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date: 21 September 2020

Abstract and Keywords

This chapter discusses the author’s pseudo-normative approach to music making, drawing influences from techno, house, and a range of unconventional vocabularies. There is parallel consideration of moving from drum machine to monosynth, integrating algorithmic control, and then to real-time digital signal processing and generative techniques. Detailed consideration of a system called ‘multistability’ is included.

Keywords: multistability, DSP, drum machine, monosynth, Max/MSP

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