Pamela Sue Anderson
A major obstacle inherent in patriarchy remains its barely perceptible reality for all of those women and men whose lives have been decisively ordered by the rule of the father. Toni Morrison, winner of the Nobel Prize in Literature, captures the imperceptible reality of racial domination with imagery of a fishbowl. Her imagery reveals the ways in which apparently invisible structures of domination can suddenly become visible. With Morrison's cogent use of imagery in mind, this article examines patriarchy by revealing the transparent structure of male domination that has contained women's lives, and the ways in which feminism has emerged with this revelation. The bare outlines of the former are made evident here in a reading of English literature and theology; the latter can be seen as if the writer and reader were outside that ordered life, tackling ‘the obstacle which does not speak its name’.