward, 1932).Find this resource:

Clarke, Brenna Katz, The Emergence of the Irish Peasant Play at the Abbey Theatre (Ann Arbor, MI: UMI Research Press, 1982).Find this resource:

Clarke, Brenna Katz, and Harold Ferrar, The Dublin Drama League: 1919–1941 (Dublin: Dolmen Press, 1979).Find this resource:

(p. 698) Cleary, Joe, Outrageous Fortune: Capital and Culture in Modern Ireland (Derry: Field Day, 2006).Find this resource:

Cleary, Joe, and Claire Connolly (eds.), The Cambridge Companion to Modern Irish Culture (Cambridge: Cambridge University Press, 2005).Find this resource:

Clery, Arthur, The Idea of a Nation, ed. Patrick Maume (Dublin: University College Dublin Press, 2002).Find this resource:

Cochrane, Claire, Twentieth-Century British Theatre: Industry, Art and Empire (Cambridge: Cambridge University Press, 2011).Find this resource:

Cole, Catherine, Performing South Africa’s Truth Commission: Stages of Translation (Bloomington, IN: Indiana University Press, 2010).Find this resource:

Colleary, Susanne, Performance and Identity in Irish Stand-Up Comedy: The Comic ‘I’ (Basingstoke: Palgrave Macmillan, 2015).Find this resource:

Colum, Padraic, The Fiddler’s House (Dublin: Maunsel, 1907).Find this resource:

Colum, Padraic, The Road Round Ireland (New York: Macmillan, 1930).Find this resource:

Colum, Padraic, Selected Plays, ed. Sanford Sternlicht (Syracuse, NY: Syracuse University Press, 2006).Find this resource:

Colum, Padraic, Selected Poems, ed. Sanford Sternlicht (Syracuse, NY: Syracuse University Press, 1989).Find this resource:

Colum, Padraic, Three Plays: The Fiddler’s House, The Land, Thomas Muskerry (Boston, MA: Little, Brown, 1916).Find this resource:

Cooney, John, John Charles McQuaid (Dublin: O’Brien Press, 2003).Find this resource:

Corkery, Daniel, Synge and Anglo-Irish Literature (Cork: Cork University Press, 1947).Find this resource:

Cousins, James H., and Margaret E. Cousins, We Two Together (Madras: Ganesh, 1950).Find this resource:

Cowell, John, No Profit but the Name: The Longfords and the Gate Theatre (Dublin: O’Brien Press, 1988).Find this resource:

Craft, Robert, Conversations with Igor Stravinsky (New York: Doubleday, 1959).Find this resource:

Cregan, David (ed.), Deviant Acts: Essays on Queer Performance (Dublin: Carysfort Press, 2009).Find this resource:

Critchley, Simon, Ethics—Politics—Subjectivity: Essays on Derrida, Levinas and Contemporary French Thought (London: Verso, 1999).Find this resource:

Croghan, Declan, Paddy Irishman, Paddy Englishman, and Paddy …? (London: Faber & Faber, 1999).Find this resource:

Cronin, Michael G., Impure Thoughts: Sexuality, Catholicism and Literature in Twentieth-Century Ireland (Manchester: Manchester University Press, 2012).Find this resource:

Cronin, Michael, Translation and Globalization (London: Routledge, 2003).Find this resource:

Cruise O’Brien, Conor, States of Ireland (London: Hutchinson, 1972).Find this resource:

Cullingford, Elizabeth Butler, Ireland’s Others: Ethnicity and Gender in Irish Literature and Popular Culture (Cork: Cork University Press, 2001).Find this resource:

D’Alton, Louis, Death Is So Fair (New York: Doubleday, Doran, 1938).Find this resource:

D’Alton, Louis, They Got What They Wanted (Dundalk: Dundalgan Press, 1962).Find this resource:

D’Alton, Louis, This Other Eden (Dublin: P. J. Bourke, 1954).Find this resource:

Daniels, Sarah, Plays: One (London: Methuen Drama, 1991).Find this resource:

D’Arcy, Margaretta, Loose Theatre: Memoirs of a Guerrilla Theatre Activist (Victoria, BC: Trafford, 2005).Find this resource:

Darley, Emmanuel, Tuesdays at Tesco’s [Mardi à Monoprix], trans. Matthew Hurt and Sarah Vermande (London: Nick Hern, 2011).Find this resource:

(p. 699) Darwin, John, The Empire Project: The Rise and Fall of the British World-System, 1830–1970, rev. edn. (Cambridge: Cambridge University Press, 2011).Find this resource:

Dawe, Gerald, Darryl Jones, and Nora Pelizzari (eds.), Beautiful Strangers: Ireland and the World in the 1950s (Oxford: Peter Lang, 2013).Find this resource:

Dawe, Gerald, and Jonathan Williams (eds.), Krino 1986–1996: An Anthology of Modern Irish Writing (Dublin: Gill & Macmillan, 1996).Find this resource:

de Búrca, Séamus, The Queen’s Royal Theatre Dublin 1829–1969 (Dublin: Séamus de Búrca, 1983).Find this resource:

de Toro Santos, Antonio Raúl, La literatura irlandesa en España [Irish Literature in Spain] (A Coruña: Netbiblo, 2007).Find this resource:

de Toro Santos, Antonio Raúl, and David Clark, British and Irish Writers in the Spanish Periodical Press/Escritores británicos e irlandeses en la prensa periódica española, 1900–1965 (A Coruña: Netbiblo, 2007).Find this resource:

Dean, Joan Fitzpatrick, All Dressed Up: Modern Irish Historical Pageantry (Syracuse, NY: Syracuse University Press, 2014).Find this resource:

Dean, Joan Fitzpatrick, Riot and Great Anger: Stage Censorship in Twentieth-Century Ireland (Madison, WI: University of Wisconsin Press, 2004).Find this resource:

Deane, Seamus, Celtic Revivals: Essays in Modern Irish Literature (London: Faber & Faber, 1985).Find this resource:

Deane, Seamus (ed.), The Field Day Anthology of Irish Writing (3 vols., Derry: Field Day, 1991).Find this resource:

Deevy, Teresa, Teresa Deevy Reclaimed, vol. 1, ed. Jonathan Bank, John P. Harrington, and Christopher Morash (New York: Mint Theater Company, 2011).Find this resource:

Delaney, Paul (ed.), Brian Friel in Conversation (Ann Arbor, MI: University of Michigan Press, 2000).Find this resource:

Delgado, Maria M., and Dan Rebellato (eds.), Contemporary European Theatre Directors (London: Routledge, 2010).Find this resource:

Derrida, Jacques, Specters of Marx (New York: Routledge, 1994).Find this resource:

Devitt, John, with Nicholas Grene and Chris Morash (eds.), Shifting Scenes: Irish Theatre-Going, 1955–1985 (Dublin: Carysfort Press, 2008).Find this resource:

Dickson, David, Dublin: The Making of a Capital City (London: Profile Books, 2014).Find this resource:

Dilks, Stephen, Samuel Beckett in the Literary Marketplace (Syracuse, NY: Syracuse University Press, 2011).Find this resource:

Dixon, Ros, and Irina Ruppo Malone (eds.), Ibsen and Chekhov on the Irish Stage (Dublin: Carysfort Press, 2012).Find this resource:

Docherty, Thomas (ed.), Postmodernism: A Reader (Brighton: Harvester Wheatsheaf, 1993).Find this resource:

Dolan, Jill, The Feminist Spectator as Critic (Ann Arbor, MI: University of Michigan Press, 1991).Find this resource:

Dorgan, Theo, and Máirín Ní Dhonnchadha (eds.), Revising the Rising (Derry: Field Day, 1991).Find this resource:

Dorn, Karen, Players and Painted Stage: The Theatre of W. B. Yeats (Brighton: Harvester, 1984).Find this resource:

Dubost, Thierry (ed.), Drama Reinvented: Theatre Adaptation in Ireland, 1970–2000 (Bern: Peter Lang, 2007).Find this resource:

Dumbleton, William, James Cousins (Boston, MA: Twayne, 1980).Find this resource:

Dunleavy, Janet Egleson, and Gareth W. Dunleavy, Douglas Hyde: A Maker of Modern Ireland (Berkeley, CA: University of California Press, 1991).Find this resource:

Durcan, Paul, A Snail in My Prime: New and Selected Poems (London: Harvill, 1993).Find this resource:

(p. 700) Eakin, David B., and Michael Case (eds.), Selected Plays of George Moore and Edward Martyn (Gerrards Cross: Colin Smythe, 1995).Find this resource:

Edelstein, T. J., et al., The Stage is All the World: The Theatrical Designs of Tanya Moiseiwitsch (Chicago, IL: Smart Museum of Art, 1994).Find this resource:

Edgar, David, State of Play: Playwrights on Playwriting (London: Faber & Faber, 1999).Find this resource:

Edmondson, Paul, Paul Prescott, and Erin Sullivan (eds.), A Year of Shakespeare: Re-living the World Shakespeare Festival (London: Bloomsbury, 2013).Find this resource:

Edwards, Ruth Dudley, Patrick Pearse: The Triumph of Failure (London: Victor Gollancz, 1977).Find this resource:

Eglinton, John, W. B. Yeats, Æ, and William Larminie, Literary Ideals in Ireland (Dublin: T. Fisher Unwin, 1899).Find this resource:

Eliot, T. S., Notes Towards the Definition of Culture (London: Faber & Faber, 1948).Find this resource:

Ellmann, Richard, Oscar Wilde (London: Hamish Hamilton, 1987).Find this resource:

Ervine, St John, Bernard Shaw: His Life, Work and Friends (London: Constable, 1956).Find this resource:

Ervine, St John, How to Write a Play (London: George Allen & Unwin, 1928).Find this resource:

Ervine, St John, Mixed Marriage (Dublin: Maunsel, 1911).Find this resource:

Ervine, St John G., Some Impressions of My Elders (London: George Allen & Unwin, 1923).Find this resource:

Ervine, St John, The Theatre in My Time (London: Rich & Cowan, 1933).Find this resource:

Evangelista, Stefano (ed.), The Reception of Oscar Wilde in Europe (London: Continuum, 2010).Find this resource:

Eyre, Richard (ed.), Talking Theatre: Interviews with Theatre People (London: Nick Hern, 2011).Find this resource:

Fallon, Brian, An Age of Innocence: Irish Culture 1930–1960 (Dublin: Gill & Macmillan, 1998).Find this resource:

Fallon, Gabriel, The Abbey and the Actor (Dublin: National Theatre Society, 1969).Find this resource:

Fallon, Gabriel, Sean O’Casey: The Man I Knew (London: Routledge & Kegan Paul; Boston, MA: Little, Brown, 1965).Find this resource:

Fanon, Frantz, The Wretched of the Earth (Harmondsworth: Penguin, 1967).Find this resource:

Farley, Fidelma, This Other Eden (Cork: Cork University Press, 2001).Find this resource:

Fay, Frank J., Towards a National Theatre: The Dramatic Criticism of Frank J. Fay, ed. Robert Hogan (Dublin: Dolmen Press, 1970).Find this resource:

Fay, Gerard, The Abbey Theatre, Cradle of Genius (Dublin: Clonmore & Reynolds, 1958).Find this resource:

Fay, W. G., and Catherine Carswell, The Fays of the Abbey Theatre: An Autobiographical Record (New York: Harcourt Brace; London: Rich & Cowan, 1935).Find this resource:

Feldman, Matthew, Beckett’s Books: A Cultural History of the Interwar Notes (London: Continuum, 2009).Find this resource:

Feldman, Matthew, and Mark Nixon, Beckett’s Literary Legacies (Newcastle upon Tyne: Cambridge Scholars, 2007).Find this resource:

Ferriter, Diarmaid, The Transformation of Ireland 1900–2000 (London: Profile Books, 2005).Find this resource:

Finn, Tomás, Tuairim: Intellectual Debate and Policy Formation: Rethinking Ireland, 1954–1975 (Manchester: Manchester University Press, 2012).Find this resource:

Fischer-Lichte, Erika, The Show and the Gaze of Theatre: A European Perspective (Iowa City, IA: University of Iowa Press, 1997).Find this resource:

Fischer-Lichte, Erika, The Transformative Power of Performance: A New Aesthetics (London: Routledge, 2008).Find this resource:

Fischer-Lichte, Erika, and Benjamin Wihstutz (eds.), Performance and the Politics of Space: Theatre and Topology (London: Routledge, 2013).Find this resource:

Fisher, Judith L., and Stephen Watt (eds.), When They Weren’t Doing Shakespeare: Essays on Nineteenth Century British and American Theatre, 2nd edn. (Athens, GA: University of Georgia Press, 2011).Find this resource:

(p. 701) Fitzpatrick, Lisa (ed.), Performing Violence in Contemporary Ireland (Dublin: Carysfort Press, 2009).Find this resource:

Fitzpatrick, Maurice, The Boys of St. Columb’s (Dublin: Liffey, 2010).Find this resource:

Fitz-Simon, Christopher, The Boys: A Biography of Micheál Mac Liammóir and Hilton Edwards (Dublin: Gill & Macmillan, 1994; repr. Dublin: New Island Books, 2002).Find this resource:

Fitz-Simon, Christopher, ‘Buffoonery and Easy Sentiment’: Popular Irish Plays in the Decade Prior to the Opening of the Abbey Theatre (Dublin: Carysfort Press, 2011).Find this resource:

Fitz-Simon, Christopher, The Irish Theatre (London: Thames & Hudson, 1983).Find this resource:

Fitz-Simon, Christopher (ed.), Players and Painted Stage: Aspects of Twentieth Century Theatre in Ireland (Dublin: New Island, 2004).Find this resource:

Flannery, James, W. B. Yeats and the Idea of a Theatre: The Early Abbey Theatre in Theory and Practice (New Haven, CT: Yale University Press, 1976).Find this resource:

Fletcher, Alan J. (ed.), Drama and the Performing Arts in Pre-Cromwellian Ireland: A Repertory of Sources and Documents from the Earliest Times (Cambridge: D. S. Brewer, 2001).Find this resource:

Fletcher, Alan J., Drama, Performance and Polity in Pre-Cromwellian Ireland (Cork: Cork University Press, 2000).Find this resource:

Foley, Imelda, The Girls in the Big Picture: Gender in Contemporary Ulster Theatre (Belfast: Blackstaff Press, 2003).Find this resource:

Forster, E. M., Maurice (Harmondsworth: Penguin, 1972).Find this resource:

Foster, R. F., Luck and the Irish: A Brief History of Change, 1970–2000 (London: Allen Lane, 2007).Find this resource:

Foster, R. F., Modern Ireland 1600–1972 (London: Penguin, 1988), 517Find this resource:

Foster, R. F., W. B. Yeats: A Life, vol. 1: The Apprentice Mage 1865–1914 (Oxford: Oxford University Press, 1997).Find this resource:

Foster, R. F., W. B. Yeats: A Life, vol. 2: The Arch-Poet (Oxford: Oxford University Press, 2003).Find this resource:

Foucault, Michel, Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan (London: Penguin, 1991).Find this resource:

Frazier, Adrian, Behind the Scenes: Yeats, Horniman and the Struggle for the Abbey Theatre (Berkeley, CA: University of California Press, 1990).Find this resource:

Frazier, Adrian, George Moore, 1852–1933 (New Haven, CT: Yale University Press, 2000).Find this resource:

Frazier, Adrian, Hollywood Irish: John Ford, Abbey Actors, and the Irish Revival in Hollywood (Dublin: Lilliput Press, 2011).Find this resource:

Freeman, Elizabeth, Time Binds: Queer Temporalities, Queer Histories (Durham, NC: Duke University Press, 2010).Find this resource:

Friel, Brian, Brian Friel in Conversation, ed. Paul Delaney (Ann Arbor, MI: University of Michigan Press, 2000).Find this resource:

Friel, Brian, Essays, Diaries, Interviews: 1964–1999, ed. Christopher Murray (London: Faber & Faber, 1999).Find this resource:

Friel, Brian, The Loves of Cass McGuire (Dublin: Gallery Books, 1984).Find this resource:

Friel, Brian, Plays 1 (London: Faber & Faber, 1996).Find this resource:

Friel, Brian, Plays 2 (London: Faber & Faber, 1996).Find this resource:

Friel, Brian, Plays 3 (London: Faber & Faber, 2014).Find this resource:

Friel, Brian, Three Plays After (London: Faber & Faber, 2002).Find this resource:

Friel, Brian, Three Sisters (Oldcastle: Gallery Press, 1981).Find this resource:

Friel, Brian, Uncle Vanya: A Version of the Play by Anton Chekhov (New York: Dramatists Play Service, 1998).Find this resource:

(p. 702) Frost, Anthony, and Ralph Yarrow, Improvisation in Drama (Basingstoke: Macmillan, 1990).Find this resource:

Gelb, Arthur, and Barbara Gelb, O’Neill (New York: Harper, 1960).Find this resource:

Genet, Jacqueline, and Richard Allen Cave (eds.), Perspectives of Irish Drama and Theatre (Gerrards Cross: Colin Smythe, 1991).Find this resource:

Gilbert, Helen, and Joanne Tompkins, Postcolonial Drama: Theory, Practice, Politics (London: Routledge, 1996).Find this resource:

Girard, René, Violence and the Sacred, trans. Patrick Gregory (Baltimore, MD: Johns Hopkins University Press, 1977).Find this resource:

Gogarty, Oliver St John, Plays, ed. James F. Carens (Newark, DE: Proscenium Press, 1971).Find this resource:

Gogarty, Oliver St John, Poems and Plays, ed. A. Norman Jeffares (Gerrards Cross: Colin Smythe, 2001).Find this resource:

Goldstone, Herbert, In Search of Community: The Achievement of Seán O’Casey (Cork: Mercier Press, 1972).Find this resource:

Gontarski, S. E., The Intent of Undoing in Samuel Beckett’s Dramatic Texts (Bloomington, IN: Indiana University Press, 1985).Find this resource:

Gonzalez-Perez, Margaret (ed.), Women and Terrorism: Female Activity in Domestic and International Terror (London: Routledge, 2008).Find this resource:

Gore-Booth, Eva, Plays, ed. Frederick Lapisardi (San Francisco, CA: EMText, 1991).Find this resource:

Gore-Booth, Eva, Poems, ed. Esther Roper (London: Longman Green, 1929).Find this resource:

Gough, Kathleen M., Kinship and Performance in the Black and Green Atlantic: Haptic Allegories (London: Routledge, 2014).Find this resource:

Graham, Colin, Deconstructing Ireland: Ireland, Theory, Culture (Edinburgh: Edinburgh University Press, 2001).Find this resource:

Graver, Lawrence, and Raymond Federman (eds.), Samuel Beckett: The Critical Heritage (London: Routledge & Kegan Paul, 1978).Find this resource:

Greene, David H., and Edward M. Stephens, J. M. Synge 1871–1909 (New York: New York University Press, 1989).Find this resource:

Gregory, Augusta, Journals, ed. Daniel J. Murphy, vol. 1 (Gerrards Cross: Colin Smythe, 1978).Find this resource:

Gregory, Augusta, Journals, ed. Daniel J. Murphy, vol. 2 (Gerrards Cross: Colin Smythe, 1987).Find this resource:

Gregory, Augusta, Our Irish Theatre : A Chapter of Autobiography (New York: Capricorn Books, 1965); 3rd edn. (Gerrards Cross: Colin Smythe, 1972).Find this resource:

Gregory, Augusta, Selected Plays, ed. Mary Fitzgerald (Gerrards Cross: Colin Smythe, 1983).Find this resource:

Gregory, Augusta, Selected Writings, ed. Lucy McDiarmid and Maureen Waters (Harmondsworth: Penguin, 1995).Find this resource:

Grene, Nicholas, The Politics of Irish Drama: Plays in Context from Boucicault to Friel (Cambridge: Cambridge University Press, 1999).Find this resource:

Grene, Nicholas, Synge: A Critical Study of the Plays (London: Macmillan, 1975).Find this resource:

Grene, Nicholas (ed.), Talking About Tom Murphy (Dublin: Carysfort Press, 2002).Find this resource:

Grene, Nicholas, and Patrick Lonergan (eds.), Irish Drama: Local and Global Perspectives (Dublin: Carysfort Press, 2012).Find this resource:

Grene, Nicholas, and Patrick Lonergan, with Lilian Chambers (eds.), Interactions: Dublin Theatre Festival 1957–2007 (Dublin: Carysfort Press, 2008).Find this resource:

Grene, Nicholas, and Christopher Morash (eds.), Irish Theatre on Tour (Dublin: Carysfort Press, 2005).Find this resource:

Guérin, Jean-Yves, Le Théâtre en France de 1914 à 1950 (Paris: Honoré Champion, 2007).Find this resource:

Guthrie, Tyrone, A New Theatre (New York: McGraw-Hill, 1964).Find this resource:

(p. 703) Hadfield, D. A., and Jean Reynolds (eds.), Shaw and Feminisms: On Stage and Off (Gainesville, FL: University Press of Florida, 2013).Find this resource:

Hadley, Elaine, Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800–1885 (Stanford, CA: Stanford University Press, 1995).Find this resource:

Haedicke, S. C., et al. (eds.), Political Performances: Theory and Practice (Amsterdam: Rodopi, 2009).Find this resource:

Hanna Bell, Sam, The Theatre in Ulster: A Survey of the Dramatic Movement in Ulster from 1902 until the Present Day (Dublin: Gill & Macmillan, 1972).Find this resource:

Harmon, Maurice (ed.), J. M. Synge Centenary Papers, 1971 (Dublin: Dolmen Press, 1972).Find this resource:

Harmon, Maurice (ed.), The Irish Writer and the City (Gerrards Cross: Colin Smythe; Totowa, NJ: Barnes & Noble, 1984).Find this resource:

Harrington, John P., The Irish Beckett (Syracuse, NY: Syracuse University Press, 1991).Find this resource:

Harrington, John P., The Irish Play on the New York Stage (Lexington, KY: University of Kentucky Press, 1997).Find this resource:

Harrington, John P. (ed.), Irish Theater in America: Essays on Irish Theatrical Diaspora (Syracuse, NY: Syracuse University Press, 2009).Find this resource:

Harrington, John P. (ed.), Modern and Contemporary Irish Drama, 2nd edn. (New York: Norton, 2009).Find this resource:

Harris, Claudia W. (ed.), The Charabanc Theatre Company: Four Plays, Inventing Women’s Work (Gerrards Cross: Colin Smythe, 2006).Find this resource:

Harris, Peter James, From Stage to Page: Critical Reception of Irish Plays in the London Theatre, 1925–1996 (Bern: Peter Lang, 2011).Find this resource:

Harris, Susan Cannon, Gender and Modern Irish Drama (Bloomington, IN: Indiana University Press, 2002).Find this resource:

Hatton, Joseph, Henry Irving’s Impressions of America, vol. 1 (London: Sampson, Low, Marston, Searle, & Livingston, 1884).Find this resource:

Hay, Marnie, Bulmer Hobson and the Nationalist Movement in Twentieth-Century Ireland (Manchester: Manchester University Press, 2009).Find this resource:

Heaney, Seamus, The Cure at Troy (London: Faber & Faber, 1991).Find this resource:

Heaney, Seamus, Station Island (London: Faber & Faber, 1994).Find this resource:

Heaney, Seamus, Sweeney Astray: A Version from the Irish (London: Faber & Faber, 1983).Find this resource:

Heddon, Deirdre, and Jane Milling, Devising Performance: A Critical History (Basingstoke: Palgrave Macmillan, 2006).Find this resource:

Heininge, Kathleen, Buffoonery in Irish Drama: Staging Twentieth-Century Postcolonial Stereotypes (New York: Peter Lang, 2009).Find this resource:

Herr, Cheryl (ed.), For the Land They Loved: Irish Political Melodramas, 1890–1925 (Syracuse, NY: Syracuse University Press, 1991).Find this resource:

Hickey, Des, and Gus Smith (eds.), Flight from the Celtic Twilight (Indianapolis, IN: Bobbs-Merrill, 1973).Find this resource:

Hickey, Des, and Gus Smith (eds.), A Paler Shade of Green (London: Leslie Frewin, 1972).Find this resource:

Hickey, Raymond, A Dictionary of Varieties of Language (Oxford: Wiley–Blackwell, 2014).Find this resource:

Hobson, Bulmer (ed.), The Gate Theatre, Dublin (Dublin: Gate Theatre, 1934).Find this resource:

Hoehn, Matthew, Catholic Authors: Contemporary Biographical Sketches (Newark, NJ: St Mary’s Abbey, 1952).Find this resource:

Hogan, Robert, After the Irish Renaissance: A Critical History of the Irish Drama since ‘The Plough and the Stars’ (Minneapolis, MN: University of Minnesota Press, 1967).Find this resource:

(p. 704) Hogan, Robert, and Richard Burnham, The Modern Irish Drama, vol. 6: The Years of O’Casey, 1921–1926: A Documentary History (Gerrards Cross: Colin Smythe, 1992).Find this resource:

Hogan, Robert, Richard Burnham, and Daniel P. Poteet (eds.), The Modern Irish Drama, vol. 4: The Rise of the Realists 1910–1915 (Dublin: Dolmen Press, 1979).Find this resource:

Hogan, Robert, and James Kilroy (eds.), The Abbey Theatre: The Years of Synge, 1904–1909 (Dublin: Dolmen Press, 1978).Find this resource:

Hogan, Robert, and James Kilroy (eds.), Lost Plays of the Irish Renaissance (Newark, DE: Proscenium Press, 1970).Find this resource:

Holloway, Joseph, Joseph Holloway’s Abbey Theatre: A Selection from his Unpublished Journal ‘Impressions of an Irish Playgoer’, ed. Robert Hogan and Michael J. O’Neill (Carbondale, IL: Southern Illinois University Press, 1967).Find this resource:

Holloway, Joseph, Joseph Holloway’s Irish Theatre, vol. 1: 1926–1931, ed. Robert Hogan and Michael J. O’Neill (Dixon, CA: Proscenium Press, 1968).Find this resource:

Holloway, Joseph, Souvenir of the Twenty-Fifth Anniversary of the Opening of the Gaiety Theatre, 27th November, 1871 (Dublin: Dollard, 1896).Find this resource:

Holroyd, Michael, A Strange Eventful History: The Dramatic Lives of Ellen Terry, Henry Irving, and Their Remarkable Families (London: Chatto & Windus, 2008).Find this resource:

Hughes, Derek, Culture and Sacrifice: Rituals in Literature and Opera (Cambridge: Cambridge University Press, 2007).Find this resource:

Humphries, Madeleine, The Life and Times of Edward Martyn: An Aristocratic Bohemian (Dublin: Irish Academic Press, 2007).Find this resource:

Hunt, Hugh, The Abbey: Ireland’s National Theatre, 1904–1979 (Dublin: Gill & Macmillan; New York: Columbia University Press, 1979).Find this resource:

Hurley, Erin, National Performance: Representing Quebec from Expo 67 to Celine Dion (Toronto: University of Toronto Press, 2010).Find this resource:

Huxley, Aldous, Brave New World (London: Granada, 1977).Find this resource:

Hyde, Douglas, Selected Plays, ed. Gareth W. Dunleavy and Janet Egleson Dunleavy (Washington, DC: Catholic University of America Press, 1991).Find this resource:

Hynes, Jerome (ed.), Druid: The First Ten Years (Galway: Druid Performing Arts and Galway Arts Festival, 1985).Find this resource:

Innes, Christopher (ed.), Cambridge Companion to George Bernard Shaw (Cambridge: Cambridge University Press, 1998).Find this resource:

Innes, Christopher, Modern British Drama: The Twentieth Century (Cambridge: Cambridge University Press, 2002).Find this resource:

Ireland, David, Can’t Forget About You (London: Bloomsbury, 2013).Find this resource:

Izarra, Laura P. Z., and Munira H. Mutran (eds.), Kaleidoscopic Views of Ireland (São Paulo: Universidade de São Paulo, 2003).Find this resource:

Jameson, Frederic, A Singular Modernity: Essay on the Ontology of the Present (New York: Verso, 2002).Find this resource:

Jeffares, A. Norman, and Anna MacBride White (eds.), The Gonne–Yeats Letters 1893–1938 (London: Hutchinson, 1992; Syracuse, NY: Syracuse University Press, 1994).Find this resource:

Jochum, Klaus Peter (ed.), The Reception of W. B. Yeats in Europe (London: Continuum, 2006).Find this resource:

Johnson, Josephine, Florence Farr: Bernard Shaw’s ‘New Woman’ (Totowa, NJ: Rowman & Littlefield, 1975).Find this resource:

Johnston, Denis, Dramatic Works, vol. 2 (Gerrards Cross: Colin Smythe, 1979).Find this resource:

Johnston, Denis, The Old Lady Says ‘No!’ and Other Plays (Boston, MA: Little, Brown, 1960).Find this resource:

Johnston, Denis, Selected Plays, ed. Joseph Ronsley (Gerrards Cross: Colin Smythe, 1983).Find this resource:

(p. 705) Jones, Margo, Theatre-in-the-Round (New York: McGraw-Hill, 1965).Find this resource:

Jones, Nesta, File on Synge (London: Methuen Drama, 1994).Find this resource:

Jordan, Eamonn, Dissident Dramaturgies (Dublin: Irish Academic Press, 2009).Find this resource:

Jordan, Eamonn, The Feast of Famine: The Plays of Frank McGuinness (Bern: Peter Lang, 1997).Find this resource:

Jordan, Eamonn, From Leenane to LA: The Theatre and Cinema of Martin McDonagh (Dublin: Irish Academic Press, 2014).Find this resource:

Jordan, Eamonn (ed.), Theatre Stuff: Critical Essays on Contemporary Irish Theatre (Dublin: Carysfort Press, 2000).Find this resource:

Josipovici, Gabriel, The Lessons of Modernism (Basingstoke: Macmillan, 1977).Find this resource:

Joyce, James, The Dead, ed. Daniel R. Schwarz (New York: Bedford/St Martins, 1994).Find this resource:

Joyce, James, Finnegans Wake, 3rd edn. (London: Faber & Faber, 1964).Find this resource:

Joyce, James, A Portrait of the Artist as a Young Man (Harmondsworth: Penguin, 1960).Find this resource:

Joyce, James, Ulysses (London: Penguin, 1992).Find this resource:

Joyce, James, Ulysses (London: Alma Press, 2012).Find this resource:

Joyce, Stanislaus, My Brother’s Keeper (London: Faber & Faber, 1982 [1958]).Find this resource:

Kaiser, Matthew, The World in Play: Portrait of a Victorian Concept (Stanford, CA: Stanford University Press, 2012).Find this resource:

Kalb, Jonathan, Beckett in Performance (Cambridge: Cambridge University Press, 1989).Find this resource:

Kalb, Jonathan, Great Lengths: Seven Works of Marathon Theater (Ann Arbor, MI: University of Michigan Press, 2011).Find this resource:

Kavanagh, Peter, The Story of the Abbey Theatre (Orono: National Poetry Foundation, 1976).Find this resource:

Keane, Barry, Irish Drama in Poland: Staging and Reception, 1900–2000 (Chicago, IL: Chicago University Press/Intellect, forthcoming).Find this resource:

Keane, John B., Three Plays: Sive, The Field, Big Maggie (Cork: Mercier Press, 1990).Find this resource:

Kearney, Colbert, The Glamour of Grammar: Orality and Politics and the Emergence of Sean O’Casey (Westport, CT: Greenwood Press, 2000).Find this resource:

Kearns, Kevin C., Dublin Tenement Life: An Oral History (London: Penguin, 2000).Find this resource:

Keenan, Brian, An Evil Cradling (New York: Viking, 1993).Find this resource:

Kenneally, Michael (ed.), Cultural Contexts and Literary Idioms in Contemporary Irish Literature (Gerrards Cross: Colin Smythe, 1988).Find this resource:

Kennedy, Dennis, Granville Barker and the Dream of Theatre (Cambridge: Cambridge University Press, 1985).Find this resource:

Kennedy, Dennis (ed.), The Oxford Companion to Theatre and Performance (Oxford: Oxford University Press, 2010).Find this resource:

Kennedy, S. B., The White Stag Group (Dublin: IMMA, n.d. [2005])Find this resource:

Kennedy-Andrews, Elmer, The Art of Brian Friel: Neither Reality Nor Dreams (Basingstoke: Macmillan, 1995).Find this resource:

Kenner, Hugh, A Reader’s Guide to Samuel Beckett (London: Thames & Hudson, 1973).Find this resource:

Keown, Edwina, and Carol Taaffe (eds.), Irish Modernism: Origins, Contexts, Publics (Bern: Peter Lang, 2009).Find this resource:

Kerrigan, Anthony (ed.), Yeats and the Noh: Types of Japanese Beauty and their Reflection in Yeats’s Plays (Dublin: Dolmen Press, 1966).Find this resource:

Kiberd, Declan, Inventing Ireland: The Literature of the Modern Nation (London: Jonathan Cape, 1995).Find this resource:

Kiberd, Declan, Irish Classics (Cambridge, MA: Harvard University Press, 2001).Find this resource:

Kiberd, Declan, Ulysses and Us: The Art of Everyday Living (London: Faber & Faber, 2009).Find this resource:

Kilroy, Thomas, The Death and Resurrection of Mr Roche (Oldcastle: Gallery Press, 2002).Find this resource:

(p. 706) Kilroy, Thomas, My Scandalous Life (Oldcastle: Gallery Press, 2004).Find this resource:

Kilroy, Thomas, The O’Neill (Oldcastle: Gallery Press, 1995).Find this resource:

Kilroy, Thomas (ed.), Sean O’Casey: A Collection of Critical Essays (Englewood Cliffs, NJ: Prentice-Hall, 1975).Find this resource:

Kilroy, Thomas, Talbot’s Box (Oldcastle: Gallery Press, 1997).Find this resource:

Kilroy, Thomas, Tea and Sex and Shakespeare (Oldcastle: Gallery Press, 1998).Find this resource:

King, Linda, and Elaine Sisson (eds.), Ireland, Design, and Visual Culture: Negotiating Modernity, 1922–1992 (Cork: Cork University Press, 2011).Find this resource:

Klaus, H. Gustav, Strong Words Brave Deeds: The Poetry, Life and Times of Thomas O’Brien Volunteer in the Spanish Civil War (Dublin: O’Brien Press, 1994).Find this resource:

Knapp, Bettina L., The Reign of the Theatrical Director: French Theatre 1887–1924 (Troy, NY: Whitston Press, 1988).Find this resource:

Knowles, Ric, Reading the Material Theatre (Cambridge: Cambridge University Press, 2004).Find this resource:

Knowlson, James, Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996).Find this resource:

Knowlson, James (gen. ed.), The Theatrical Notebooks of Samuel Beckett (4 vols., London: Faber & Faber, 1999).Find this resource:

Knowlson, James, and John Haynes, Images of Beckett (Cambridge: Cambridge University Press, 2003).Find this resource:

Kosok, Heinz, O’Casey the Dramatist (Gerrards Cross: Colin Smythe; Totowa, NJ: Barnes & Noble, 1985).Find this resource:

Kristeva, Julia, The Kristeva Reader, ed. Toril Moi (Oxford: Blackwell, 1986).Find this resource:

Kurdi, Mária (ed.), Literary and Cultural Relations: Ireland, Hungary, and Central and Eastern Europe (Dublin: Carysfort Press, 2009).Find this resource:

Kurdi, Mária, Representations of Gender and Female Subjectivity in Contemporary Irish Drama by Women (Lewiston, NY: Edwin Mellen Press, 2010).Find this resource:

Lacey, Brian, ‘Terrible Queer Creatures’: A History of Homosexuality in Ireland (Dublin: Wordwell, 2008).Find this resource:

Laurence, Dan H., and Nicholas Grene (eds.), Shaw, Lady Gregory and the Abbey: A Correspondence and a Record (Gerrards Cross: Colin Smythe, 1993).Find this resource:

Leach, Robert, Theatre Studies: The Basics, 2nd edn. (London: Routledge, 2013).Find this resource:

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Lee, Laurie, Cider with Rosie (London: Hogarth Press, 1959).Find this resource:

Leeney, Cathy, Irish Women Playwrights, 1900–1939: Gender and Violence on Stage (New York: Peter Lang, 2010).Find this resource:

Leeney, Cathy, and Anna McMullan (eds.), The Theatre of Marina Carr: Before Rules Was Made (Dublin: Carysfort Press, 2003).Find this resource:

Leerssen, Joep, Mere Irish and Fíor-Ghael: Studies in the Idea of Irish Nationality, Its Development, and Literary Expression Prior to the Nineteenth Century (Amsterdam: Benjamins, 1986).Find this resource:

Lehmann, Hans-Thies, Postdramatic Theatre, trans. Karen Jürs-Munby (London: Routledge, 2006).Find this resource:

Leonard, Hugh, Selected Plays (Gerrards Cross: Colin Smythe, 1988).Find this resource:

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Levenson, Samuel, Maud Gonne (London: Cassell, 1976).Find this resource:

Levinas, Emmanuel, Totality and Infinity: An Essay on Exteriority, trans. Alphonso Lingis (Dordrecht: Kluwer Academic, 1991).Find this resource:

(p. 707) Levitas, Ben, The Theatre of Nation: Irish Drama and Cultural Nationalism, 1890–1916 (Oxford: Clarendon Press, 2002).Find this resource:

Lewis, Sinclair, Main Street (New York: Barnes & Noble, 2003).Find this resource:

Lloyd, David, Anomalous States: Irish Writing and the Postcolonial Moment (Dublin: Lilliput Press; Durham, NC: Duke University Press, 1993).Find this resource:

Lloyd, David, Irish Times: Temporalities of Modernity (Dublin: Field Day, 2008).Find this resource:

Loizeaux, Elizabeth Bergmann, Yeats and the Visual Arts (Syracuse, NY: Syracuse University Press, 2003).Find this resource:

Lojek, Helen Heusner, Contexts for Frank McGuinness’s Drama (Washington, DC: Catholic University of America Press, 2004).Find this resource:

Lojek, Helen Heusner, The Spaces of Irish Drama: Stage and Place in Contemporary Plays (Basingstoke: Palgrave Macmillan, 2011).Find this resource:

Lonergan, Patrick (ed.), Synge and His Influences (Dublin: Carysfort Press, 2011).Find this resource:

Lonergan, Patrick, The Theatre and Films of Martin McDonagh (London: Methuen, 2012).Find this resource:

Lonergan, Patrick, Theatre and Globalisation: Irish Drama in the Celtic Tiger Era (Basingstoke: Palgrave Macmillan, 2009).Find this resource:

Lonergan, Patrick, and Riana O’Dwyer (eds.), Echoes Down the Corridor: Irish Theatre—Past, Present and Future (Dublin: Carysfort Press, 2007).Find this resource:

Longenbach, James, Stone Cottage: Pound, Yeats, and Modernism (Oxford: Oxford University Press, 1988).Find this resource:

Loomba, Ania, Colonialism/Postcolonialism (London: Routledge, 1998).Find this resource:

Lowery, Robert G. (ed.), A Whirlwind in Dublin: The Plough and the Stars Riots (Westport, CT: Greenwood Press, 1984).Find this resource:

Luckhurst, Mary (ed.), A Companion to Modern British and Irish Drama, 1880–2005 (Oxford: Blackwell, 2006).Find this resource:

Luke, Peter (ed.), Enter Certain Players: Edwards, Mac Liammóir, and the Gate 1928–1978 (Dublin: Dolmen Press, 1978).Find this resource:

Lynch, Martin and The Charabanc Theatre Company, Lay Up your Ends: A 25th Anniversary Edition (Belfast: Lagan Press, 2008).Find this resource:

Mac Anna, Tomás, Fallaing Aonghusa: Saol Amharclainne (Indreabhán: Cló Iar-Chonnacht, 2000).Find this resource:

Macardle, Dorothy, Witch’s Brew: A Drama in One Act (London: H. F. W. Deane, 1931).Find this resource:

MacDonagh, Thomas, When the Dawn is Come (Dublin: Maunsel, 1908).Find this resource:

Macgowan, Kenneth, and Robert Edmund Jones, Continental Stagecraft (New York: Harcourt, Brace, 1922).Find this resource:

Mac Intyre, Tom, What Happened Bridgie Cleary (Dublin: New Island, 2005).Find this resource:

Mackintosh, Iain, Architecture, Actor and Audience (London: Routledge, 1993).Find this resource:

Mac Liammóir, Micheál, All for Hecuba (London: Methuen, 1947; rev. edn., Dublin: Progress Press, 1961); repr. Boston, MA: Brayden Press, 1967.Find this resource:

Mac Liammóir, Micheál, Each Actor on His Ass (London: Routledge & Kegan Paul, 1961).Find this resource:

Mac Liammóir, Micheál, An Oscar of No Importance (London: Heinemann, 1968).Find this resource:

Mac Liammóir, Micheál, Theatre in Ireland (Dublin: Three Castles, 1964).Find this resource:

Maguire, Tom, Making Theatre in Northern Ireland: Through and Beyond the Troubles (Exeter: University of Exeter Press, 2006).Find this resource:

Maher, Eamon (ed.), Cultural Perspectives on Ireland and Globalisation (Bern: Peter Lang, 2009).Find this resource:

Manfull, Helen, Taking Stage: Women Directors on Directing (London: Methuen, 1999).Find this resource:

(p. 708) Marshall, Gail (ed.), The Cambridge Companion to the Fin de Siècle (Cambridge: Cambridge University Press, 2007).Find this resource:

Marshall, Norman, The Other Theatre (London: John Lehmann, 1947).Find this resource:

Martin, F. X. (ed.), Leaders and Men of the Easter Rising: Dublin 1916 (London: Methuen, 1967).Find this resource:

Martin, Peter, Censorship in the Two Irelands, 1922–1939 (Dublin: Irish Academic Press, 2006).Find this resource:

Marx, Karl, Selected Writings, ed. David McLellan (Oxford: Oxford University Press, 1977).Find this resource:

Mason, Patrick, The National Theatre: Artistic Policy (Dublin: Abbey Theatre, 1996).Find this resource:

Matejka, Ladislav, and Krystyn Pomoska (eds.), Readings in Russian Poetics: Formalist and Structuralist Views (Cambridge, MA: MIT Press, 1971).Find this resource:

Mathews, P. J. (ed.), The Cambridge Companion to J. M. Synge (Cambridge: Cambridge University Press, 2009).Find this resource:

Mathews, P. J., Revival: The Abbey Theatre, Sinn Féin, the Gaelic League and the Cooperative Movement (Cork: Cork University Press in association with Field Day, 2003).Find this resource:

Maxwell, D. E. S., A Critical History of Modern Irish Drama 1890–1980 (Cambridge: Cambridge University Press, 1984).Find this resource:

Mc Intyre, Alice, Women in Belfast: How Violence Shapes Identity (Westport, CT: Praeger, 2004).Find this resource:

McAuley, Gay, Space in Performance: Making Meaning in the Theatre (Ann Arbor, MI: University of Michigan Press, 1999).Find this resource:

McCafferty, Nell, The Kerry Babies Case (Cork: Cork University Press, 2010).Find this resource:

McCafferty, Owen, Antigone (London: Nick Hern, 2008).Find this resource:

McCafferty, Owen, Plays 1 (London: Faber & Faber, 2013).Find this resource:

McCafferty, Owen, Quietly (London: Faber & Faber, 2012).Find this resource:

McCarthy, John, and Jill Morrell, Some Other Rainbow (New York: Bantam, 1993).Find this resource:

McClintock, Henry, Old Irish and Highland Dress and That of the Isle of Man (Dundalk: Dundalgan, 1950).Find this resource:

McCormack, Jerusha (ed.), Wilde the Irishman (New Haven, CT: Yale University Press, 1998).Find this resource:

McCrum, Elizabeth, Fabric and Form: Irish Fashion since 1950 (Stroud: Alan Sutton, 1996).Find this resource:

McDonnell, Bill, Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland (Exeter: University of Exeter Press, 2008).Find this resource:

McFeely, Deirdre, Dion Boucicault: Irish Identity on Stage (Cambridge: Cambridge University Press, 2012).Find this resource:

McGarry, Fearghal, The Rising. Ireland: Easter 1916 (Oxford: Oxford University Press, 2001).Find this resource:

McGlone, James P., Ria Mooney: The Life and Times of the Artistic Director of the Abbey Theatre, 1948–1963 (London: McFarland, 2002).Find this resource:

McGrath, Aoife, Dance Theatre in Ireland: Revolutionary Moves (Basingstoke: Palgrave Macmillan, 2013).Find this resource:

McGrath, F. C., Brian Friel’s (Post)Colonial Drama: Language, Illusion, and Politics (Syracuse, NY: Syracuse University Press, 1999).Find this resource:

McGuinness, Frank, Carthaginians and Baglady (London: Faber & Faber, 1988).Find this resource:

McGuinness, Frank, Gates of Gold (London: Faber & Faber, 2002).Find this resource:

McGuinness, Frank, Henrik Ibsen, A Doll’s House: A New Version by Frank McGuinness from a Literal Translation by Charlotte Barslund (London: Faber & Faber, 1996).Find this resource:

McGuinness, Frank, Mutabilitie (London: Faber & Faber, 1997).Find this resource:

McGuinness, Frank, Plays 1 (London: Faber & Faber, 1996).Find this resource:

McGuinness, Frank, Plays 2 (London: Faber & Faber, 2002).Find this resource:

(p. 709) McMillan, Dougald, and Martha Fehsenfeld, Beckett in the Theatre (London: John Calder, 1988).Find this resource:

McMinn, Joseph (ed.), The Internationalism of Irish Literature and Drama (Gerrards Cross: Colin Smythe, 1992).Find this resource:

McNulty, Eugene, The Ulster Literary Theatre and the Northern Revival (Cork: Cork University Press, 2008).Find this resource:

McPherson, Conor, Plays: Two (London: Nick Hern, 2004).Find this resource:

McPherson, Conor, The Seafarer (London: Nick Hern, 2006).Find this resource:

McPherson, D. A. J., Women and the Irish Nation: Gender, Culture, and Irish Identity, 1890–1940 (Basingstoke: Palgrave Macmillan, 2012).Find this resource:

Mercier, Vivian, Beckett/Beckett (London: Souvenir Press, 1990).Find this resource:

Merriman, Brian, The Midnight Court/Cúirt an Mheán Oíche, ed. Brian Ó Conchubhair (Syracuse, NY: Syracuse University Press, 2011).Find this resource:

Merriman, Victor, Because We Are Poor: Irish Theatre in the 1990s (Dublin: Carysfort Press, 2011).Find this resource:

Middeke, Martin, and Peter Paul Schnierer (eds.), The Methuen Drama Guide to Contemporary Irish Playwrights (London: Methuen, 2010).Find this resource:

Mikhail, E. H. (ed.), The Abbey Theatre: Interviews and Recollections (London: Macmillan, 1988).Find this resource:

Mikhail, E. H. (ed.), Oscar Wilde: Interviews and Recollections (2 vols., London: Macmillan, 1979).Find this resource:

Miller, Kerby A., Ireland and Irish America: Culture, Class, and Transatlantic Migration (Dublin: Field Day, 2008).Find this resource:

Miller, Liam, The Noble Drama of W. B. Yeats (Dublin: Dolmen Press, 1976).Find this resource:

Milligan, Alice, The Last Feast of the Fianna (London: David Nutt, 1900).Find this resource:

Molloy, M. J., Selected Plays, ed. Robert O’Driscoll (Gerrards Cross: Colin Smythe, 1998).Find this resource:

Montague, C. E., Dramatic Values (New York: Macmillan, 1911).Find this resource:

Moore, George, Hail and Farewell! (3 vols. [1911, 1912, 1914]), 2nd edn., ed. Richard Allen Cave (Gerrards Cross: Colin Smythe, 1985).Find this resource:

Moore, George, and Edward Martyn, Selected Plays, ed. David B. Eakin and Michael Case (Gerrards Cross; Colin Smythe, 1995).Find this resource:

Moore, John Rees, Masks of Love and Death: Yeats as Dramatist (Ithaca, NY: Cornell University Press, 1971).Find this resource:

Moran, James (ed.), Four Irish Rebel Plays, ed. James Moran (Dublin: Irish Academic Press, 2007).Find this resource:

Moran, James, Irish Birmingham: A History (Liverpool: Liverpool University Press, 2010).Find this resource:

Moran, James, The Theatre of Seán O’Casey (London: Bloomsbury, 2013).Find this resource:

Moran, James, Staging the Easter Rising: 1916 as Theatre (Cork: Cork University Press, 2005).Find this resource:

Morash, Christopher, A History of Irish Theatre 1601–2000 (Cambridge: Cambridge University Press, 2002).Find this resource:

Morash, Christopher, and Shaun Richards, Mapping Irish Theatre: Theories of Space and Place (Cambridge: Cambridge University Press, 2013).Find this resource:

Morris, Catherine, Alice Milligan and the Irish Cultural Revival (Dublin: Four Courts Press, 2012).Find this resource:

Morrison, Bill, Flying Blind (London: Faber & Faber, 1978).Find this resource:

Morse, Donald, Csilla Bertha, and Mária Kurdi (eds.), Brian Friel’s Dramatic Artistry: ‘The Work Has Value’ (Dublin: Carysfort Press, 2006).Find this resource:

(p. 710) Moss, Chloë, The Way Home (London: Nick Hern, 2006).Find this resource:

Mulrooney, Deirdre, An Illustrated History of Dance and Physical Theatre in Ireland (Dublin: Liffey Press, 2006).Find this resource:

Mumford, Lewis, The City in History: Its Origins, its Transformations, and its Prospects (Harmondsworth: Penguin, 1966).Find this resource:

Murphy, P. J., et al. (eds.), Critique of Beckett Criticism: A Guide to Research in English, French, and German (Columbia, SC: Camden House, 1994).Find this resource:

Murphy, Paul, Hegemony and Fantasy in Irish Drama, 1899–1949 (Basingstoke: Palgrave Macmillan, 2008).Find this resource:

Murphy, Tom, Bailegangaire (Dublin: Gallery Press, 1986).Find this resource:

Murphy, Tom, Plays: 3 (London: Methuen Drama, 1997).Find this resource:

Murphy, Tom, Plays: 4 (London: Methuen Drama, 1997).Find this resource:

Murphy, Tom, The House (London: Methuen, 2000).Find this resource:

Murray, Christopher, Seán O’Casey, Writer at Work: A Biography (Dublin: Gill & Macmillan, 2004).Find this resource:

Murray, Christopher, The Theatre of Brian Friel: Tradition and Modernity (London: Bloomsbury, 2014).Find this resource:

Murray, Christopher, Twentieth-Century Irish Drama: Mirror Up to Nation (Manchester: Manchester University Press, 1997).Find this resource:

Murray, T. C., Selected Plays, ed. Richard Allen Cave (Gerrards Cross: Colin Smythe, 1998).Find this resource:

Nagler, A. M., A Source Book in Theatrical History (New York: Dover, 1959).Find this resource:

Nagy, Peter, Phillippe Rouyer, and Don Rubin (eds.), World Encyclopaedia of Contemporary Theatre, vol. 1: Europe (London: Routledge, 1994).Find this resource:

Negra, Diane (ed.), The Irish in Us: Irishness, Performativity and Popular Culture (Durham, NC: Duke University Press, 2006).Find this resource:

Nevin, Donal, James Connolly: ‘A Full Life’ (Dublin: Gill & Macmillan, 2005).Find this resource:

Ní Anluain, Clíodhna (ed.), Reading the Future: Irish Writers in Conversation with Mike Murphy (Dublin: Lilliput, 2000).Find this resource:

Ní Aoláin, Fionnuala, Dina Francesca Haynes, and Naomi Cahn, On the Frontlines: Gender, War and the Post-Conflict Process (New York: Oxford University Press, 2011).Find this resource:

Ní Chinnéide, Maireád, An Damer: Stair Amharclainne (Dublin: Gael Linn, 2008).Find this resource:

Ní Chinnéide, Maireád, Scéal Ghael-Linn (Indreabhán: Cló Iar-Chonnacht, 2013).Find this resource:

Ní Ghráda, Maireád, Breithiúnas: Dráma Dhá Ghníomh (Dublin: An Gúm, 1996).Find this resource:

Nic Shiubhlaigh, Máire, The Splendid Years: Recollections of Máire Nic Shiubhlaigh as Told to Edward Kenny (Dublin: Duffy, 1955).Find this resource:

Nietzsche, Friedrich, The Case of Wagner; Nietzsche Contra Wagner; Selected Aphorisms, 3rd edn., ed. and trans. Anthony M. Ludovici (London: T. N. Foulis, 1911).Find this resource:

Nixon, Mark, and Matthew Feldman (eds.), The International Reception of Samuel Beckett (London: Continuum, 2009).Find this resource:

Nochlin, Linda, Realism (Harmondsworth: Penguin, 1990).Find this resource:

Nolan, Jerry, Six Essays on Edward Martyn (1859–1923), Irish Cultural Revivalist (Lampeter: Edwin Mellen Press, 2004).Find this resource:

Nora, Pierre, Realms of Memory, ed. Lawrence D. Kritzman, trans. Arthur Goldhammer (New York: Columbia University Press, 1996).Find this resource:

Nunnery, Lizzie, Intemperance (London: Faber & Faber, 2007).Find this resource:

O’Brien, Kate, My Ireland (London: B. T. Batsford, 1962).Find this resource:

O’Brien, Victoria, A History of Irish Ballet from 1927 to 1963 (Bern: Peter Lang, 2011).Find this resource:

(p. 711) O’Casey, Eileen, Cheerio, Titan: The Friendship between George Bernard Shaw and Eileen and Sean O’Casey (London: Papermac, 1991).Find this resource:

O’Casey, Sean, Autobiographies (2 vols., London: Macmillan, 1963).Find this resource:

O’Casey, Sean, Autobiographies, vol. 1 (New York: Carroll & Graf, 1984).Find this resource:

O’Casey, Sean, Blasts and Benedictions, ed. Ronald Ayling (London: Macmillan, 1967).Find this resource:

O’Casey, Sean, Collected Plays, vol. 2 (London: Macmillan, 1949).Find this resource:

O’Casey, Sean, Complete Plays (5 vols., London: Macmillan, 1984).Find this resource:

O’Casey, Sean, The Flying Wasp (London: Macmillan, 1937).Find this resource:

O’Casey, Sean, The Green Crow (London: W. H. Allen, 1987).Find this resource:

O’Casey, Sean, Inishfallen, Fare Thee Well (London: Macmillan, 1954).Find this resource:

O’Casey, Sean, The Letters of Sean O’Casey, vol. 1: 1910–1941, ed. David Krause (New York: Macmillan, 1975).Find this resource:

O’Casey, Sean, The Letters of Sean O’Casey, vol. 2: 1942–54, ed. David Krause (New York: Macmillan, 1980).Find this resource:

O’Casey, Sean, Plays 1 (London: Faber & Faber, 1998).Find this resource:

O’Casey, Sean, Plays 2 (London: Faber & Faber, 1998).Find this resource:

O’Casey, Sean, The Story of the Irish Citizen Army [1919] (London: Journeyman Chapbook, 1980).Find this resource:

O’Casey, Sean, Three Dublin Plays, ed. Christopher Murray (London: Faber & Faber, 1998).Find this resource:

O’Casey, Sean, Under a Colored Cap: Articles Merry and Mournful with Comments and a Song (London: Macmillan, 1963).Find this resource:

O’Connor, Emmet, James Larkin (Cork: Cork University Press, 2002).Find this resource:

O’Connor, Frank, My Father’s Son (London: Macmillan, 1968).Find this resource:

O’Connor, Ulick, Celtic Dawn: A Portrait of the Irish Literary Renaissance (London: Hamish Hamilton, 1984).Find this resource:

Odling-Smee, Hugh (ed.), Its Own Way of Things: The Enthusiast by Lewis Purcell and Thompson in Tir-nan-Og by Gerald MacNamara (Belfast: Lagan Press, 2004).Find this resource:

O’Donoghue, Helen, Scene Change: One Hundred Years of Theatre Design at the Abbey (Dublin: Irish Museum of Modern Art, 2004).Find this resource:

O’Donovan, Patrick, and Laura Rascaroli (eds.), The Cause of Cosmopolitanism: Dispositions, Models, Transformations (Bern: Peter Lang, 2011).Find this resource:

O’Driscoll, Robert (ed.), Theatre and Nationalism in Twentieth-Century Ireland (London: Oxford University Press, 1971).Find this resource:

O’Driscoll, Robert, and Lorna Reynolds (eds.), Yeats and the Theatre (Toronto: Macmillan, 1975).Find this resource:

Ó Duibhne, Cormac, The Field Day Archive (Dublin: Field Day, 2007).Find this resource:

O’Dwyer, Rory, The Eucharistic Congress, Dublin 1932: An Illustrated History (Dublin: Nonsuch, 2009).Find this resource:

O’Farrell, Ciara, Louis D’Alton and the Abbey Theatre (Dublin: Four Courts Press, 2004).Find this resource:

O’Flaherty, Liam, Darkness (Dublin: Arlen House, 2014).Find this resource:

O’Flynn, Criostoir: A Writer’s Life (Dublin: Obelisk Books, 2001).Find this resource:

Ó hAnnracháin, Stiofán, An Comhchaidreamh: Crann a Chraobhaigh (Dublin: An Clóchomhar Tta, 1985).Find this resource:

Ó hAodha, Micheál, The Importance of Being Micheál: A Portrait of MacLiammóir (Kerry: Brandon Press, 1990).Find this resource:

Ó hAodha, Micheál, Siobhán: A Memoir of an Actress (Dingle: Brandon, 1994).Find this resource:

O’Kelly, Seamus, The Bribe (Dublin: Maunsel, 1914).Find this resource:

(p. 712) O’Leary, Philip, Gaelic Prose in the Irish Free State 1922–1939 (Dublin: UCD Press, 2004).Find this resource:

O’Leary, Philip, The Prose Literature of the Gaelic Revival, 1881–1921: Ideology and Innovation (University Park, PA: Pennsylvania State University Press, 1994).Find this resource:

O’Leary, Philip, Writing Beyond the Revival: Facing the Future in Gaelic Prose 1940–1951 (Dublin: UCD Press, 2011).Find this resource:

Ó Lochlainn, Gearóid, Ealaíon na hAmharclainne (Dublin: Clódhanta Teo, 1984).Find this resource:

O’Malley, Aidan, Field Day and the Translation of Irish Identities: Performing Contradictions (Basingstoke: Palgrave Macmillan, 2011).Find this resource:

O’Malley, Conor, A Poet’s Theatre (Dublin: Elo Press, 1988).Find this resource:

O’Malley, Mary, Never Shake Hands with the Devil (Dublin: Elo Press, 1990).Find this resource:

Ó Morónaigh, Seán (ed.), Drámaíocht ó Dhúchas (An Comhlachas Náisiúnta Drámaíochta, 2005).Find this resource:

O’Regan, John (ed.), Michael Scott 1905–1989 (Kinsale: Gandon, 1993).Find this resource:

O’Reilly, Anne F., Sacred Play: Soul-Journeys in Contemporary Irish Drama (Dublin: Carysfort Press, 2004).Find this resource:

O’Rowe, Mark, Plays: One (London: Nick Hern, 2011).Find this resource:

Ó Siadhail, Pádraig, An Béaslaíoch (Dublin: Coiscéim, 2007).Find this resource:

Ó Siadhail, Pádraig, Stair Dhrámaíocht na Gaeilge 1900–1970 (Indreabhán: Cló Iar-Chonnachta, 1993).Find this resource:

O’Toole, Fintan, Critical Moments: Fintan O’Toole on Modern Irish Theatre, ed. Julia Furay and Redmond O’Hanlon (Dublin: Carysfort Press, 2003).Find this resource:

O’Toole, Fintan, Ship of Fools: How Stupidity and Corruption Sank the Celtic Tiger (London: Faber & Faber, 2010).Find this resource:

O’Toole, Fintan, Tom Murphy: The Politics of Magic (Dublin: New Island, 1994).Find this resource:

O’Toole, Fintan, A Traitor’s Kiss: The Life of Richard Brinsley Sheridan (New York: Farrar, Straus, & Giroux, 1998).Find this resource:

Owens, Rosemary Cullen, A Social History of Women in Ireland 1870–1970 (Dublin: Gill & Macmillan, 2005).Find this resource:

Parker, Stewart, Dramatis Personae (Belfast: John Malone Memorial Committee, 1986).Find this resource:

Parker, Stewart, Plays: 2 (London: Methuen Drama, 2000).Find this resource:

Paulin, Tom (ed.), The Faber Book of Vernacular Verse (London: Faber & Faber, 1990).Find this resource:

Paulin, Tom, Ireland and the English Crisis (Newcastle upon Tyne: Bloodaxe, 1984).Find this resource:

Paulin, Tom, The Riot Act (London: Faber & Faber, 1985).Find this resource:

Pavis, Patrice, Analyzing Performance: Theatre, Dance, and Film, trans. David Williams (Ann Arbor, MI: University of Michigan Press, 2004).Find this resource:

Pavis, Patrice, Dictionary of Theatre: Terms, Concepts, and Analysis (Toronto: University of Toronto Press, 1998).Find this resource:

Peacock, Alan J. (ed.), The Achievement of Brian Friel (Gerrards Cross: Colin Smythe, 1992).Find this resource:

Pearse, Patrick, Collected Plays: Drámaí an Phiarsaigh, ed. Róisín Ní Ghairbhí and Eugene McNulty (Dublin: Irish Academic Press, 2013).Find this resource:

Pearse, Patrick, The Coming Revolution: The Political Writings of Patrick Pearse (Cork: Mercier Press, 2012).Find this resource:

Pearse, Patrick, The Letters of P. H. Pearse, ed. Seamus O Buachalla (Gerrards Cross: Colin Smythe, 1980).Find this resource:

Phoenix, Eamon, Pádraic Ó Cléireacháin, Eileen McAuley, and Nuala McSparran (eds.), Feis na nGleann: A Century of Gaelic Culture in the Antrim Glens (Belfast: Stair Uladh, 2005).Find this resource:

Pilkington, Lionel, Theatre and Ireland (London: Palgrave Macmillan, 2010).Find this resource:

(p. 713) Pilkington, Lionel, Theatre and the State in Twentieth-Century Ireland: Cultivating the People (London: Routledge, 2001).Find this resource:

Pilný, Ondřej, Irony and Identity in Modern Irish Drama (Prague: Literaria Pragensia, 2006).Find this resource:

Pilný, Ondřej, and Gerald Power (eds.), Ireland and the Czech Lands: Contacts and Comparisons in History and Culture (Bern: Peter Lang, 2014).Find this resource:

Pine, Richard, The Diviner: The Art of Brian Friel (Dublin: University College Dublin Press, 1999).Find this resource:

Pine, Richard (with Richard Cave), The Dublin Gate Theatre (Cambridge: Chadwyck-Healey, 1984).Find this resource:

Pinter, Harold, Mac (London: Pendragon, 1968).Find this resource:

Póirtéir, Cathal (ed.), The Great Irish Famine (Dublin: Mercier Press, 1995).Find this resource:

Powell, Kerry, Oscar Wilde and the Theatre of the 1890s (Cambridge: Cambridge University Press, 1990).Find this resource:

Powell, Kerry, and Peter Raby (eds.), Oscar Wilde in Context (Cambridge: Cambridge University Press, 2013).Find this resource:

Presenting Architecture: An Exhibition of Twentieth-Century Drawings and Models (Dublin: Irish Architectural Archive, 2005).Find this resource:

Quinn, Antoinette, Patrick Kavanagh: A Biography (Dublin: Gill & Macmillan, 2001).Find this resource:

Rainey, Lawrence, Institutions of Modernism: Literary Elites and Public Culture (New Haven, CT: Yale University Press, 1998).Find this resource:

Rebellato, Dan, 1956 and All That (London: Routledge, 1998).Find this resource:

Redmond, James (ed.), The Theatrical Space (Cambridge: Cambridge University Press, 1987).Find this resource:

Regan, John, The Irish Counter-Revolution 1921–1936: Treatyite Politics and Settlement in Independent Ireland (Dublin: Gill & Macmillan, 1999).Find this resource:

Reid, Alec, All I Can Manage, More Than I Could: An Approach to the Plays of Samuel Beckett (Dublin: Dolmen Press, 1968).Find this resource:

Reynolds, Paige, Modernism, Drama and the Audience for Irish Spectacle (Cambridge: Cambridge University Press, 2007).Find this resource:

Rich, Adrienne, Of Woman Born: Motherhood as an Experience and an Institution (London: Virago, 1977).Find this resource:

Richards, Shaun (ed.), The Cambridge Companion to Twentieth-Century Irish Drama (Cambridge: Cambridge University Press, 2004).Find this resource:

Richards, Shaun, and David Cairns, Writing Ireland: Colonisation, Nationalism and Culture (Manchester: Manchester University Press, 1988).Find this resource:

Richards, Stanley (ed.), Best Short Plays of 1981 (New Radnor, PA: Chilton Books, 1981).Find this resource:

Richardson, John C. (ed.), Handbook of Theory and Research for the Sociology of Education (New York: Greenwood Press, 1986).Find this resource:

Richtarik, Marilynn, Acting Between the Lines: The Field Day Theatre Company and Irish Cultural Politics 1980–1984 (Oxford: Oxford University Press, 1994).Find this resource:

Richtarik, Marilynn, Stewart Parker: A Life (Oxford: Oxford University Press, 2012).Find this resource:

Ritschel, Nelson Ó Ceallaigh, Shaw, Synge, Connolly, and the Socialist Provocation (Gainesville, FL: University Press of Florida, 2011).Find this resource:

Roberts, Philip, and Max Stafford-Clark, Taking Stock: The Theatre of Max Stafford-Clark (London: Nick Hern, 2007).Find this resource:

Robinson, Lennox, Curtain Up: An Autobiography (London: Michael Joseph, 1942).Find this resource:

Robinson, Lennox, Ireland’s Abbey Theatre: A History 1899–1951 (London: Sidgwick & Jackson, 1951).Find this resource:

(p. 714) Robinson, Lennox, Selected Plays, ed. Christopher Murray (Gerrards Cross: Colin Smythe, 1982).Find this resource:

Robinson, Lennox, Towards an Appreciation of the Theatre (Dublin: Metropolitan Publishing, 1945).Find this resource:

Robinson, Lennox, Two Plays: Harvest; The Clancy Name (Dublin: Maunsel, 1911).Find this resource:

Roche, Anthony, Brian Friel: Theatre and Politics (Basingstoke: Palgrave Macmillan, 2011).Find this resource:

Roche, Anthony (ed.), The Cambridge Companion to Brian Friel (Cambridge: Cambridge University Press, 2006).Find this resource:

Roche, Anthony, Contemporary Irish Drama: From Beckett to McGuinness (Dublin: Gill & Macmillan, 1994).Find this resource:

Roche, Anthony, Contemporary Irish Drama, 2nd edn. (Basingstoke: Palgrave Macmillan, 2009).Find this resource:

Roche, Anthony, The Irish Dramatic Revival 1899–1939 (London: Bloomsbury, 2015).Find this resource:

Roche, Anthony, Synge and the Making of Modern Irish Drama (Dublin: Carysfort Press, 2013).Find this resource:

Roche, Billy, The Wexford Trilogy (London: Nick Hern, 1992).Find this resource:

Ryan, Frederick, The Laying of the Foundations in Lost Plays of the Irish Renaissance, ed. Robert Hogan and James Kilroy (Newark, DE: Proscenium Press, 1970).Find this resource:

Ryan, Louise, Gender, Identity, and the Irish Press 1922–1937 (Lewiston, NY: Edwin Mellen Press, 2002).Find this resource:

Ryan, Phyllis, The Company I Kept (Dublin: Town House, 1996).Find this resource:

Ryan, Vera, Dan Donovan: An Everyman’s Life (Cork: Collins Press, 2008).Find this resource:

Saddlemyer, Ann (ed.), Theatre Business: The Correspondence of the First Abbey Directors: William Butler Yeats, Lady Gregory and J. M. Synge (Gerrards Cross: Colin Smythe, 1982).Find this resource:

Said, Edward, Covering Islam (New York: Vintage, 1997).Find this resource:

Said, Edward, Reflections on Exile and Other Literary and Cultural Essays (London: Granta Books, 2000).Find this resource:

Samuel, Raphael (ed.), People’s History and Socialist Theory (London: Routledge & Kegan Paul, 1981).Find this resource:

Sanderson, Michael, From Irving to Olivier: A Social History of the Acting Profession in England 1880–1983 (London: Athlone Press, 1985).Find this resource:

Schechner, Richard, Essays on Performance Theory 1970–1976 (New York: Drama Book Specialists, 1977).Find this resource:

Sekine, Masaru, and Christopher Murray (eds.), Yeats and the Noh: A Comparative Study (Gerrards Cross: Colin Smythe, 1990).Find this resource:

Sharkey, Stephen, The May Queen (London: Methuen, 2007).Find this resource:

Shaughnessy, Edward L., Eugene O’Neill in Ireland: The Critical Reception (Westport, CT: Greenwood Press, 1988).Find this resource:

Shaw, Bernard, Back to Methuselah (London: Constable, 1930).Find this resource:

Shaw, Bernard, Collected Letters, 1911–1925, ed. Dan H. Laurence (London: Max Reinhardt, 1985).Find this resource:

Shaw, Bernard, The Doctor’s Dilemma; Getting Married; The Shewing-up of Blanco Posnet (London: Constable, 1930).Find this resource:

Shaw, Bernard, Heartbreak House; Great Catherine; Playlets of the War (London: Constable, 1930).Find this resource:

Shaw, Bernard, Immaturity (London: Constable, 1931).Find this resource:

(p. 715) Shaw, Bernard, John Bull’s Other Island; How He Lied to Her Husband; Major Barbara (London: Constable, 1930).Find this resource:

Shaw, Bernard, Major Critical Essays (London: Penguin, 1989).Find this resource:

Shaw, Bernard, The Matter with Ireland, ed. David H. Greene and Dan H. Laurence (London: Rupert Hart-Davis, 1962).Find this resource:

Shaw, Bernard, Our Theatres in the Nineties, vol. 1 (London: Constable, 1932).Find this resource:

Shaw, Bernard, The Quintessence of Ibsenism: Now Completed to the Death of Ibsen (London: Constable, 1913).Find this resource:

Shaw, Bernard, Saint Joan; The Apple Cart (London: Constable, 1930).Find this resource:

Shaw, Bernard, Shaw on Theatre, ed. E. J. West (London: MacGibbon & Kee, 1958).Find this resource:

Shaw, Bernard, Sixteen Self-Sketches (London: Constable, 1949).Find this resource:

Sheehy, Michael, Is Ireland Dying? Culture and the Church in Modern Ireland (London: Hollis & Carter, 1968).Find this resource:

Shellard, Dominic, British Theatre Since the War (New Haven, CT: Yale University Press, 2000).Find this resource:

Shepherd-Barr, Kirsten, Ibsen and Early Modernist Theatre, 1890–1900 (London: Greenwood Press, 1997).Find this resource:

Sierz, Aleks, In-Yer-Face Theatre: British Drama Today (London: Faber & Faber, 2001).Find this resource:

Sihra, Melissa (ed.), Women in Irish Drama: A Century of Authorship and Representation (Basingstoke: Palgrave Macmillan, 2007).Find this resource:

Simpson, Alan, Beckett and Behan and a Theatre in Dublin (London: Routledge & Kegan Paul, 1962).Find this resource:

Sinfield, Alan, Out On Stage (New Haven, CT: Yale University Press, 1999).Find this resource:

Singer, Ben, Melodrama and Modernity: Early Sensational Cinema and Its Contexts (New York: Columbia University Press, 2001).Find this resource:

Singleton, Brian, Masculinities and the Contemporary Irish Theatre (Basingstoke: Palgrave Macmillan, 2011).Find this resource:

Sisson, Elaine, Pearse’s Patriots: St Enda’s and the Cult of Boyhood (Cork: Cork University Press, 2004).Find this resource:

Slowey, Desmond, The Radicalization of Irish Drama 1600–1900: The Rise and Fall of Ascendancy Theatre (Dublin: Irish Academic Press, 2008).Find this resource:

Soja, Edward, Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places (Malden, MA: Blackwell, 1996).Find this resource:

Spallen, Abbie, Pumpgirl (London: Faber & Faber, 2006).Find this resource:

Spencer, Stewart, and Barry Millington (eds.), Wagner’s Ring of the Nibelung: A Companion (London: Thames & Hudson, 1993).Find this resource:

Steele, Karen, Women, Press and Politics during the Irish Revival (Syracuse, NY: Syracuse University Press, 2007).Find this resource:

Stoller, Terry, Tales of the Tricycle Theatre (London: Bloomsbury, 2013).Find this resource:

Sweeney, Bernadette, Performing the Body in Irish Theatre (Basingstoke: Palgrave Macmillan, 2008).Find this resource:

Swift, Carolyn, Stage by Stage (Dublin: Poolbeg, 1985).Find this resource:

Symons, Arthur, Plays, Acting, and Music: A Book of Theory (London: Constable, 1909).Find this resource:

Synge, John Millington, Collected Letters, ed. Ann Saddlemyer (2 vols., Oxford: Clarendon, 1983, 1984).Find this resource:

Synge, John Millington, Collected Works, gen. ed. Robin Skelton (4 vols., London: Oxford University Press, 1962–8).Find this resource:

(p. 716) Synge, John Millington, Letters to Molly: John Millington Synge to Maire O’Neill, 1906-1909, ed. Ann Saddlemyer (Cambridge, MA: Harvard University Press, 1971).Find this resource:

Syssoyeva, Kathryn, and Scott Proudfit (eds.), Women, Collective Creation, and Devised Theatre (Basingstoke: Palgrave Macmillan, 2015).Find this resource:

Szabo, Carmen, Clearing the Ground: The Field Day Theatre Company and the Construction of Irish Identities (Newcastle upon Tyne: Cambridge Scholars, 2007).Find this resource:

Taylor, Richard, The Drama of W. B. Yeats: Irish Myth and Japanese Nō (New Haven, CT: Yale University Press, 1976).Find this resource:

Taylor, Richard, A Reader’s Guide to the Plays of W. B. Yeats (New York: St Martin’s Press, 1984).Find this resource:

Tétreault, Mary Ann, and Robin L. Teske (eds.), Partial Truths and the Politics of Community (Columbia, SC: University of South Carolina Press, 2003).Find this resource:

Titley, Alan, Nailing Theses (Belfast: Lagan Press, 2011).Find this resource:

Tóibín, Colm, Love in a Dark Time (Sydney: Pan Macmillan, 2001).Find this resource:

Townshend, Charles, Easter 1916: The Irish Rebellion (London: Allen Lane, 2005).Find this resource:

Trench, Rhona, Bloody Living: The Loss of Selfhood in the Plays of Marina Carr (Bern: Peter Lang, 2010).Find this resource:

Trench, Rhona (ed.), Staging Thought: Essays on Irish Theatre, Scholarship and Practice (Bern: Peter Lang, 2012).Find this resource:

Trotter, Mary, Ireland’s National Theaters: Political Performance and the Origins of the Irish Dramatic Movement (Syracuse, NY: Syracuse University Press, 2001).Find this resource:

Trotter, Mary, Modern Irish Theatre (Cambridge: Polity Press, 2008).Find this resource:

Uhlmann, Anthony (ed.), Samuel Beckett in Context (Cambridge: Cambridge University Press, 2013).Find this resource:

Unterecker, John (ed.), Yeats and Patrick McCartan: A Fenian Friendship (Dublin: Dolmen Press, 1967).Find this resource:

Urban, Eva, Community Politics and the Peace Process in Contemporary Northern Irish Drama (Bern: Peter Lang, 2011).Find this resource:

Valente, Joseph, The Myth of Manliness in Irish Nationalist Culture, 1880–1922 (Champaign–Urbana, IL: University of Illinois Press, 2011).Find this resource:

van den Toorn, Pieter, Stravinsky and the Rite of Spring: The Beginnings of a Musical Language (Berkeley, CA: University of California Press, 1987).Find this resource:

Vaněk, Joe, Scene Change: One Hundred Years of Theatre Design at the Abbey (Dublin: Irish Museum of Modern Art, 2005).Find this resource:

Vertovec, Steven, and Robin Cohen (eds.), Conceiving Cosmopolitanism: Theory, Context, and Practice (Oxford: Oxford University Press, 2002).Find this resource:

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Wagner, Richard, Prose Works, vol. 4: Art and Politics (London: Kegan Paul, 1895).Find this resource:

Walker, Dorothy, Michael Scott, Architect in (Casual) Conversation with Dorothy Walker (Kinsale: Gandon, 1995).Find this resource:

Wallace, Clare (ed.), Monologues: Theatre, Performance, Subjectivity (Prague: Litteraria Pragensia, 2006).Find this resource:

Wallace, Clare, Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama (Prague: Litteraria Pragensia, 2006).Find this resource:

Walsh, Enda, The Walworth Farce (London: Nick Hern, 2007).Find this resource:

Walsh, Fintan, Male Trouble: Masculinity and the Performance of Crisis (Basingstoke: Palgrave Macmillan, 2011).Find this resource:

(p. 717) Walsh, Fintan (ed.), Queer Notions: New Plays and Performances from Ireland (Cork: Cork University Press, 2010).Find this resource:

Walsh, Fintan (ed.), ‘That Was Us’: Contemporary Irish Theatre and Performance (London: Oberon Books, 2013).Find this resource:

Walsh, Ian R., Experimental Irish Theatre: After W. B. Yeats (Basingstoke: Palgrave Macmillan, 2012).Find this resource:

Walshe, Eibhear, Oscar’s Shadow (Cork: Cork University Press, 2011).Find this resource:

Walter, Macken, Home Is the Hero (New York: Macmillan, 1953).Find this resource:

Ward, Margaret, In Their Own Voice: Women and Irish Nationalism (Dublin: Attic Press, 2005).Find this resource:

Ward, Margaret, Unmanageable Revolutionaries (Dingle: Brandon; London: Pluto, 1983).Find this resource:

Watson, G. J., Irish Identity and the Irish Literary Revival: Synge, Yeats, Joyce and O’Casey, 2nd edn. (Washington, DC: Catholic University of America Press, 1994).Find this resource:

Watt, Stephen, Joyce, O’Casey, and the Irish Popular Theater (Syracuse, NY: Syracuse University Press, 1991).Find this resource:

Watt, Stephen, Eileen Morgan, and Shakir Mustafa (eds.), A Century of Irish Drama: Widening the Stage (Bloomington, IN: Indiana University Press, 2000).Find this resource:

Welch, Robert, The Abbey Theatre 1899–1999: Form and Pressure (Oxford: Oxford University Press, 1999).Find this resource:

Weygand, Cornelius, Irish Plays and Playwrights (London: Constable, 1913).Find this resource:

Whelan, Gerard, with Carolyn Swift, Spiked: Church–State Intrigue and The Rose Tattoo (Dublin: New Island Books, 2002).Find this resource:

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Wilde, Oscar, Complete Letters, ed. Merlin Holland and Rupert Hart-Davis (New York: Henry Holt, 2000).Find this resource:

Wilde, Oscar, The Complete Plays (London: Methuen, 1988).Find this resource:

Wilde, Oscar, De Profundis and Other Writings, 1949 edn., ed. Vyvyan Holland (London: Penguin, 1973).Find this resource:

Wilde, Oscar, Impressions of America, ed. Stuart Mason (Sunderland: Keystone Press, 1906).Find this resource:

Wilde, Oscar, Oscar Wilde: A Life in Letters, ed. Merlin Holland (New York: Carroll & Graf, 2007).Find this resource:

Wilde, Oscar, The Picture of Dorian Gray, ed. Robert Mighall (London: Penguin, 2000).Find this resource:

Wilde, Oscar, Selected Letters, ed. Rupert Hart-Davis, 2nd edn. (Oxford: Oxford University Press, 1979).Find this resource:

Williams, Raymond, Drama from Ibsen to Brecht (London: Chatto, 1986).Find this resource:

Williams, Raymond, Drama from Ibsen to Brecht (London: Pelican Books, 1973).Find this resource:

Williams, Simon, and Maik Hamburger (eds.), A History of German Theatre (Cambridge: Cambridge University Press, 2008).Find this resource:

Williams, Tennessee, The Rose Tattoo and Other Plays (London: Penguin, 2001).Find this resource:

Wilmer, S. E. (ed.), National Theatres in a Changing Europe (Basingstoke: Palgrave Macmillan, 2008).Find this resource:

Winwar, Frances, Oscar Wilde and the Yellow ’Nineties (New York: Blue Ribbon Books, 1941).Find this resource:

Wood, Gerald C., Conor McPherson: Imagining Mischief (Dublin: Liffey, 2003).Find this resource:

Worth, Katharine, The Irish Drama of Europe from Yeats to Beckett (London: Athlone Press, 1978).Find this resource:

Wright, Julia (ed.), A Companion to Irish Literature, vol. 2 (Chichester: Wiley-Blackwell, 2010).Find this resource:

Yeates, Pádraig, A City in Wartime: Dublin 1914–18 (Dublin: Gill & Macmillan, 2011).Find this resource:

(p. 718) Yeates, Pádraig, Lockout: Dublin 1913 (Dublin: Gill & Macmillan, 2000).Find this resource:

Yeats, W. B., Autobiographies (London: Macmillan, 1955).Find this resource:

Yeats, W. B., Collected Letters, ed. John Kelly et al. (4 vols., Clarendon Press: Oxford, 1986–2005).Find this resource:

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Yeats, W. B., Collected Works, vol. 1: Poems, ed. Richard Finneran, 2nd edn. (London: Macmillan, 1997).Find this resource:

Yeats, W. B., Collected Works, vol. 2: The Plays, ed. David R. Clark and Rosalind E. Clark (New York: Scribner, 2001).Find this resource:

Yeats, W. B., Collected Works, vol. 3: Autobiographies, ed. Douglas Archibald and William O’Donnell (New York: Scribner, 1999).Find this resource:

Yeats, W. B., Collected Works, vol. 4: Early Essays, ed. Richard J. Finneran and George Bornstein (New York: Scribner, 2007).Find this resource:

Yeats, W. B., Collected Works, vol. 8: The Irish Dramatic Movement, ed. Mary FitzGerald and Richard J. Finneran (NewYork: Scribner, 2003).Find this resource:

Yeats, W. B., Collected Works, vol. 10: Later Articles and Reviews, ed. Colton Johnson (New York: Scribner, 2000).Find this resource:

Yeats, W. B., The Cutting of an Agate (London: Macmillan, 1919).Find this resource:

Yeats, W. B., Essays and Introductions (London: Macmillan, 1961).Find this resource:

Yeats, W. B., Explorations (London: Macmillan, 1962).Find this resource:

Yeats, W. B., Four Plays for Dancers (London: Macmillan, 1921).Find this resource:

Yeats, W. B., Letters, ed. Allan Wade (London: Hart-Davis, 1954).Find this resource:

Yeats, W. B., Memoirs, ed. Denis Donoghue (London: Macmillan, 1972).Find this resource:

Yeats, W. B., Selected Plays, ed. Richard Allen Cave (Harmondsworth: Penguin Books, 1997).Find this resource:

Yeats, W. B., Uncollected Prose, ed. John P. Frayne, vol. 2 (London: Macmillan, 1975).Find this resource:

Yeats, W. B., The Variorum Edition of the Plays of W. B. Yeats, ed. Russell K. Alspach (London: Macmillan, 1966).Find this resource:

Yeats, W. B., The Variorum Edition of the Poems of W. B. Yeats, ed. Peter Allt and Russell K. Alspach (New York: Macmillan, 1956).Find this resource:

Zeigler, Joseph Wesley, Regional Theatre: The Revolutionary Stage (Minneapolis, MN: University of Minnesota Press, 1973).Find this resource:

Zimmerman, Claire, Mies van der Rohe (Hohenzollerning: Taschen, 2006).Find this resource:

Zola, Emile, The Experimental Novel and Other Essays, trans. Belle M. Sherman (New York: Haskell House, 1964).Find this resource: