This article begins with a discussion of the Exodus in the Latin American Bible movement (Movimento Bíblico Latino-Americano) related to the Theology of Liberation. It then looks at the symbol of the Exodus in popular culture, as it is expressed outside of the norms of theological language. The hypothesis is that there is a tension between both traditions. The popular tradition seems never to have addressed the whole of the Exodus narrative, instead making choices that have transformed this key liberation symbol into something very different. Popular culture stresses different topics from those which are important for a theological reading. The article aims to point out the key options which both kinds of approach to the Exodus offer, and to show how they contradict each other. It may also be possible to highlight their different hermeneutics. So the interest here is centred on the interpretative processes, and the choices, classifications, and new discourses that arise from these.