Chapter 33 focuses on Demosthenes’ reception in antiquity and during the Byzantine Era. In particular, it examines the character and value of the 15 ‘demegoriai’ that survive from Demosthenes’ Assembly speeches, first by discussing the peculiarly Demosthenic phenomenon of a first version written already in a highly elaborated form. Demosthenes was perhaps influenced here by Isocrates’ important innovation, the written speech that presented itself as if it had been delivered; this practice is also documented in Demosthenes’ circle by the On Halonnesus of his associate Hegesippus. These innovative practices became the object of attention for the generation of critics immediately following Demosthenes. The article considers the reception of Demosthenes by looking at the works of Theopompus of Chios, Anaximenes of Lampsacus, Timaeus, Aesion, Hermippus, Demochares, Callimachus, Polybius, Cicero, Dionysius of Halicarnassus, Didymus of Alexandria, Hermogenes of Tarsus, Plutarch, Lucian of Samosata, Aelius Aristides, Libanius, Zosimus, and Photius.
Alastair J. L. Blanshard
Chapter 34 focuses on Demosthenes’ reception in the modern era. It was Cicero and Quintilian who made sure that Demosthenes will never be forgotten. The praise that they heaped on Demosthenes’ style made it possible for him to always remain a figure to conjure with. Plutarch established the status of Cicero and Demosthenes as the twin fathers of oratory. The article first considers how Demosthenes emerged as a central topic in political discussions during the modern period, as seen in the first English translation of the Olynthiacs and the Philippics by Thomas Wilson. It then examines how, from Wilson onwards, Demosthenes’ fortunes became largely intertwined with the fortunes of Athenian democracy itself, and particularly how his association with liberty and opposition to tyranny propelled Demosthenes into the limelight of American Revolutionary rhetoric. It also describes how Demosthenes became an important figure in popular culture.