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(p. 634) (p. 635) Select Bibliography

(p. 634) (p. 635) Select Bibliography

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Croce, Arlene The Fred Astaire and Ginger Rogers Book. New York: Vintage Books, 1972.Find this resource:

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de Giere, Carol. Defying Gravity: The Creative Career of Stephen Schwartz from Godspell to Wicked. New York: Applause and Cinema Books, 2008.Find this resource:

de Giere, Carol. The Godspell Experience: Inside a Transformative Musical. Bethel, CT: Scene 1 Publishing, 2014.Find this resource:

De Mille, Agnes. Dance to the Piper. Introduction by J. Acocella. New York: New York Review Books, 2015 [1952].Find this resource:

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Doherty, Thomas. Hollywood’s Censor: Joseph I. Breen and the Production Code Administration. New York: Columbia University Press, 2007.Find this resource:

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Easton, Carol. No Intermissions: The Life of Agnes De Mille. New York: Da Capo Press, 2000.Find this resource:

Eddie Mannix Ledger. Los Angeles, Margaret Herrick Library, Center for Motion Picture Study.Find this resource:

Editors of Consumer Guide with Phillip J. Kaplan. The Best, Worst and Most Unusual: Hollywood Musicals. New York: Beekman House, 1983.Find this resource:

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Eller, Claudia. ‘Crying’s Over, “Evita” Finds Backers.’ Los Angeles Times, 11 December 1993.Find this resource:

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Evans, Peter William. Top Hat. London: Wiley, 2010.Find this resource:

Everett, William A., and Paul R. Laird, eds. The Cambridge Companion to the Musical, 3rd. ed. New York: Cambridge University Press, 2017.Find this resource:

Everett, William A. Sigmund Romberg. New Haven, CT: Yale University Press, 2007.Find this resource:

Fehr, Richard, and Frederick G. Vogel. Lullabies of Hollywood: Movie Music and the Movie Musical, 1915–1992. Jefferson, NC: McFarland, 1993.Find this resource:

Feuer, Jane. The Hollywood Musical, 2nd ed. Basingstoke: Macmillan, 1993.Find this resource:

Fisher, James. Historical Dictionary of American Theater: Beginnings. Lanham, MD: Rowman and Littlefield, 2015.Find this resource:

Fordin, Hugh. M-G-M’s Greatest Musicals: The Arthur Freed Unit. New York: Da Capo Press, 1996 [1975].Find this resource:

Forman, Miloš, with Jan Novak. Turnaround: A Memoir. Villard/Random House, 1993.Find this resource:

Forrest, Jennifer, and Leonard R. Koos, eds. Dead Ringers: The Remake in Theory and Practice. New York: State University of New York Press, 2002.Find this resource:

Forte, Allen. The American Popular Ballad of the Golden Era 1924–1950. Princeton, NJ: Princeton University Press, 1995.Find this resource:

Franceschina, John. Hermes Pan: The Man Who Danced with Fred Astaire. New York: Oxford University Press, 2012.Find this resource:

Furia, Philip, and Laurie Patterson. The Songs of Hollywood. New York: Oxford University Press, 2010.Find this resource:

(p. 637) Gardner, Kara A. Agnes De Mille: Telling Stories in Broadway Dance. New York: Oxford University Press, 2016.Find this resource:

Ganz, Andrew. ‘In Upcoming Revival of Evita, Che Will Be the “Everyman,” Not Che Guevara.’ February 2012. Playbill.com.Find this resource:

Gänzl, Kurt. Ganzl’s Book of the Broadway Musical. New York: Schirmer Books, 1995.Find this resource:

Geraghty, Christine. Now a Major Motion Picture: Film Adaptations of Literature and Drama. Lanham, MD: Rowman and Littlefield, 2008.Find this resource:

Giddins, Gary. Bing Crosby: A Pocketful of Dreams, the Early Years, 1903–1940. Boston: Little, Brown, 2001.Find this resource:

Gilbert, James. Men in the Middle: Searching for Masculinity in the 1950s. Chicago: University of Chicago Press, 2005.Find this resource:

Gontier, David F. Jr, and Timothy L. O’Brien. ‘13. Evita, 1996.’ In The Films of Alan Parker, 1976–2003. Jefferson, NC: McFarlandgringoinbuenosaires.com.Find this resource:

Gorbman, Claudia. Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press, 1987.Find this resource:

Goldmark, Daniel. ‘Adapting The Jazz Singer from Short Story to Screen: A Musical Profile.’ Journal of the American Musicological Society 70, no. 3 (Fall 2017): 767–817.Find this resource:

Grant, Mark N. The Rise and Fall of the Broadway Musical. Boston: Northeastern University Press, 2004.Find this resource:

Gray, Susan. Writers on Directors. New York: Watson-Guptil, 1999.Find this resource:

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Grode, Eric. Hair: The Story of the Show that Defined a Generation. Foreword by James Rado. Philadelphia: Running Press, 2010.Find this resource:

Hall, Sheldon. ‘Tall Revenue Features: The Genealogy of the Modern Blockbuster.’ In Genre and Contemporary Hollywood, edited by Steve Neale, 11–26. London: BFI, 2002.Find this resource:

Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of New Hollywood. New York: Penguin Press, 2008.Find this resource:

Harvey, Stephen. Directed by Vincente Minnelli. Foreword by L. Minnelli. New York: Museum of Modern Art/Harper and Row, 1989.Find this resource:

Hemming, Roy. The Melody Lingers On: The Great Songwriters and Their Movie Musicals. New York: Newmarket, 1986.Find this resource:

Hirschhorn, Clive. Gene Kelly: A Biography. London: W. H. Allen, 1974.Find this resource:

Hischak, Thomas. Broadway Plays and Musicals: Descriptions and Essential Facts of More Than 14,000 Shows through 2007. Jefferson, NC: McFarland, 2009.Find this resource:

Hischak, Thomas S. The Oxford Companion to the American Musical: Theatre, Film, and Television. Oxford: Oxford University Press, 2008.Find this resource:

Hischak, Thomas S. Through the Screen Door: What Happened to the Broadway Musical When It Went to Hollywood. Lanham, MD: Scarecrow Press, 2004.Find this resource:

Hirschhorn, Clive. Gene Kelly: A Biography. Foreword by F. Sinatra. London: W. H. Allen, 1974.Find this resource:

Horn, Barbara Lee. The Age of Hair: Evolution and Impact of Broadway’s First Rock Musical. New York: Greenwood Press, 1991.Find this resource:

Hubbert, Julie. ‘“Whatever Happened to Great Movie Music?” Cinéma Vérité and Hollywood Film Music of the Early 1970s.’ American Music 21, no. 2 (2003): 180–213.Find this resource:

Hubbert, Julie, ed. Celluloid Symphonies: Texts and Contexts in Film Music History. Berkeley: University of California Press, 2011.Find this resource:

(p. 638) Hutcheon, Linda. ‘The Politics of Postmodernism: Parody and History.’ Cultural Critique 5 (1986): 179–207.Find this resource:

Hutcheon, Linda. A Theory of Adaptation, 2nd ed. New York: Routledge, 2013.Find this resource:

Hutcheon, Linda, and Mario J. Valdés. ‘Irony, Nostalgia, and the Postmodern: A Dialogue.’ Poligrafías. Revista de Teoría Literaria y Literatura comparada 3 (1998–2000): 18–41.Find this resource:

Jewell, Richard B. ‘RKO Grosses, 1929–1951: The C. J. Tevlin Ledger,’ Historic Journal of Film, Radio and Television 14 (1994): 37–49.Find this resource:

Jones, John Bush. Our Musicals, Ourselves: A Social History of the American Musical Theatre. Lebanon, NH: Brandeis University Press, 2003.Find this resource:

Kantor, Michael, and Lawrence Maslon. Broadway: The American Musical. New York: Bulfinch Press, 2004.Find this resource:

Kennedy, Matthew. Roadshow! The Fall of Film Musicals in the 1960s. New York: Oxford University Press, 2014.Find this resource:

Kessler, Kelly. Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem. New York: Palgrave Macmillan, 2010.Find this resource:

Kimball, Robert, ed. The Complete Lyrics of Cole Porter. New York: Vintage Books, 1984.Find this resource:

King, Geoff. New Hollywood Cinema: An Introduction. New York: Columbia University Press, 2002.Find this resource:

Kirle, Bruce. Unfinished Show Business: Broadway Musicals as Works-in-Process. Carbondale: Southern Illinois University Press, 2005.Find this resource:

Klein, Amanda Ann. American Film Cycles: Reframing Genres, Screening Social Problems, and Defining Subcultures. Austin: University of Texas Press, 2011.Find this resource:

Knapp, Raymond. The American Musical and the Formation of National Identity. Princeton, NJ: Princeton University Press, 2005.Find this resource:

Knapp, Raymond. The American Musical and the Performance of Personal Identity. Princeton, NJ: Princeton University Press, 2006.Find this resource:

Knapp, Raymond, Mitchell Morris, and Stacy Wolf, eds. The Oxford Handbook of the American Musical. New York: Oxford University Press, 2011.Find this resource:

Kogan, Rick. ‘The Original “Grease” Was Born in Chicago.’ Chicago Tribune, 29 January 2016.Find this resource:

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. New York: Oxford University Press, 1960.Find this resource:

Laird, Paul R. The Musical Theater of Stephen Schwartz. Lanham, MD: Rowman and Littlefield, 2014.Find this resource:

Lawson-Peebles, Robert, ed. Approaches to the American Musical. Exeter, UK: University of Exeter Press, 1996.Find this resource:

Leitch, Thomas. ‘Twelve Fallacies in Contemporary Adaptation Theory,’ Criticism 45, no. 2 (Spring 2003): 150–153.Find this resource:

Lerner, Alan J. The Street Where I Live: The Story of My Fair Lady, Gigi and Camelot. London: Hodder and Stoughton, 1978.Find this resource:

Leve, James. American Musical Theater. New York: Oxford University Press, 2016.Find this resource:

Levy, Emanuel. Vincente Minnelli: Hollywood’s Dark Dreamer. New York: St Martin’s Press, 2009.Find this resource:

Long, Robert E. Broadway, The Golden Years: Jerome Robbins and the Great Choreographer-Directors, 1940 to the Present. New York: Continuum, 2001.Find this resource:

Lovensheimer, Jim. South Pacific: Paradise Rewritten. New York: Oxford University Press, 2010.Find this resource:

Magee, Jeffrey. Irving Berlin’s American Musical Theatre. New York: Oxford University Press, 2012.Find this resource:

Mast, Gerald. Can’t Help Singin’: The American Musical on Stage and Screen. Woodstock, NY: Overlook, 1987.Find this resource:

(p. 639) McArthur, Colin. Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood. New York: I. B. Tauris, 2003.Find this resource:

McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991.Find this resource:

McElhaney, Joe. The Death of Classical Cinema: Hitchcock, Lang, Minnelli. Albany: State University of New York Press, 2006.Find this resource:

McElhaney, Joe, ed. Vincente Minnelli: The Art of Entertainment. Detroit, MI: Wayne State University Press, 2009.Find this resource:

McHugh, Dominic. Loverly: The Life and Times of My Fair Lady. New York: Oxford University Press, 2012.Find this resource:

McHugh, Dominic, ed. Alan Jay Lerner: A Lyricist’s Letters. New York: Oxford University Press, 2014.Find this resource:

McLean, Adrienne. Being Rita Hayworth: Labor, Identity, and Hollywood Stardom. New Brunswick: Rutgers University Press, 2004.Find this resource:

McMillin, Scott. The Musical as Drama. Princeton, NJ: Princeton University Press, 2006.Find this resource:

McNally, Karen. When Frankie Went to Hollywood: Frank Sinatra and American Male Identity. Urbana: University of Illinois Press, 2008.Find this resource:

Mera, Miguel. ‘Invention/Re-invention.’ Music Sound and the Moving Image 3, no. 1 (Spring 2009): 1–20.Find this resource:

Miller, Scott. ‘Inside Evita.” 2010. New Line Theatre.org.Find this resource:

Miller, Scott. Rebels with Applause: Broadway’s Groundbreaking Musicals. Portsmouth, NH: Heinemann, 2001.Find this resource:

Minnelli, Vincente, with H. Arce. Foreword by A. J. Lerner. Vincente Minnelli: I Remember It Well. Hollywood, CA: Samuel French, 1990 [1974].Find this resource:

Mordden, Ethan. The Hollywood Musical. New York: St Martin’s Press, 1981.Find this resource:

Mordden, Ethan. When Broadway Went to Hollywood. New York: Oxford University Press, 2016.Find this resource:

Morris, Mitchell. ‘Cabaret, America’s Weimar, and the Mythologies of the Gay Subject.’ American Music 22 (2004): 145–157.Find this resource:

Most, Andrea. Making Americans: Jews and the Broadway Musical. Cambridge, MA: Harvard University Press, 2004.Find this resource:

Mueller, John. Astaire Dancing: The Musical Films. New York: Wings, 1985.Find this resource:

Mundy, John. Popular Music on Screen: From Hollywood Musical to Music Video. Manchester: Manchester University Press, 1999.Find this resource:

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Nollen, Scott Allen. Abbott and Costello on the Home Front: A Critical Study of the Wartime Films. Jefferson, NC: McFarland, 2009.Find this resource:

Norton, Richard C. A Chronology of American Musical Theater, vol. 2. New York: Oxford University Press, 2002.Find this resource:

O’Brien, Daniel. The Frank Sinatra Film Guide. London: Batsford, 1998.Find this resource:

O’Brien, Lucy. Madonna: Like an Icon. New York: Bantam Press, 2008. Find this resource:

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O’Leary, James. ‘Oklahoma!, ‘Lousy Publicity,’ and the Politics of Formal Integration in the American Musical Theater.’ Journal of Musicology 31, no. 1 (Winter 2014): 139–182.Find this resource:

Parker, Alan. ‘EVITA – Alan Parker – Director, Writer, Producer Official Website.’ Web.Find this resource:

(p. 640) Patinkin, Sheldon. ‘No Legs, No Jokes, No Chance’: A History of the American Musical Theater. Evanston: Northeastern University Press, 2008.Find this resource:

Pomerance, Murray. The Eyes Have It: Cinema and the Reality Effect. New Brunswick, NJ: Rutgers University Press, 2013.Find this resource:

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Smith, Helen. There’s a Place for Us: The Musical Theatre Works of Leonard Bernstein. Farnham, UK: Ashgate Press, 2011.Find this resource:

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Spring, Katherine. Saying It with Songs: Popular Music and the Coming of Sound to Hollywood Cinema. New York: Oxford University Press, 2013.Find this resource:

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Stam, Robert. Literature through Film: Realism, Magic, and the Art of Adaptation. Malden, MA: Blackwell, 2005.Find this resource:

Stam, Robert, and Alessandra Raengo, eds. Literature and Film: A Guide to the Theory and Practice of Adaptation. Malden, MA: Blackwell, 2003.Find this resource:

Starr, Larry. Gershwin. New Haven, CT: Yale University Press, 2010.Find this resource:

Stempel, Larry. Showtime: A History of the Broadway Musical Theater. New York: W.W. Norton, 2010.Find this resource:

Sternfeld, Jessica. The Megamusical. Bloomington: Indiana University Press, 2006.Find this resource:

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Symonds, Dominic. We’ll Have Manhattan. New York: Oxford University Press, 2015.Find this resource:

Symonds, Dominic, and Millie Taylor, eds. Gestures of Musical Theater: The Performativity of Song and Dance. New York: Oxford University Press, 2014.Find this resource:

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Tharp, Twyla. Push Comes to Shove. New York: Bantam, 1992.Find this resource:

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Turk, Edward Baron. Hollywood Diva. Berkeley: University of California Press, 1998.Find this resource:

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Wilder, Alec. American Popular Song: The Great Innovators, 1900–1950. New York: Oxford University Press, 1972.Find this resource:

Wilk, Max. They’re Playing Our Song. New York: Zoetrope, 1986.Find this resource:

Winer, Deborah Grace. On the Sunny Side of the Street: The Life and Lyrics of Dorothy Fields. New York: Schirmer, 1997.Find this resource:

Wolf, Stacy. Changed for Good: A Feminist History of the Broadway Musical. New York: Oxford University Press, 2011.Find this resource:

Wolf, Stacy. A Problem Like Maria: Gender and Sexuality in the American Musical. Ann Arbor: University of Michigan Press, 2002.Find this resource:

Woller, Megan. ‘“Happ’ly-Ever-Aftering”: Changing Social and Industry Conventions in Hollywood Musical Adaptations, 1960–75.’ PhD diss., University of Illinois Urbana-Champaign, 2014.Find this resource:

Woller, Megan. ‘The Lusty Court of Camelot (1967): Exploring Sexuality in the Hollywood Adaptation.’ Music and the Moving Image 8, no. 1 (Spring 2015): 3–18.Find this resource:

Wollman, Elizabeth L. Hard Times: The Adult Musical in 1970s New York City. New York: Oxford University Press, 2013.Find this resource:

Wollman, Elizabeth L. The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. Ann Arbor: University of Michigan Press, 2006.Find this resource:

Wood, Michael. America in the Movies: Or, ‘Santa Maria, It Had Slipped My Mind.’ New York: Columbia University Press, 1989.Find this resource:

Wood, Robin. Hollywood from Vietnam to Reagan … and Beyond. New York: Columbia University Press, 2003.Find this resource:

Yudkoff, Alan. Gene Kelly: A Life of Dance and Dreams. New York: Back Stage Books, 1999.Find this resource:

Ziegfeld, Richard, and Paulette Ziegfeld. The Ziegfeld Touch: The Life and Times of Florenz Ziegfeld, Jr. New York: Harry N. Abrams, 1993.Find this resource:

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