This article considers whether the activity that we recognize as criticism existed in the literary culture of early Tudor England. Before the appearance of formal poetic defenses and ...
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This article considers whether the activity that we recognize as criticism existed in the literary culture of early Tudor England. Before the appearance of formal poetic defenses and literary treatises in English (an Elizabethan phenomenon associated with Sir Philip Sidney and George Puttenham), English vernacular culture of the early sixteenth century seems to have been devoid of a fully fledged poetics or literary theory. Yet the composite evidence of printed prefaces, various endeavors to translate classical rhetorical terminology, and poetic practice itself in these early decades reveals a series of literary-critical interests that recur in the writing and intellectual history of this period. Literary theory in early Tudor England evolves as it addresses a set of preoccupations that cluster around questions of authorial inventiveness, models of style and vernacular eloquence, the domestication of imported critical terminology, and the agency of readers.
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