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Contents
- Introduction Robert Kolker
- Digital Media and the Future of Filmic NarrativeJay David Bolter
- The Latest Laocoön: Medium Specificity and the History of Film TheoryBrian Price
- Visual Media and the Tyranny of the RealDevin Orgeron
- Radical Aspirations Historicized: The European Commitment to Political DocumentaryFrances Guerin
- Loss of Light: The Long Shadow of Photography in the Digital AgeJeannene M. Przyblyski
- Media Celebrity in the Age of the ImageMarsha Orgeron
- Film Genre Theory and Contemporary Media: Description, Interpretation, IntermedialityPaul Young
- Gilda: Textual Analysis, Political Economy, and EthnographyToby Miller and Mariana Johnson
- Television's First Seventy-five Years: The Interpretive Flexibility of a Medium in TransitionWilliam Uricchio
- “The End of TV As We Know It”: Convergence Anxiety, Generic Innovation, and the Case of 24Tara McPherson
- Screen Practice and Conglomeration: How Reflexivity and Conglomeration Fuel Each OtherJohn T. Caldwell
- The Chinese Action Image and PostmodernityEvans Chan
- When Cute Becomes Scary: The Young Female in Contemporary Japanese Horror CinemaJoseph Christopher Schaub
- Asian Film and Digital CultureGina Marchetti
- Popular Cinema and the “New” Media in IndiaManjunath Pendakur
- Dreaming with Open Eyes: Latin American Media in the Digital AgeCristina Venegas
- The Globalization of Filmmaking in Latin America and the Middle EastAndrew Flibbert
- Computers and Cultural StudiesDavid Golumbia
- Film and Media Studies PedagogyWarren Buckland
- Copyright, Fair Use, and Motion PicturesPeter Jaszi