Abstract and Keywords
The Inca developed and perfected a special type and quality of weaving that was the hallmark of their garment-making tradition. Textiles made of high-quality tapestry (cumbi) embodied the Inca aesthetic as a political and cultural force. In the colonial period, these Inca attributes were transformed and adapted in new directions: some self-referential, overt expressions of rebellion against colonial viceregal rule, others more acquiescent to the new social order. During festivals and other celebratory events, such garments were worn as part of a “theater” of Inca heritage. The garments, including the tocapu designs, were part of complex cultural interactions and contributed to expressions of status and identity in the Andes.
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