Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 25 July 2021

Abstract and Keywords

Animal representation in graphic narrative has figured in many of the medium’s important developments and anchored one of its most popular genres, funny-animal comics. Since the modern emergence of the form sometime around the end of the nineteenth century, major figures such a Richard Outcault, Winsor McCay, George Herriman, Edwina Dumm, Carl Barks, Robert Crumb, and Jim Woodring have made extensive use of the animal figure, in both highly and minimally anthropomorphized forms. As argued by John Berger, David Herman, and other scholars, the animal’s lack of human speech renders it vulnerable to a brand of representational colonialism whereby its in-itself existence is emptied in favor of other symbolic, metaphorical, or ideological functions. Many works since the 1980s by Grant Morrison, Steven Murphy and Michael Zulli, and Nicole Georges have striven for less anthropomorphized depictions, in a bid to address the ethics involved in representing the animal subject.

Keywords: comic book, animals, Anthropocene, underground comix, funny animals

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.