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(p. 422) (p. 423) Bibliography

(p. 422) (p. 423) Bibliography

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All That Jazz. Directed and choreographed by Bob Fosse. Beverly Hills, CA: Twentieth Century Fox, 1979. DVD release, 2003.Find this resource:

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Anderson, Tim. “ ‘Buried under the Fecundity of His Own Creations’: Reconsidering the Recording Bans of the American Federation of Musicians, 1942–1944 and 1948.” American Music 22.2 (Summer 2004): 231–69.Find this resource:

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—— . Looking in the Abyss: Essays on Scenography. Ann Arbor: University of Michigan Press, 2005.Find this resource:

Ayers, Edward L., Patricia Nelson Limerick, Stephen Nissenbaum, and Peter S. Onuf, All Over the Map: Rethinking American Regions. Baltimore: Johns Hopkins University Press, 1996.Find this resource:

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(p. 424) —— . “Popular Song and Popular Music on Stage and Film.” In The Cambridge History of American Music. Edited by David Nicholls. Cambridge: Cambridge University Press, 1998, pp. 309–44.Find this resource:

—— . Sondheim's Broadway Musicals. Ann Arbor: University of Michigan Press, 1993.Find this resource:

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Barthes, Roland. “The Death of the Author.” In Image, Music, Text. Edited and translated by Stephen Heath. New York: Hill and Wang, 1977, pp. 142–48.Find this resource:

———. “Introduction to the Structural Analysis of Narration.” In Image, Music, Text. Edited and translated by Stephen Heath. New York: Hill and Wang, 1977, pp. 261–67.Find this resource:

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—— . What Is Cinema? Essays Selected and Translated by Hugh Gray. Volume 2. Berkeley: University of California Press, 2005 (originally published 1971).Find this resource:

Beacham, Richard C. Adolphe Appia: Artist and Visionary of the Modern Theatre. Philadelphia: Routledge, 1994.Find this resource:

Becker, Howard S. Art Worlds. Berkeley: University of California Press, 1982.Find this resource:

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Beddow, Margery. Bob Fosse's Broadway. Portsmouth, NH: Heinemann, 1996.Find this resource:

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Beiswanger, George. “After Victor Herbert: The Battle of the Orchestras.” Theatre Arts 28.1 (January 1944): 40–45.Find this resource:

—— . “New Images in Dance: Martha Graham and Agnes de Mille.” Theatre Arts 28.10 (October 1944): 609–14.Find this resource:

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Benedetti, Jean. David Garrick and the Birth of Modern Theatre. London: Methuen, 2001.Find this resource:

Bennett, Jeff. Secondary Stages: Revitalizing High School Theatre. Portsmouth, NH: Heinemann, 2001.Find this resource:

Bennett, Robert Russell. “The Broadway Sound”: The Autobiography and Selected Essays of Robert Russell Bennett. Edited by George J. Ferencz. Rochester, NY: University of Rochester Press, 1999.Find this resource:

—— . Instrumentally Speaking. Melville, NY: Belwin Mills, 1975.Find this resource:

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—— . Candide. New York: Boosey and Hawkes, 1994.Find this resource:

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—— . Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim and Lloyd Webber. 2nd ed. New York: Oxford University Press, 2009.Find this resource:

—— . Richard Rodgers. Yale Broadway Masters Series. New Haven, CT: Yale University Press, 2003.Find this resource:

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—— . “Rekindling Robbins, a Step at a Time.” New York Times (March 4, 2009), http://www.nytimes.com/2009/03/08/arts/dance/08bloo.html (accessed July 22, 2009).

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—— . Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. 4th ed. New York: Continuum, 2001 (originally published 1973).Find this resource:

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—— . American Operetta from H.M.S. Pinafore to Sweeney Todd. New York: Oxford University Press, 1981.Find this resource:

—— . Jerome Kern: His Life and Music. New York: Oxford University Press, 1980.Find this resource:

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 8th ed. Boston: McGraw-Hill, 2008.Find this resource:

Bottoms, Stephen J. Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement. Ann Arbor: University of Michigan Press, 2004.Find this resource:

Brady, Sara. Review of Leah Hager Cohen, The Stuff of Dreams: Behind the Scenes of an American Community Theatre. The Drama Review 46.1 (Spring 2002): 170–74.Find this resource:

Brantley, Ben. “Grand Guignol, Spare and Stark.” New York Times (November 4, 2005): E1–1.Find this resource:

—— . “There's Trouble in Emerald City: WICKED.” New York Times (October 31, 2003): E-1.Find this resource:

Braudy, Leo. “Musicals and the Energy from Within.” In his The World in a Frame: What We See in Films. Chicago: University of Chicago Press, 2002, pp. 139–63 (originally published 1976).Find this resource:

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“Broadway Long Runs.” Chart in Variety (June 9–15, 2008): 50.Find this resource:

“Broadway Season Statistics at a Glance.” The Broadway League, http://www.broadwayleague.com/editor_files/Broadway%20Statistics%20at%20a%20Glance.pdf (accessed August 2, 2008).

Broadway: The American Musical. A Film by Michael Kantor. Educational Broadcasting Corporation and the Broadway Film Project, 2004.Find this resource:

Brockett, Oscar G., and Robert R. Findlay, Century of Innovation: A History of European and American Theatre and Drama since 1870. Englewood Cliffs, NJ: Prentice-Hall, 1973.Find this resource:

Brockett, Oscar G., and Franklin J. Hildy. History of the Theatre. 9th ed. New York: Allyn and Bacon, 2003.Find this resource:

Brooks, Mel, and Tom Meehan. The Producers: The Book, Lyrics, and Story behind the Biggest Hit in Broadway History! How We Did It. New York: Hyperion, 2001.Find this resource:

Brooks, Tim. “Early Recordings of Songs from Florodora: Tell Me, Pretty Maiden … Who Are You?—A Discographical Mystery.” Association for Recorded Sound Collections Journal 31 (2000): 51–64.Find this resource:

Brown, Cynthia Lynn. “Longevity and the Secondary Theatre Arts Teacher: A Case Study.”Ph.D. dissertation, Arizona State University, 1997.Find this resource:

Brown, Wilhelmina P. “Hints for the High School Director.” Dramatics 19.1 (September 1947): 12–13.Find this resource:

Bryer, Jackson R., and Richard A. Davison, eds. The Art of the American Musical: Conversations with the Creators. New Brunswick, NJ: Rutgers University Press, 2005.Find this resource:

Bryson, Norman. “Cultural Studies and Dance History.” In Meaning in Motion: New Cultural Studies of Dance. Edited by Jane C. Desmond. Durham, NC: Duke University Press, 1997, pp. 55–77.Find this resource:

Burleigh, Louise. The Community Theatre in Theory and Practice. Boston: Little, Brown, 1917.Find this resource:

Burston, Jonathan. “Theatre Space as Virtual Place: Audio Technology, the Reconfigured Singing Body, and the Megamusical.” Popular Music 17.2 (May 1998): 205–18.Find this resource:

Burton, Humphrey. Leonard Bernstein. New York: Doubleday, 1994.Find this resource:

Butler, Judith. Gender Trouble. New York: Routledge, 1990.Find this resource:

Butsch, Richard. The Making of American Audiences: From Stage to Television, 1750–1990. Cambridge: Cambridge University Press, 2000.Find this resource:

Butterfield, Herbert. The Whig Interpretation of History. London: G. Bell, 1931.Find this resource:

Cameron, Evan William, ed. Sound and the Cinema: The Coming of Sound to American Film. Pleasantville, NY: Redgrave, 1980.Find this resource:

Campbell, Gavin James. Music and the Making of a New South. Chapel Hill: University of North Carolina Press, 2004.Find this resource:

Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: University of Michigan Press, 2003.Find this resource:

Carter, Alexandra, ed. The Routledge Dance Studies Reader. London: Routledge, 1998.Find this resource:

Carter, David. Stonewall: The Riots that Sparked the Gay Revolution. New York: St. Martin's Press, 2004.Find this resource:

Carter, Randolph. The World of Flo Ziefeld. New York: Praeger, 1974.Find this resource:

Carter, Tim. Oklahoma! The Making of an American Musical. New Haven, CT: Yale University Press, 2007.Find this resource:

Cartmell, Dan J. “Stephen Sondheim and the Concept Musical.” Ph.D. dissertation, University of California, Santa Barbara, 1983.Find this resource:

(p. 427) Channing, Carol. “Foreword.” In Steven Suskin. Opening Nights on Broadway: A Critical Quotebook of the Golden Age of the Musical Theatre, Oklahoma! to Fiddler on the Roof. New York: Schirmer Books, 1990.Find this resource:

Chansky, Dorothy. Composing Ourselves: The Little Theatre Movement and the American Audience. Carbondale: Southern Illinois University Press, 2004.Find this resource:

Chapin, Theodore S., Kurt Deutsch, Brian Drutman, Thomas Z. Shepard, and Melissa Rose Bernardo. “For the Record: Inside Cast Albums.” American Theatre Wing's Working in the Theatre [April, 2009], http://americantheatrewing.org/wit/detail/cast_albums_04_09 (accessed August 19, 2009).

Chapman, Jennifer. “Heteronormativity and High School Theatre.” Ph.D. dissertation, University of Wisconsin–Madison, 2005.Find this resource:

—— . “Heteronormativity and High School Theatre.” Youth Theatre Journal 21 (2007): 31–40.Find this resource:

Charyn, Jerome. Gangsters and Gold Diggers: Old New York, the Jazz Age, and the Birth of Broadway. New York: Thunder's Mouth Press, 2003.Find this resource:

Chauncey, George. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940. New York: Basic Books, 1994.Find this resource:

Citron, Stephen. The Musical from the Inside Out. Chicago: Ivan R. Dee, 1991.Find this resource:

Clover, Carol J. “Dancin’ in the Rain.” In Hollywood Musicals: The Film Reader. Edited by Steven Cohan. London: Routledge, 2002, pp. 155–73.Find this resource:

Clum, John. Something for the Boys: Musical Theater and Gay Culture. New York: Palgrave, 1999.Find this resource:

Cockrell, Dale. Demons of Disorder: Early Blackface Minstrels and Their World. Cambridge: Cambridge University Press, 1997.Find this resource:

Cohan, Steven. “ ‘Feminizing’ the Song-and-Dance Man: Fred Astaire and the Spectacle of Masculinity in the Hollywood Musical.” In Hollywood Musicals: The Film Reader. Edited by Steven Cohan. London: Routledge, 2002, pp. 87–101.Find this resource:

———, ed. Hollywood Musicals: The Film Reader. London: Routledge, 2002.Find this resource:

Cohen, Gary P. The Community Theater Handbook: A Complete Guide to Organizing and Running a Community Theater. Portsmouth, NH: Heinemann, 2003.Find this resource:

Cohen, Leah Hager. The Stuff of Dreams: Behind the Scenes of an American Community Theatre. New York: Viking Penguin, 2001.Find this resource:

Cohen, Selma Jeanne. International Encyclopedia of Dance. New York: Oxford University Press, 1998.Find this resource:

Coleman, Bud, and Judith A. Sebesta. Women in the American Musical Theatre. Jefferson, NC: MacFarland, 2008.Find this resource:

Conrad, Jon Alan. “Let the Drums Roll Out.” Sleeve Notes, Strike Up the Band. Elektra Nonesuch 7559–79273–2, 1991.Find this resource:

Copeland, Roger. “Between Description and Deconstruction.” In The Routledge Dance Studies Reader. Edited by Alexandra Carter. London: Routledge, 1998, pp. 98–107.Find this resource:

Copeland, Roger, and Marshall Cohen, eds. What Is Dance? Readings in Theory and Criticism. Oxford: Oxford University Press, 1983.Find this resource:

Corbett, John. “Free, Single, and Disengaged: Listening Pleasure and the Popular Music Object.” In his Extended Play: Sounding Off from John Cage to Dr. Funkenstein. Durham, NC: Duke University Press, 1994, pp. 32–55. Essay originally published in October 54 (Fall 1990): 79–101.Find this resource:

Cousins, Heather. “Upholding Mainstream Culture: The Tradition of the American High School Play.” Research in Drama Education 5.1 (2000): 85–94.Find this resource:

Craig, Edward Gordon. On the Art of the Theatre. New York: Theatre Arts Books, 1956.Find this resource:

(p. 428) Craine, Debra, and Judith Mackrell. The Oxford Dictionary of Dance. Oxford: Oxford University Press, 2000.Find this resource:

Criscuolo, Michael. “Grease.” Online review, http://www.nytheatre.com/nytheatre/showpage.php?t=grea5104, August 22, 2007 (accessed September 12, 2009).

Dalrymple, Jean. The Complete Handbook for Community Theatre: From Picking Plays to Taking the Bows. New York: Drake, 1977.Find this resource:

Daly, Ann. Critical Gestures: Writings on Dance and Culture. Middletown, CT: Wesleyan University Press, 2002.Find this resource:

Daniel, Pete. Lost Revolutions: The South in the 1950s. Chapel Hill: University of North Carolina Press, 2000.Find this resource:

Decker, Todd R. “Black/White Encounters on the American Stage and Screen (1924–2005).” Ph.D dissertation, University of Michigan, 2007.Find this resource:

—— . “ ‘Do You Want to Hear a Mammy Song?’ A Historiography of Show Boat.” Contemporary Theatre Review 19.1 (2009): 8–21.Find this resource:

—— . Music Makes Me: Fred Astaire and Jazz. Berkeley: University of California Press, forthcoming.Find this resource:

—— . Show Boat: Race and the Making and Re-making of an American Musical. New York: Oxford University Press, forthcoming.Find this resource:

Deer, Joe, and Rocco Dal Vera. Acting in Musical Theatre: A Comprehensive Course. London: Routledge, 2008.Find this resource:

de Mille, Agnes. Martha. New York: Random House, 1991.Find this resource:

Delamater, Jerome. Dance in the Hollywood Musical. Ann Arbor: UMI Research Press, 1981.Find this resource:

“The Demographics of the Broadway Audience 2006–2007.” Broadway League, http://www.broadwayleague.com/index.php?url_identifier=the-demographics-of-the-broadway-audience-2005–2006 (accessed September 13, 2008).

Desmond, Jane C. “Embodying Difference: Issues in Dance and Cultural Studies.” In The Routledge Dance Studies Reader. Edited by Alexandra Carter. London: Routledge, 1998, pp. 154–62.Find this resource:

———. Meaning in Motion: New Cultural Studies of Dance. Durham, NC: Duke University Press, 1997.Find this resource:

Dickinson, Thomas Herbert. The Insurgent Theatre. New York: Benjamin Blom, 1972 (1917).Find this resource:

Dils, Ann, and Ann Cooper Albright, eds. Moving History/Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyan University Press, 2001.Find this resource:

DiMaggio, Paul. “Cultural Boundaries and Structural Change: The Extension of the High Culture Model to Theater, Opera, and the Dance, 1900–1940.” In Cultivating Differences: Symbolic Boundaries and the Making of Inequality. Edited by Michèle Lamont and Marcel Fournier. Chicago: University of Chicago Press, 1992, pp. 21–57.Find this resource:

Dolan, Jill. The Feminist Spectator as Critic. Ann Arbor: University of Michigan Press, 1988.Find this resource:

Doty, Alexander. Flaming Classics: Queering the Film Canon. London: Routledge, 2000.Find this resource:

—— . Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993.Find this resource:

“Downstage Center.” Online interviews. The American Theatre Wing, http://americantheatrewing.org/downstagecenter (accessed September 8, 2009).

Drowne, Kathleen, and Patrick Huber. American Popular Culture through History: The 1920s. Westport, CT: Greenwood Press, 2004.Find this resource:

Duberman, Martin. Stonewall. New York: Penguin, 1993.Find this resource:

Dudden, Faye E. Women in the American Theatre: Actresses and Audiences 1790–1870. New Haven, CT: Yale University Press, 1994.Find this resource:

(p. 429) Dyer, Richard. “The Colour of Entertainment.” In Musicals: Hollywood and Beyond. Edited by Bill Marshall and Robynn Stilwell. Exeter: Intellect Books, 2000, pp. 23–30 (originally published Sight and Sound, 1995).Find this resource:

—— . “Entertainment and Utopia.” In Genre: The Musical. Edited by Rick Altman. London: Routledge and Kegan Paul, 1981 (originally published in Movie 2 [Spring 1977]: 2–13).Find this resource:

—— . Heavenly Bodies. London: Routledge, 2004.Find this resource:

—— . “ ‘I Seem to Find the Happiness I Seek’: Heterosexuality and Dance in the Musical.” Dance, Gender and Culture. Edited by Helen Thomas. London: Macmillan, 1993, pp. 49–65.Find this resource:

—— . Only Entertainment. Expanded from the 1992 edition. London: Routledge, 2002.Find this resource:

—— . Stars. London: British Film Institute, 1998 (originally published 1979).Find this resource:

—— . White. London: Routledge, 1997.Find this resource:

Eagleton, Terry. Literary Theory: An Introduction. 2nd ed.. Minneapolis: University of Minnesota Press, 1996.Find this resource:

Eaton, Walter Prichard. The American Stage of To-Day. Boston: Small, Maynard, 1908.Find this resource:

Ebb, Fred, Bob Fosse, and John Kander. Chicago: A Musical Vaudeville. New York: Samuel French, 1976.Find this resource:

Ebert, Roger. “The Best Little Whorehouse in Texas” (review). Chicago Sun Times (January 1, 1982). http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19820101/REVIEWS/201010305/1023, accessed May 10, 2010.

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—— . “The Long Run.” Dramatics 76 (September 2004): 19–20.Find this resource:

—— . “Writer's Guidelines.” http://www.edta.org/pdf_archive/dramatics_writers_guide.pdf (accessed September 11, 2009).

Ehrenreich, Barbara, Elizabeth Hess, and Gloria Jacobs. “Beatlemania: Girls Just Want to Have Fun.” In The Adoring Audience: Fan Culture and Popular Media. Edited by Lisa A. Lewis. London: Routledge, 1992, pp. 84–106.Find this resource:

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Eisenstein, Sergei. Eisenstein on Disney. London: Methuen, 1988.Find this resource:

Elam, Kier. The Semiotics of Theatre and Drama. 2nd ed. London: Routledge, 2002.Find this resource:

Elborough, Travis. The Vinyl Countdown. Berkeley: Soft Skull Press, 2009.Find this resource:

Engel, Lehman. The American Musical Theater. New York: Macmillan, 1975.Find this resource:

—— . The American Musical Theater: A Consideration. New York: Macmillan, 1967.Find this resource:

Engel, Lehman, and Howard Kissel. Words with Music: Creating the Broadway Musical Libretto. New York: Applause, 2006.Find this resource:

Ennis, Philip H. The Seventh Stream: The Emergence of Rocknroll in American Popular Music. Hanover, NH: Wesleyan University Press, 1992.Find this resource:

Evans, Harvey. Interview by Liza Gennaro, March 3, 2003, transcript. Oral History Collection, Lincoln Center Library of the Performing Arts, New York, NY.Find this resource:

Everett, William A. “Romance, Nostalgia and Nevermore: American and British Operetta in the 1920s.” In The Cambridge Companion to the Musical. Edited by William A. Everett and Paul R. Laird. Cambridge: Cambridge University Press, 2002, pp. 47–62.Find this resource:

—— . Sigmund Romberg. New Haven: Yale University Press, 2007.Find this resource:

Everett, William A., and Paul R. Laird, eds. The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press, 2008.Find this resource:

—— . Historical Dictionary of the Broadway Musical. Lanham, MD: Scarecrow Press, 2007.Find this resource:

(p. 430) Ewen, David. Complete Book of the American Musical Theater. New York: Henry Holt, 1959.Find this resource:

Farnsworth, Marjorie. The Ziegfeld Follies. New York: G. P. Putnam's Sons, 1956.Find this resource:

Fehr, Richard, and Frederick G. Vogel. Lullabies of Hollywood; Movie Music and the Movie Musical, 1915–1992. Jefferson, NC: McFarland, 1993.Find this resource:

Feingold, Michael. “Voice Choices: Theater: Green Witch, Mean Time: Both On and Off-Broadway, New Musicals Suffer from Severe Multiple Personality Disorder.” Village Voice 48.45 (November 5–11, 2003): 77.Find this resource:

Feuer, Jane. The Hollywood Musical. 2nd ed. Hampshire: Palgrave Macmillan, 1992.Find this resource:

Filichia, Peter. Let's Put on a Musical! How to Choose the Right Show for Your Theater. 2nd ed. New York: Back Stage Books, 2007.Find this resource:

Flinn, Caryl. Brass Diva: The Life and Legends of Ethel Merman. Berkeley: University of California Press, 2007.Find this resource:

Flinn, Denny Martin. Musical! A Grand Tour: The Rise, Glory, and Fall of an American Institution. New York: Schirmer, 1997.Find this resource:

Fordin, Hugh. Getting to Know Him. New York: Ungar, 1977.Find this resource:

—— . M-G-M's Greatest Musicals: The Arthur Freed Unit. New York: Da Capo Press, 1996 (previously The World of Entertainment! Hollywood's Greatest Musicals. Garden City, NY: Doubleday, 1975; and The Movies’ Greatest Musicals, Produced in Hollywood USA by the Freed Unit. New York: F. Ungar, 1984).Find this resource:

Fornes, Maria Irene. Promenade and Other Plays. New York: PAJ, 1987.Find this resource:

Forte, Allen. The American Popular Ballad of the Golden Era; 1924–1950. Princeton, NJ: Princeton University Press, 1995.Find this resource:

—— . Listening to Classic American Popular Songs. New Haven, CT: Yale University Press, 2001.Find this resource:

Foster, Susan Leigh, ed. Corporealities: Dancing Knowledge, Culture and Power. London: Routledge, 1995.Find this resource:

———. “Dancing Bodies.” In Meaning in Motion: New Cultural Studies of Dance. Edited by Jane C. Desmond. Durham, NC: Duke University Press, 1997, pp. 235–57.Find this resource:

—— . Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley: University of California Press, 1986.Find this resource:

Foucault, Michel. “What Is an Author?” In Textual Strategies: Perspectives in Post-Structuralist Criticism. Edited and translated by Josué V. Harari (Ithaca, NY: Cornell University Press, 1979), 141–60.Find this resource:

Fox, Laurie. “Carroll Senior High Stages Phantom of the Opera.” Dallas Morning News (December 9, 2007). http://www.quickdfw.com/sharedcontent/dws/news/localnews/stories/DN-phantom_09met.ART.State.Edition2.3706394.html, accessed May 9, 2011.

—— . “Staging Phantom an Epic Task for Southlake Carroll.” Dallas Morning News (December 8, 2007). http://www.dentonrc.com/sharedcontent/dws/dn/latestnews/stories/120907dnmetphantom.4deb77.html, accessed May 9, 2011

Frank, Rusty E. Tap! The Greatest Tap Dance Stars and Their Stories, 1900–1955. Rev. ed. New York: Da Capo Press, 1994 (originally published 1990).Find this resource:

Friedman, Joel L. “Copyright and the Musical Arrangement: An Analysis of the Law and Problems Pertaining to This Specialized Form of Derivative Work.” Pepperdine Law Review 7 (1979): 125–46.Find this resource:

Friedwald, Will. Stardust Melodies: A Biography of Twelve of America's Most Popular Songs. New York: Pantheon Books, 2002.Find this resource:

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Furia, Philip. The Poets of Tin Pan Alley: A History of America's Great Lyricists. New York: Oxford University Press, 1990.Find this resource:

(p. 431) Gabbard, Krin. Jammin’ at the Margins: Jazz and the American Cinema. Chicago: University of Chicago Press, 1996.Find this resource:

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