Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 17 September 2021

Abstract and Keywords

This article proposes a general definition of tonic and explores its ramifications across repertories and intellectual traditions (cognitive, historical, ethnomusicological, music analytical, and phenomenological). The proposed definition admits of both wide and narrow applications: from broad conceptions that detect tonics in a wide range of world musics to a more narrow definition that limits the term (and its theoretical entailments) to bourgeois musical cultures in the West. These ideas are illustrated through discussions of diverse musical examples, from the “common practice” (Bach, Schubert) to the postwar avant-garde (Lutosławski), French house (Daft Punk), and rust-belt hard rock (Akron-based band Dia Pason).

Keywords: tonic, tonality, music cognition, ethnography, Lutosławski, Bach, Schubert, Daft Punk, Dia Pason

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.