Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 17 June 2019

Abstract and Keywords

This chapter deals with the aesthetic paradigms in opera theory that concern the issue of verisimilitude. This issue has been the object of discussion and debate since the earliest days of opera until today, e.g. in music films. The importance of verisimilitude is mostly considered in regard to the function of music and the “reality” of singing. It was particularly prominent for such operatic genres in which two different media exist side by side, as, for example, in opéra comique. The chapter focuses primarily on the specific interplay of different media and the correspondent theoretical approaches by philosophers, writers, and scholars. By the example of opéra comique and its mixture of singing and speaking, the issue of verisimilitude could be detailed, since the evolving theoretical paradigms maintain their usefulness for later discussions, especially of the function of the orchestra or the issue of communication in theater.

Keywords: aesthetics, opera theory, singing and speaking, orchestra, interplay, opéra comique, communication

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.