The Oxford Handbook of Soviet Underground Culture

doi:10.1093/oxfordhb/9780197508213.001.0001

The Oxford Handbook of Soviet Underground Culture

Edited by:
Mark Lipovetsky
Mark LipovetskySlavic Languages, Columbia UniversityClose

,
Ilja Kukuj
Ilja KukujSlavic Philology, Ludwig Maximilian University of MunichClose

,
Tomáš Glanc
Tomáš GlancSlavic Studies, University of ZurichClose

,
Maria Engström
Maria EngströmModern Languages, University of UppsalaClose

, and
Klavdia Smola
Klavdia SmolaSlavic Studies, University of DresdenClose

Abstract

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.

Bibliographic Information

Publisher:: Oxford University Press

ISBN:: 9780197508213

Published online:: Jul 2021

DOI:: 10.1093/oxfordhb/9780197508213.001.0001

Editors

Mark Lipovetsky, editor
Mark Lipovetsky is Professor at the Department of Slavic Languages, Columbia University (New York). He is the author of ten books and more than a hundred of articles on various aspects of Russian literature and culture of 20th -21st cc. Lipovetsky is also one of four co-authors of the Oxford History of Russian Literature (2018). His latest monograph is A Guerilla Logos: The Project of Dmitry Aleksandrovich Prigov (2022 – co-authored with Ilya Kukulin). Winner of the Andrei Bely Prize for his contribution to Russian literature (2019).

Ilja Kukuj, editor
Coordinator of Russian Language Studies, Ludwig Maximilian University Munich

Tomáš Glanc, editor
Tomas Glanc is Professor at the Department of Slavic Studies, University Zurich (Switzerland). He is working on various aspects of samizdat culture, Slavic ideology, Russian and Eastern European literature and culture of the 20th-21st centuries, including performance art and underground film and recordings, theory of literature. Glanc is also working internationally as a curator of exhibitions (Poetry and Performance, contemporary Russian art).

Maria Engström, editor
Maria Engström is Professor of Russian at the Department of Modern Languages, Uppsala University (Sweden). She is the author of numerous articles on cultural recycling, Russian queer visual culture, post-soviet neoconservative intellectual milieu, and imperial aesthetics in contemporary Russian literature and art. She is also co-editor of Digital Orthodoxy: Mediating Post-Secularity in Russia (2015).

Klavdia Smola, editor
Klavdia Smola is Professor and Chair of Slavic Literatures at the Department of Slavic Studies, University of Dresden (Germany). She authored two books and (co)edited eight volumes on Russian, Jewish and Polish culture and literature of the 20th and 21st- centuries. Her research interests include Soviet underground, Socialist Realism(s), nonconformist literature and art of Putin era and Soviet minority cultures. She is co-editor of the Journal of Slavic Studies (Zeitschrift für Slawistik).

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Front Matter
Тhe Birth of Soviet Underground Culture in the 1930sMaya Vinokour
OBERIU and the Conversations of the Lipavsky CircleEugene Ostashevsky
Mikhail Kuzmin and the UndergroundNikolai Bogomolov
The Soviet Literary Underground during World War IIPolina Barskova
Between Modernism and the Underground During the Thaw: A Look at “Transitional Poets”Massimo Maurizio
Major Events, State Interference, and Resilience: Practices in the Late Soviet UndergroundDirk Uffelmann
Infrastructures of Soviet Underground CultureValentina Parisi
The Voices of Samizdat and MagnitizdatAnn Komaromi
Tamizdat as a Literary Practice and Political Institution: Late Soviet Underground AbroadYasha Klots
Khelenuktism and Leningrad’s Unofficial CultureStanislav Savickij
Performative Practices and Life-CreationMark Lipovetsky
Dissident Feminism and Its Place in Soviet Women’s HistoryAlla Mitrofanova
Soviet Rock Carnival: Times and TraditionsMark Yoffe
“In-Betweeners”: Navigating Between Official and Nonofficial CulturesAinsley Morse
The Lianozovo SchoolMikhail Pavlovets
Malaya Sadovaya in the History of Leningrad Unofficial CultureAinsley Morse
Brodsky and His CirclesDenis Akhapkin
The Urbanites and the New ExistentialismAnastasiya Osipova
The Leningrad School of Neo-ModernismJosephine von Zitzewitz
The Neo-FuturistsKirill Korchagin
“Gazanevshchina”: Experimental (Life) Artists of LeningradKlavdia Smola
Moscow ConceptualismDaniil Leiderman and Mark Lipovetsky
Arkady Dragomoshchenko and the Leningrad Cultural UndergroundEvgeny Pavlov and Dennis Ioffe
The Circle of Metarealist PoetsAleksandr Zhitenev
Timur Novikov and the New ArtistsEkaterina Andreeva
Neo-primitivist Art and Lifestyle: The Mitki and OthersAlexandar Mihailovic
Theoretical Problems of Soviet Underground CultureMark Lipovetsky, Tomáš Glanc, Maria Engström, Ilja Kukuj, and Klavdia Smola
Unofficial Art Outside Moscow and LeningradTatiana Sokhareva
The Experimental Sounds of Russian Conceptualism: From Historical Musical Avant-garde to Cultural Underground(s)Dennis Ioffe
The Ultimate Underground Classic: Venedikt Erofeev and Moscow-PetushkiOleg Lekmanov, Mikhail Sverdlov, and Ilya Simanovsky
The 1950s: A Phase of PolarizationIlja Kukuj
Jewish Underground Culture in the Soviet UnionKlavdia Smola
Late-Soviet Occulture: Evgenii Golovin and the Iuzhinskii CircleMaria Engström

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date: 02 July 2022

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