Abstract and Keywords
This article questions the coherence and stability of “naturalism.” It demonstrates that “naturalism and other genres” is a consequential topic, pointing us not only to fundamental questions about the practice of genre criticism but also to central problems in literary and cultural history. While the investigation has not resulted in any strikingly new observations about the form, it has assembled known points into a frame of reference that makes a somewhat different kind of sense. It is shown that the genre can be useful both as an historical and as an interpretive category. Any sand remaining in our mouths is a resistance necessary to the form. The terms of literary studies are constantly transformed—but “naturalism” remains a valuable resource in our thinking about modern genres.
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