Abstract and Keywords
The sonic imagery of poetry and the poetry of radio are the subjects of Seán Street’s chapter. Street argues for a poetics of sound, whereby sound, like poetry, can stimulate images and feelings from the breadcrumbs contained within. Sound, especially that sound forming sonic art as found in many radio dramas and narratives, is essentially ambiguous, and it is this very ambiguity that sparks the imagination of the listener, plucking long-forgotten experiences from the deep recesses of our memory, experiences that, Street claims, are crucial factors in the preservation of our sense of self.
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