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date: 17 February 2020

Abstract and Keywords

This chapter examines X-ray art in western Arnhem Land in northern Australia, considering how relatively contemporary artists used it to enrich the meaning of their work. After discussing early research on the meanings of X-ray and developing interpretations of art of the ancestors, the chapter explores the use of X-ray representation in rock art in western Arnhem Land, then analyzes the use of art in ceremony, focusing on Mardayin and Lorrkon, as well as the production of bark paintings made for sale through commercial outlets. It shows that understanding X-ray imagery helps to create intellectual connections between many areas of experience of the world. The chapter looks at the first creators, Yingarna and Ngalyod the rainbow serpents, and their role in promoting creative uses of X-ray infill and concludes that art helps initiates understand the powers of Djang not only as corporeal entities but also in more metaphysical terms.

Keywords: X-ray art, Arnhem Land, X-ray, rock art, ceremony, Mardayin, bark painting, Djang, Yingarna, Ngalyod

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